Archive for category My Memories of a Future Life
When I was ghostwriting, I longed to have a novel published with my own name on. Today I’m talking about my journey to make that happen at The Alliterative Allomorph, bloggish home of author, singer, poet and songwriter Jessica Bell.
Her name might be familiar to you as a recent guest on The Undercover Soundtrack, where she made a big impression by revealing she wrote her own unique soundtrack for her debut novel String Bridge. Yes, that Jessica Bell, I knew you’d remember her… Come over and see where this very cool lady hangs out.
All this week, bestselling indie author Terri Giuliano Long is holding a ‘celebrate indies’ event and I’m honoured she invited me as one of the guest posters. (I’m going to be dragging her here for an Undercover Soundtrack soon, about her award-winning novel In Leah’s Wake.) And her timing couldn’t be better because this week the UK’s Guardian newspaper finally published a post admitting that there’s a lot of good to be found in self-published books. (If you think so too, go and tell them!)
In the meantime, here’s my rallying cry at Terri’s – and you can also find out why I consider this much-editioned novel is a beacon for the indie publishing movement.
Do you think indie authors are gaining credibility? Share in the comments!
‘Keep this anecdote,’ I said. ‘Write it down.’
‘Pah it’s just a dream,’ she said. ‘I was also inspired by this strange thing that happened to a friend…’
‘Write that down too,’ I said.
She thought I was mad, and no doubt you do too. But there will come a time when you will be scratching for things to say about your book and you need something beyond a story summary or a sketch of your main characters.
I first realised this years ago at a friend’s book launch. I’d just finished My Memories of a Future Life and I got chatting to a publisher. I gave my prepared spiel and he nodded eagerly, wanting more. I’d run out of pitch, so I bumbled on about my favourite bits, aware that I was getting obscure, but I was so mired in the book I couldn’t see it as an outsider. What I needed was a crisp anecdote or two to keep him relating to it – perhaps about its influences or what inspired it. (He still asked to see it, though, so no harm done.)
Publicity is a long game of guest posts, interviews and maybe personal appearances. (At the moment, Dave is gearing up for the launch of his Frankenstein book app, and is grappling with interview questions. ‘What on earth do I tell all these people?’ he frequently says to me. ‘I thought it was enough to just write the story.’)
Blah blah blah
There’s only so much you can say about the novel without giving spoilers. And you’re going to be asked the same questions time and again about the writing of it, but that doesn’t mean you have to give the same answers. In fact, you shouldn’t. In each case you might reach a new audience, but the chances are, readers will see you several times before they decide to check you out. The more different – but congruent – stories you can tell about your book, the richer it will seem and the more ways you have to reel readers in. And the less you’ll bore everyone, including yourself.
And people who like stories also like stories about stories. I recently added an ‘inspired by’ anecdote to my Amazon listing for My Memories of a Future Life and sales have trebled. This experimental sample of just one seems to prove somethingorother.
The very best are specific but don’t give too much away. It could be
- novels that influenced it
- favourite fictional characters that spurred you to write it
- real-life experiences that fed into it – anything that gives you an insider view of the subject or events
- real-life people who inspired it or helped with research – although be careful of libel
- issues the novel raises
Or it could be something left field, like my series The Undercover Soundtrack on the red blog, where writers tell a tale about their book in the context of music that inspired them while writing.
But thinking of all this stuff – unless someone gives you a specific exercise like my Undercover Soundtracks – is time consuming. And, depending on how complex your novel is, you may not be able to name all its influences at the drop of a hat. I’m still becoming aware of forgotten seeds for both of mine. They emerge by chance in conversations, revisited films and novels I dimly remember. Now I realise I might have a use for these insights, every time I stumble on another, I write it down.
Keep your stories about your stories. You’ll be surprised how easily they’ll slip your mind, but they’re as useful to you as the ideas in the actual novel itself. And you’ll never have enough.
Thanks for the pic Ben Chau
Do you have a tale about your novel? If you can tell it briefly, the floor is yours…
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