- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- My writing process: the picture tour
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Who am I?
Posts Tagged inspiration
This morning I was scratching my head for a post to write, so I asked on Facebook for ideas. Immediately, Vivienne Tuffnell volunteered this great question: ‘How do you keep motivated when your books aren’t flying off the shelves?’
Before I could even type a reply, Zelah Meyer had countered with: ‘delusional optimism and a long-term view’!
Which is about what I would say (at least, the second bit).
We’ll assume for the moment that you’ve done everything possible to ensure your books are up to scratch, with appropriate covers, well-honed descriptions and sharp metadata. You know the book’s good. You’re doing all you can, as your promotion budgets and tastes allow. But those sales aren’t stacking up.
How do you take courage?
Keep calm and build a body of work. Actually, I see this as the only possible plan. Writing is a lifelong thing anyway. If you’ve had the gumption to start, and stick with it, it’s a default habit built over years. Having ideas is as usual as taking breaths. You finish a book and you don’t settle until you’ve got another under way.
Also, building a portfolio makes business sense. Whether we’re the Big Five/Four/Three/Two/AmazOne or an individual writer, this is what we’re doing. With more books we get more chances to be found by readers. And when we are found, we look like more of a presence.
Does this mean you have to churn them out? No. We are taking a long-term view. Write and publish fast if that suits your nature, your material, your market. If it doesn’t, you’re still building a body of work. However long the book takes, once it’s finished, it’s out for ever.
But everyone else…
What about all those posts on Facebook, G+ and Twitter where people share a stellar sales rank or triumphant sales numbers? Some days that can be like a big wet slap. Even though you know how sales ranks surge and plummet by the hour. What can you do, apart from congratulate them – and write?
First, remind yourself it doesn’t reflect on you or mean you should ‘do more’. (Except write. Did I mention that?)
And second, there is something you can do. Keep making meaningful connections, fishing in the internet sea for the other people who think like you, write like you, read like you. Writing is all about connection anyway.
Also, remind yourself how the ebook jungle has changed. I published Nail Your Novel when there was far less competition, and clocked up a good 10,000 sales with so little effort I couldn’t be bothered to count any further. I now can’t believe it used to be so easy. Now, with all the books clamouring for readers, we have to work so much harder for each sale.
Author/editor/songwriter/poet Jessica Bell (left) wrote about this recently at Jane Davis’s blog. I hit on this strategy myself, completely by accident, when I wrote Nail Your Novel. In fact, if I hadn’t got those nonfic titles I’d be feeling pretty discouraged, simply because selling literary fiction is hard, hard, hard. My novels sell only a fifth as many as my Nail Your Novels. But that means I’m five times as thrilled by a fiction sale as I am by a Nail Your Novel sale (though I’m still quite thrilled by those, thank you very much).
What if you only have one book?
A significant number of writers have just one title, and feel no desire to write another. Creatively that’s fine. One book might be all you need to say. Ask Harper Lee. But you are likely to feel this sales problem very keenly. Especially if it’s fiction.
I do know writers who made a big splash with just one novel. For instance, John A A Logan with his literary thriller The Survival of Thomas Ford – but he published at that goldrush time, when a free promotion could work miracles. It was many years before he released another book, and the momentum he got with the first kept him going nicely. He also supplemented it with a lot of hard work on Kindle and Goodreads forums. Now, though, it’s rare that one book will get you noticed enough.
In this situation, your best bet is to go for volume (again). Team up with other likeminded one-book authors and form a collective. Perhaps release a box set.
If the book is non-fiction, you could use it to launch a speaking or tutoring career, which gives people more chances to encounter you. It’s the volume principle again – but you’re producing performances instead of books.
It’s not all about sales
Let’s remember we don’t write simply to chase sales. Except for a few stellar bestsellers, there are more lucrative lines of work. But the satisfaction factor? Every new comment from a reader, every email, every new review, tells me I’m writing what I should be writing. It’s worth the struggle.
Stop this relentless positivity, please
So this probably all sounds very well adjusted. Do ever stop being so darned positive? Certainly I do. I had a towering strop recently when I saw a report of a speech at a publishing conference where the delegates were discussing how much credibility to give indie authors. It all hinged on sales; nothing else. No thought for originality, craft, quality. It reminded me that the publishing world does not want to give authors credibility if they publish themselves – and if we do, they assume we must be at some junior, paint-by-numbers level. Which is insulting for just about everybody – genre authors included. After that I was not positive at all. Measured in that way, EL James would have far more credibility than Henry James.
