Posts Tagged ghostwriting
When I was ghostwriting, I longed to have a novel published with my own name on. Today I’m talking about my journey to make that happen at The Alliterative Allomorph, bloggish home of author, singer, poet and songwriter Jessica Bell.
Her name might be familiar to you as a recent guest on The Undercover Soundtrack, where she made a big impression by revealing she wrote her own unique soundtrack for her debut novel String Bridge. Yes, that Jessica Bell, I knew you’d remember her… Come over and see where this very cool lady hangs out.
How did I develop the underwater world of the Soothesayers for My Memories of a Future Life? What experience did I draw on to create the musician narrator Carol? Did I start my blog to plug my writing book (a timely question considering this week’s post)? What’s this Life Form 3 novel I mention from time to time?
My Memories of a Future Life was reviewed yesterday at Underground Book Reviews, and today they’re in interview mode, digging for answers… including how do I prove I ghostwrote those bestsellers? And will my career as a movie extra ever amount to anything? Come and delve…
If you have tackled any of the questions I was asked about – including creating worlds or understanding a character’s passion, share in the comments!
When I ghostwrite, it’s a collaboration. The editor, the ‘author’ and various other parties will be involved with it from birth. Together we hammer out the plot. I go to them first with my research questions. We chat about how it’s going. Of course the majority of the work is mine, but by the time I deliver the manuscript it’s as though it’s been written in public.
Writing my own novels is not like that at all.
The first time an agent talked to me about My Memories of a Future Life, it was a surreal experience. I met her in a cafe in Covent Garden, on a freezing cold February evening. We sat outside in the penumbra of a gas heater. As people scurried past on their ordinary way home, a person I had never met before was talking to me, in great detail, about regression to the future. The tangled dynamic between four people. Music and its ghostly role in the book’s world. It wasn’t like any other book I’d written, it was more like a long and elaborate secret I’d been keeping. It was so bizarre I was struck monosyllabic. I still haven’t quite got used to it.
I’m over at Women Writers today, talking about the curious and special relationship writers and readers have with novels. Do join me.