Posts Tagged contemporary fiction

‘Sadness and longing in the wildest pleasures’ – The Undercover Soundtrack, Rohan Quine

for logoMy guest this week writes urban fiction imbued with magical realism and horror. His characters are drawn directly from soundtracks, from music that expressed their desperation, loneliness, fragility and streetwise sass – Sinead O’Connor to Madonna; Dead Can Dance to Suede and Soft Cell. He is Rohan Quine and he’s on the Red Blog with his Undercover Soundtrack.

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‘A sadness I couldn’t explain’ – The Undercover Soundtrack, Laura K Cowan

for logoJohannes Brahms reportedly referred to his third intermezzo for Opus 117 as ‘the lullaby of all my grief’. This week’s guest was studying music in summer school when she first encountered it, and was overwhelmed by its sadness. Life events interrupted her dreams of becoming a musician, but years later, when she was writing a novel about a ballet dancer, her research led her to the Brahms. She remembered the imaginative journey she had taken when she used to play the piece, and now it guided her creation of the main character and her story. She is Laura K Cowan and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is fuel to take me where the characters go’ – The Undercover Soundtrack, Yasmin Selena Butt

for logoMy guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’s on the Red Blog with her Undercover Soundtrack.

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‘Oceans of silence beneath the words’ – The Undercover Soundtrack, Orna Ross

for logoMy guest this week says her first novels were fuelled by nostalgia and the past. She wrote them while living in a small market town in England, and harking back to her former homes in California and Ireland. Her soundtrack connects her back to those places and their people. Traditional emigrant songs that remind her of stoic characters in her family, while the gay anthem of La Cage Aux Folles is symbolic of friends in the LBGTQ community and her themes of loyalty and personal autonomy. There’s also a special place for the BBC shipping forecast, which she used to listen to in bed as a child, finding poetry in its strange names.  She is Orna Ross – and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music to first escape life then reconnect’ – The Undercover Soundtrack, Wayne Clark

for logoMy guest this week says he has to treat music with kid gloves. If he’s sitting at a dinner party and music is playing, he’s likely to get so distracted that he zones out of the real room. This is a familiar scenario to me too. And he’s definitely a writer who has found himself piecing together a novel from many of these moments of surprised distraction – where a track heard by chance perfectly fits the story problem his mind is mulling over. His novel is the story of a disillusioned man learning the way to feel alive once more, his name is Wayne Clark, and he’s on the Red Blog with his Undercover Soundtrack.

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‘Music for the inner wilderness’ – The Undercover Soundtrack, Anne Stormont

for logoMy guest this week describes her books as stories about and for the sometimes invisible women; the 1960s feminists; women in their late 40s, 50s, 60s and beyond; thinking, feeling, loving, intelligent characters who are steering their lives through choppy waters. She says she uses music as a short-cut to their inner wilderness, with signature songs that conjure their hearts and minds, even on the most uninspired days. She is Anne Stormont and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music prepares me to face a blank page’ – The Undercover Soundtrack, Carol Cooper

for logoI’ve long suspected that the music writers work to is not necessarily their favourite listening. My guest this week supports this theory. She says music is her creative Viagra, but that her choices sometimes surprise her – thus confirming for me that Undercover Soundtracks belong to a separate department in the mind. She describes her work as raunchy romance with a heartrending medical strand – she is also a doctor and the author of several health books, as well as a journalist for The Sun newspaper. Her musical colleagues include The Beatles, the BBC proms and Nusrat Fateh Ali Khan. Carol Cooper is on the Red Blog with her Undercover Soundtrack.

Blogging break: I’m taking a short break from my dashboard this week – to work on a few projects and get the files finalised for my upcoming audio book of My Memories of a Future Life. The next post here will be an Undercover Soundtrack, but after that it will be writing and publishing as usual! In the meantime, here’s Carol’s post

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‘Music summoned from somewhere unknown; secrets and hope’ – The Undercover Soundtrack, Therese Walsh

for logoMy guest this week felt daunted when she embarked on her second novel, worried that she didn’t have the mileage to finish. A duo of songs kept her on course, gave her confidence and made her believe in the reality of her characters and their story. And two is a recurring theme as her novel centres around a pair of sisters with damage, strange hearts and unusual senses. As co-founder and editor-in-chief of Writer Unboxed, my guest is well known to thousands of writers interested in the craft and business of fiction; she is Therese Walsh and she’s on the Red Blog with her Undercover Soundtrack. Plus there’s a GIVEAWAY!

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‘Road trips require a soundtrack; so do some novels’ – The Undercover Soundtrack, Linda Collison

for logoMy guest this week says she studied music in high school. She describes music as a time machine, and even indulges a wish that in a parallel life, she became a musician. (In common, I’m sure, with many of my Soundtrack guests – not least, me.) In this life, though, her instrument is words, and she compares writing to a long process of dreaming a journey. Her novel is the story of teenagers coming of age on a road trip and was a finalist in Foreword Review’s Book of the Year Award. She is Linda Collison, her novel is Looking For Redfeather, and she’s on the Red Blog with her Undercover Soundtrack.

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‘A trickle of notes can flood your thoughts with broken things’ – The Undercover Soundtrack, Warren FitzGerald

for logoMy guest this week has studied music more closely than some. His previous artistic incarnation was a rock singer – both with a band of his own and performing as a session vocalist to vast venues. (If you’re very good, we’ll include a video of him so you can see for yourself.) Now he has settled into an artform of lower decibel, but he hasn’t left music behind. His latest novel, Tying Down The Sun, is the story of a kidnap in the Sierra Nevada and he used music to help him verbalise the landscape and to mark the plight of his captive characters as their ordeal wears on. He is Warren Fitzgerald and he’s on the Red Blog with his Undercover Soundtrack.

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