But we’re playing a long game. For some of us it is longer than others, but the answer is the same. Write more books, and write them well. And remember the main contest you’re in is not against other writers. It’s against your own standards and hopes; the struggle to do justice to your ideas and your talent.
This post probably isn’t startling information. But if you’re also having a crisis of confidence, I hope it helps. And I really hope my optimism isn’t delusional. This is Zelah, by the way. She really can do this. I’ve seen her.
Thanks for the hare and tortoise pic CarbonNYC
Any thoughts to add? Share in the comments!
Amazon ranking, authors, book marketing, book sales, confidence, confidence as a writer, EL James, entertainment, facebook, fiction, Fix and Finish With Confidence, Henry James, how to sell books, how to sell literary fiction, how to write a book, inspiration, Jane Davis, Jessica Bell, John A A Logan, literary fiction, literature, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, publishing, Roz Morris, sales rank, self-publishing, The Survival of Thomas Ford, Vivienne Tuffnell, writers, writing, writing a novel - Nail Your Novel, writing business, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, Zelah Meyer
Have you ever filled in one of those questionnaires that’s supposed to tell you what your ideal job is? Whenever I did, I usually found them desperately disappointing – but then they probably weren’t meant to send people to precarious, impractical occupations like writing. Except that one day, I filled one in that did. And it did it with one excellently judged question: ‘do you value the strange’?
Not only did this prove there is only one job I’m really fit for, it also summed up what drives me to write.
Today I’ve been invited to Writer.ly, who asked me to describe how I develop my novel ideas. Expect a lot of head-scratching, thinking, running, shopping – and writing of notes that no one will ever see but me. Come on over… and tell me if you also value the strange …
authors, beginnings, deepen your story, developing an idea, drama, entertainment, fiction, Fix and Finish With Confidence, guest post, having ideas, how to develop an idea, how to write a book, how to write a literary novel, how to write a novel, ideal job, ideas, inspiration, interview, interviews, literary fiction, literary novels, literature, music for writing, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Planning, polishing, publishing, Roz Morris, Writer.ly, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing routine, writing to music
This question appeared in my inbox from Adam Nicholls after I reported on Facebook that I’d managed 4,000 words of The Mountains Novel in one day. Adam DMd me, in not a little anguish:
How many words do you write per day? And do you have to force yourself to do it? I love writing, but it’s work.
There are two significant points in this question:
- output; books growing steadily at a satisfactory rate
How many words per day?
I asked this question of a group I’m a member of, The League of Extraordinary Authors. Romance author Melissa Foster says she has no difficulty getting 7,000 to 10,000 words written in a day and that she adores the blank page. No issues with output there. (But there’s more to writing a good novel than stacking up the wordcount, as she points out in the comments below.)
Romance author Colleen Thompson says ‘When on a publisher’s deadline, I write 1,000-2,000 words a day 6-7 days a week. Otherwise, I try to produce 20-25 new pages per week. Right now, I’m editing, so all bets are off!’
And contemporary fiction author Linda Gillard says ‘I don’t have a regular wordcount but I doubt if I do more than 2,000 new words a day. I think of it as a chapter a week. It’s more important to me that I should work every day on the book – research or editing. For every day spent drafting, I spend 3-4 days re-writing/editing. Drafting I find quick, editing slow. Once a book is under way, I expect to work most days.’
Ultra noir detective author Eric Coyote says he ignores wordcounts – ‘because so much of my writing is re-writing. I clock time: 2-6 hours a day. Usually I work a couple of hours in the middle of the day, then a blast at night until 2 or 3am.’
Graham Greene, who was hardly a publishing slouch, would set himself a modest target – 500 words a day he was satisfied with, and he stopped even if he was in the middle of a sentence so he could pick up the following day.
Stephen King talks in this interview for The Paris Review about how he aims for 1,000 words a day.
And since you asked (or Adam did), I track wordcounts if I have a deadline, as when I’m ghostwriting. The plot is agreed beforehand and by the time I write it’s simply a matter of enacting what’s in the outline. I’d usually get 2,500 words done in a day, 5 days a week.
My own fiction is trickier because there’s much more discovery and exploration, even though I plan, so wordcounts grow erratically. They might shrink, too, as I realise I can’t leave the passage I wrote the day before. The day of 4,000 words isn’t a consistent norm although I didn’t stop there. By the time I closed the file that day I’d added another 2,000. Only time will tell how much of that I’ll keep as I’m sure I was cross-eyed by the end.
