You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Science fiction – have we forgotten what it should be? October 19, 2014
- ‘Is there life after death?’ – The Undercover Soundtrack, Christina Banach October 15, 2014
- Novels aren’t movies – how to write great description in prose October 12, 2014
- ‘A hushed, whispered jingle mimicking a drizzle of rain’ – The Undercover Soundtrack, Anjali Mitter Duval October 8, 2014
- Voices and accents for your audiobook – how to choose the right narrator October 6, 2014
- ‘Skinny-dipping in greenish-hued waters’ – The Undercover Soundtrack, Consuelo Roland October 1, 2014
- So You Want To Be A Writer? New radio show to get you started September 29, 2014
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