Posts Tagged music for writing

‘Music to grieve by’ – The Undercover Soundtrack, Natalie Buske Thomas

for logoMy guest this week is writing about a very personal project – a book of oil paintings that contain a story where a young boy is watched by his grandfather. She was inspired by her memories of her father who died tragically young, and she struggled to do him justice in a medium that allowed her so few words. Her guide was the music of Enya, and certain signature tracks carried the emotions she was looking for as she painted and wrote – love, loss, the swift march of time, letting go and still loving. She is Natalie Buske Thomas and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music, grief and sibling rivalry’ – The Undercover Soundtrack, Lindsay Stanberry-Flynn

for logoMy guest this week used the Moonlight Sonata to guide her through her latest novel. A central character was a pianist, and the story explores the emotions and reckonings that emerge in the wake of his death. She says the Moonlight pulled her in surprising directions, peeling off the layers of a family’s bonds and rifts, and illuminating a complex web of relationships and resentments. The piece became so significant that when she launched the novel, she persuaded her husband to give a performance of the first movement. She is award-winning author Lindsay Stanberry-Flynn and she’s on the Red Blog with her Undercover Soundtrack.

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‘Plundered people and rotten exploitation’ – The Undercover Soundtrack, Paul Sean Grieve

for logoMy guest this week had talismanic pieces of music in his mind while he wrote his debut thriller. Indeed he says the music was such a guiding force that he cannot imagine how anyone reading the book could not hear it too. He chose anthems to embody his characters, their state of mind, their dilemmas and the way they change in the story’s events. They are protest songs, wry looks at characters who are abandoning their principles and songs of obsession and downfall. I’m also delighted to report that he includes Peter Gabriel – one of my long-time favourite musicians. He is Paul Sean Grieve and he’s on the Red Blog with his Undercover Soundtrack.

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‘Thoughts circulating in a lyric or a music line’ – The Undercover Soundtrack, Amanya Maloba

for logoMy guest this week admits she is antisocial. She likes to people-watch from behind wide sunglasses, and cocooned inside big headphones. She says her day is characterised by a constant flow of music, which has fed directly into the set of vignettes in the short fiction collection she has just published. I particularly have to thank her for introducing me to one of her special trigger tracks, by Florence + the Machine, as there’s something in it I might need for Ever Rest. And so the muse hops from mind to mind; I hope it will to yours too. She is Amanya Maloba and she’s on the Red Blog with her Undercover Soundtrack.

The Self-Editing Masterclass Snapshots will resume tomorrow.

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‘The music of exile’ – The Undercover Soundtrack, Kathleen Jones

for logoMy guest this week has written a novel of exiles – artists, sculptors and musicians displaced from their home countries by the border shifts after World War II. The central character is doubly exiled, born between genders at a time when such things were poorly understood. Music helped her create their personalities, guide her research and develop their histories. She drew on a rich heritage of opera, jazz and folk – and even composed her own folk song for the novel. She is Kathleen Jones and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music of raw power, pulling back from chaos and feedback’ – The Undercover Soundtrack, David Penny

for logoMy guest this week describes his writing as a constant state of striving – to achieve the same visceral punch of great music. His books come to him that way too – protagonist, thread and plot in one hit. In fact I’ve actually seen this thunderbolt descend; I was with him on a course one day when he told me he’d just overheard a conversation that gave him an entire plot and its characters in an instant. After that comes the hard work, of course, and music helps him return to that state of fever. The novel he is talking about this week is the first in a crime series, set in the final years of Moorish rule in Spain, and its soundtrack is full of sweat, guitars, lutes and bass. He is David Penny and he’s on the Red Blog with his Undercover Soundtrack.

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‘Sadness and longing in the wildest pleasures’ – The Undercover Soundtrack, Rohan Quine

for logoMy guest this week writes urban fiction imbued with magical realism and horror. His characters are drawn directly from soundtracks, from music that expressed their desperation, loneliness, fragility and streetwise sass – Sinead O’Connor to Madonna; Dead Can Dance to Suede and Soft Cell. He is Rohan Quine and he’s on the Red Blog with his Undercover Soundtrack.

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‘A sadness I couldn’t explain’ – The Undercover Soundtrack, Laura K Cowan

for logoJohannes Brahms reportedly referred to his third intermezzo for Opus 117 as ‘the lullaby of all my grief’. This week’s guest was studying music in summer school when she first encountered it, and was overwhelmed by its sadness. Life events interrupted her dreams of becoming a musician, but years later, when she was writing a novel about a ballet dancer, her research led her to the Brahms. She remembered the imaginative journey she had taken when she used to play the piece, and now it guided her creation of the main character and her story. She is Laura K Cowan and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is fuel to take me where the characters go’ – The Undercover Soundtrack, Yasmin Selena Butt

for logoMy guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’s on the Red Blog with her Undercover Soundtrack.

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‘Oceans of silence beneath the words’ – The Undercover Soundtrack, Orna Ross

for logoMy guest this week says her first novels were fuelled by nostalgia and the past. She wrote them while living in a small market town in England, and harking back to her former homes in California and Ireland. Her soundtrack connects her back to those places and their people. Traditional emigrant songs that remind her of stoic characters in her family, while the gay anthem of La Cage Aux Folles is symbolic of friends in the LBGTQ community and her themes of loyalty and personal autonomy. There’s also a special place for the BBC shipping forecast, which she used to listen to in bed as a child, finding poetry in its strange names.  She is Orna Ross – and she’s on the Red Blog with her Undercover Soundtrack.

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