Indeed, like Eric, I find it more useful to record the hours spent. With novels like mine, part of the work is understanding how to handle the idea. So a session on the book may produce no new footage in the manuscript, but several hours writing notes or reading.
Get on with it
Of course, we could research and tinker endlessly. It’s easy to slip into procrastination instead of getting the writing done.
There are two main reasons why we might dither for ever:
- we can’t immerse
- we’re worried about getting it wrong – the inner critic
Where do you write? Stephen King in The Paris Review says he creates a ‘refuge’ where he can shut away. He also remarks that being close to a window is fatal because it’s easier to look outside instead of inwards to the imagination.
I posted last week about getting into the zone, using music. Writing tutor and suspense author James Scott Bell explains in this post how he subscribes to the oft-repeated philosophy of writing when he feels inspired, and making sure this happens at the same time every morning. Yes, be brutal with your muse.
Don’t lose contact with the book
A surprising number of writers feel a stab of stage fright before they sit down with their novel. I do myself, but only if I’ve had to leave the manuscript for more than a few days. The more I keep my contact with the book warm, the more I feel comfortable to venture back inside it. It helps that I’m drawing on the experience that the other novels worked in the end. What if you don’t yet have that or for some reason that isn’t enough?
Warm up the writing engine
Some writers favour freewriting exercises. Freewriting is basically splurging onto the page or screen, regardless of grammar, spelling, quality or any other critical issue. The point is to remove inhibitions and let the ideas flow, to connect with your creativity. Famous exponents include Natalie Goldberg in Writing Down The Bones, Julia Cameron in The Artist’s Way, and another of my cohorts in The League of Extraordinary Authors, Orna Ross.
Get out more
In my conversation with the League of Extraordinary Authors, Linda Gillard had this terrific advice. ‘I find the best way to stimulate the flow of ideas and the desire to write is to put myself in a situation where it’s impossible, eg Christmas.’ Indeed, this is one of the tactics I recommend in Nail Your Novel - if you’re stuck, go and do something messy that will make holding a pen impossible. Make meatballs or go to the gym. Inspiration is no respecter of convenience.
Do you have wordcount goals? Do you find writing a struggle? What would you tell Adam? Share in the comments!
Adam Nicholls, authors, beginners, Colleen Thompson, deepen your story, entertainment, Eric Coyote, fiction, Fix and Finish With Confidence, free writing, Graham Greene, having ideas, how to write a book, how to write a novel, ideas, inspiration, James Scott Bell, Julia Cameron, League of Extraordinary Authors, Linda Gillard, literary fiction, Melissa Foster, music for writing, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Natalie Goldberg, novels, Orna Ross, Planning, publishing, Romance author, Roz Morris, Stephen King, The Artist's Way, The Paris Review, The Undercover Soundtrack, unblocking, undercover soundtrack, wordcount, wordcounts, writer's block, writing, writing a novel - Nail Your Novel, writing business, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Down The Bones, writing exercises, writing life, writing routine, writing targets, writing to music
You’ll have seen the posts here about my blog series the Undercover Soundtrack.
Over the years, the posts consistently repeat certain bare essentials, both for reaching the writing mindset and creating a good story. Here they are, and whether you write with music or not, we all need them.
To enter the zone
In front of us is a keyboard and a screen, or maybe a pad and pen. Whether you’re putting on a soundtrack, closing the door on your favourite silent space or seeking the anonymous corner of a coffee shop, the first step is to find a way to delete the outside world.
Start the time machine
Whether we write gritty memoir or the most extravagantly invented fantasy, we need to harvest our emotional memories. Many of our scenes, dilemmas and storylines are drawn from feelings we had at important times with family, friends, loved ones.
To keep the pace
Stories aren’t static. To keep the reader gripped, we need to generate a sense that the world of the story is changing all the time. For me, music is a useful reminder, because music does not stand still. There may be a new instrument snaking into the mix, a new variation on a theme, a creeping, evolving harmony. If this is going on in my ears while I’m spending time with my book – whether I’m musing or typing – I find it keeps me up to the mark – pushing for ideas that give this forward pressure.
We’re getting more musical now. A song is not unlike a well-told tale. It creates a territory of familiarity – a pattern we recognise of verse and chorus. Then we have the second verse – familiar, but not the same because the background is more dense or the lyric more intense. The second chorus is usually more substantial than the first, and even if it has the same lyric, it packs more punch. And on the song goes, seeking a climax.
For all its variation, a song is tightly disciplined. It develops by adding only what belongs. As story writers we can splash about in ideas, locations, settings, characters and events, but the more they align with the home territory (or exquisitely contrast with it), the more they will seem to belong in one piece.
In a piece of music, there might be a breakdown, where most of the elements are subtracted, perhaps leaving only the drum track or the melody at great distance. Breaks are important for a reader too; perhaps a campfire scene, a time out from the pressure to let the reader breathe before the tension comes flying back.
To calm the inner editor
Novels are huge and often daunting. Getting from beginning to end requires persistence, and we always find our confidence tested. Many of my Undercover Soundtrack guests report that music is an essential companion in this. It helps us believe more in ourselves, our story, our characters, our world – and in our ability to finish.
How about you? What essentials would you add? And if music isn’t your aide of choice, is there something you use to get a novel finished?
authors, books, Character, confidence to write, emotional memory, entertainment, fiction, Fix and Finish With Confidence, handle the inner editor, having ideas, how to write a book, how to write a novel, ideas, inner critic, inspiration, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, novels, permission to be creative, permission to experiment, permission to write, Planning, polishing, publishing, Roz Morris, silence the inner critic, the creative zone, The Undercover Soundtrack, time machine, undercover soundtrack, writer's block, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing routine, writing to music
Some writers plan to the ennnnnth degree. Before they write, they prepare a trunkload of ideas, route maps and background. Then we have the scribblers who travel light. Just the barest plot twist, perhaps a skinnily-honed last line or a little black denouement. (Actually, I’m warming to this wardrobe theme.)
So if you’re in the former category, what mustn’t you forget? And if the latter, what’s the bare minimum you can get away with?
Today I’m at a festival called Chapter Book Challenge, a month-long event that aims to galvanise writers to write a chapter book in just a month. I’m zoning in on the essentials for the drafting process – and as an added bonus, commenters on the post (THAT post, not this one!) will get entered into a draw to win a paperback copy of Nail Your Novel, original flavour, which is packed with essentials for getting you from first idea to final draft. Come on over to find out what every well-dressed novel is wearing...
authors, capsule wardrobe, Chapter Book Challenge 2014, deepen your story, drafting a novel, entertainment, fiction, Fix and Finish With Confidence, free book, guest post, guest posts, having ideas, how to outline a novel, how to plan a novel, how to write a book, how to write a novel, ideas, inspiration, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, outlining a novel, outlining your novel, pantsing, pantsing versus planning, Planning, planning a novel, Plot, prize draw, publishing, Rebecca Fyfe, Roz Morris, synopsis, WIN, win a book, win a paperback, win a writing book, writer's block, writing, writing a novel - Nail Your Novel, writing books, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing routine
Do you need help to get your novel started or finished? Four of us experienced scribblers talk about how we stay creative through the tough times and reveal our secrets for drafting, fixing and finishing, not to mention keeping our confidence. Solutions include running, composing music, meditation and lying on the floor scribbling on sheets of A4 using the hand you don’t normally write with.
My co-conspirators are Orna Ross (who is the author of Go Creative, several literary novels and leader of the Alliance of Independent Authors), Kevin Booth (who’s a translator as well as an author and trained as an actor before he took up writing), and Jessica Bell (who runs the Vine Leaves Literary Journal as well as having a parallel career as a singer-songwriter, which you might well know already from her appearances on The Undercover Soundtrack).
We’re forming the creative posse at IndieReCon, a free online conference for writers at all stages of their publishing careers. Do come over – and check out the other terrific events in the line-up. There’s info from all kinds of experts in publishing, writing and marketing.
Alliance of Independent Authors, authors, entertainment, F R E E writing, fiction, Fix and Finish With Confidence, Go Creative, guest post, guest posts, having ideas, how to be creative, how to beat writer's block, how to write a novel, IndieReCon, inspiration, Jessica Bell, Kevin Booth, meditation, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, novels, Orna Ross, Planning, podcast, Podcasts, publishing, revising, Rewriting, Roz Morris, self-publishing, seven stages of creativity, video, video posts, Vine Leaves Literary Journal, writer's block, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing routine, writing to music
‘I like Nail Your Novel,’ said Lauren Orbison to me on Twitter recently (which was nice). ‘But you now need to write Nail Your Second Novel. It’s tough sometimes to get back to writing after finishing something.’
I understand what she means. First novels are usually written over many years. We might put more time, work and learning into it than we ever dreamed we could put into one project – short of actually rearing the next generation. Then suddenly, the novel’s done, it’s out and we’re wondering: how did I do it?
I’ve certainly felt like this. One minute, I’m stealing time to be with a book that has become as familiar as an old friend, refining to get the depth and finish I want. No other phase for me is so rewarding. I’m understanding my material. I have a book, for sure, at last. It reminds me of when I was at plays at school. In the final rehearsals we’d be adding refinement on refinement, amazing ourselves at how inventive we were being. The shambolic months were behind us.
Then it’s over. On the one hand, my novel is out in the world as a finished piece. Readers might be asking what’s next (bless them). And what have I got? Something much rougher, perhaps – to me – offensively so.
This, I think, is what Lauren is talking about. Some writers find it blocks them completely.
I’ve learned the way to deal with this is to get another novel to a confident state before the mature one sets sail. I know that if I get to the end of The Mountains Novel and I haven’t got a serious contender for Next Novel, I will be severely fretful and will rail at the muses for abandoning me. But The Mountains Novel will need periods of enforced rest after each draft and that’s when I’ll get developing the next one. Could be The Flying Novel, The Venice Novel, or – as I’ve had a few other ideas arrive – Someothernovel entirely.
So far, so good.
But what if you’ve completed the one novel you’ve spent years on, and you haven’t started incubating another? What if that first idea started so long ago that you’ve forgotten how you ever got it?
Or what if you have ideas but they don’t excite you? I have various plots I’ve thought of, but I don’t feel moved to write them. I’m missing the ingredient that will make me want to quarry them – because I haven’t found the theme or idea I want to take to them. They’re clay without a soul.
First of all, if you’re feeling so emptied, you can’t create. Go and stoke your imagination. Your first idea probably came to you out of the blue, while you were following something you were interested in. So read books and do things just because you want to, no ulterior motive of research. You can’t force yourself to have a great idea any more than you can will yourself to fall in love. But you can flirt with things that could bite back (in a good way).
If you’re still frustrated because you’re not actually ‘working on’ something, make this period of exploration into a project. Set yourself a target to read x number of novels, y number of non-fiction books, or have a brief sabbatical at an evening class so that you feel like you’re completing something. Think of it as an appointment with your muse. If you’re really desperate, read something you’re guaranteed not to like. The chances are, you’ll rile yourself so much you’ll be bursting ideas in no time.
And next time, don’t wait until the first novel is over before you work on the second. (There’s plenty more about developing ideas in Nail Your Novel, whether you’re on debut tome or umpteenth…)
Well that’s my method. Have you finished a novel and found it hard to get on with the next? Perhaps you have a steady stream of works in progress… Let’s share in the comments!
authors, beginners, creative development, creative writing, creativity, deepen your story, developing a novel. how to develop a novel idea, drafting a novel, entertainment, fiction, Fix and Finish With Confidence, having ideas, how to break writer's block, how to have ideas, how to have ideas for a novel, how to start a novel, how to start writing a novel, how to write a book, how to write a novel, how to write your second novel, ideas, inspiration, Lauren Orbison, make yourself inspired, My Memories of a Future Life, Nail Your Novel, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, polishing, publishing, Roz Morris, second novel, The Flying Novel, The Mountains Novel, The Venice Novel, where to find ideas, writer's block, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing routine
It seems a simple thing to consider. Unless you’re me.
It’s on my mind because of a film I saw recently, where a couple of characters who were novelists singled out an all-time favourite work of fiction.
But… but… but…. (I informed the screen) that’s not how the writer’s mind works. And while we’re at it, novelists can’t usually quit the day job and they don’t automatically get launches at the London Book Fair.
But back to the original question. I don’t have one favourite book. I have hundreds. If I’m asked what books I’d take to a deserted island, I’d have to make up a fictitious compilation volume that runs to many roomfuls.
I’m aware I might be taking this too literally, but I think it’s an illumination of how a writer’s mind works, how we use what we read – and indeed how we choose it.
Non-creative people rarely understand this, but to a writer, the whole world is an aquarium. We are not spectators, we’re on a life mission to make stuff. Everything is a potential teacher or a trigger. We can’t turn it off. Anything might be significant and we might end up bonding with a book for the oddest reasons. One publication I’d put in my very enormous favourites compilation isn’t even a published book. It’s the colour chart of the paint manufacturer Farrow & Ball. The names of the paints (Clunch, Elephant’s Breath, James White) give me a world of delight.
Indeed I bet most writers have books they wouldn’t put on their public Goodreads profile because they don’t reflect their ‘tastes’, yet they keep them close at hand. When I’m researching ways to handle an idea I’m just as likely to seek out novels that treated it badly or ruined it, because I need to discover what mistakes were made.
And if the question is merely intended to discover what we read for fun, it’s daft to ask if I liked East of Eden better than Rebecca. You might as well ask me to make a league table of my friends. But perhaps that’s just me.
When someone asks you to name your favourite book, what’s your answer? And how do you choose books to help with your WIP?
authors, creative people, creative thinking, creative writers, creative writing, Daphne du Maurier, East of Eden, entertainment, Farrow & Ball, favourite book, fiction, Fix and Finish With Confidence, Goodreads, having ideas, how to read like a writer, how to write a book, how to write a novel, how writers read, ideas, inspiration, John Steinbeck, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, novels, publishing, reading, Rebecca, Roz Morris, what's your favourite book, what's your favourite novel, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life
My new novel isn’t set in the world of music and none of the characters are musicians. It’s a quirky take on the future dystopia/utopia, with a smattering of Arcadia too – misty woods, abandoned towns, a forbidden life by night; the scent of bygone days; and an enigmatic door in a dream. Behind the scenes, though, music did all the early work for me. The first, rough outline came to me from favourite tracks by Boards of Canada, Peter Gabriel, Vangelis, Enya, Ralph Vaughan Williams and the Hungarian electronica composer Gabor Presser. As I built the story I listened to them repeatedly, and now each of them represents a landmark on my main character’s journey. Join me on the Red Blog, when I’ll explain the Undercover Soundtrack for Lifeform Three.
Arcadia, authors, Boards of Canada, books, Brideshead Revisited, deepen your story, England, Enya, fiction, Fix and Finish With Confidence, Gabor Presser, having ideas, horses, how to write a book, how to write a novel, inspiration, Life Form 3, Lifeform 3. Life Form Three, Lifeform Three, literary fiction, literature, misty woods, music for writing, My Memories of a Future Life, novels, Peter Gabriel, publishing, Ralph Vaughan Williams, Roz Morris, ruined mansions, self-publishing, smattering, The Undercover Soundtrack, undercover soundtrack, vanished houses, vanished mansions, wild horses, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing to music
I’m finding it so curious to see how many novelists in this series are inspired by Bruce Springsteen. He’s probably not the kind of artiste people would imagine if you mentioned using music as a muse to write, but he’s behind so many characters and character dilemmas. My guest this week has compiled writing soundtracks ever since he was at school, and still keeps mixtapes from that time. He revisits them occasionally out of amused curiosity, and says that Springsteen gave his characters a gritty humanity he couldn’t otherwise have found. Decades on, he’s using soundtracks just as much as ever – sometimes not to write, but to fill himself with the book’s mood before he sits down at the keyboard. He is Will Overby and he’s on the Red Blog with his Undercover Soundtrack.
authors, Benny Goodman, Brett Rosenberg, Bruce Springsteen, characters, Desert Island Discs, drama, entertainment, Fix and Finish With Confidence, friends, Gyorgy Ligeti, horror, horror novels, how to write a horror novel, how to write a thriller novel, how to write a zombie novel, I’m On Fire, inspiration, Julie London, Kryzysztof Penderecki, male writers, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, playlist for writers, Roz Morris, soundtracks, Springsteen, The Dream, The Undercover Soundtrack, thriller novels, thrillers, U2, undercover soundtrack, vodou, voodoo, Will Overby, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music, zombie novels, zombies
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Is your main character you? How to tell – and how to widen your character repertoire August 31, 2014
- ‘The power of music and friendship’ – The Undercover Soundtrack, Paul Connolly August 27, 2014
- Find the style that fits the story – Jose Saramago’s Blindness August 24, 2014
- ‘Music to grieve by’ – The Undercover Soundtrack, Natalie Buske Thomas August 20, 2014
- Heroes and heroin – writing a character who has an addiction August 17, 2014
- ‘Music, grief and sibling rivalry’ – The Undercover Soundtrack, Lindsay Stanberry-Flynn August 13, 2014
- ‘Plundered people and rotten exploitation’ – The Undercover Soundtrack, Paul Sean Grieve August 6, 2014
Sign up for my newsletter
See what I did there…