Posts Tagged music

‘Abhorrent combinations… fear not as the music writes the story for you’ – The Undercover Soundtrack, Josh Malerman

for logoMy guest this week says his novel was written in a trance. He rented an attic from a musician, who he could hear practising in the rooms downstairs, brought along a cageful of finches and set them free to fly around him as he typed. You’ll see from the title why they seemed like a good idea. These avian muses were also treated to the soundtracks of several movies – Rosemary’s Baby, The Fog and Creepshow – which doubtless helped them get further into character. When he needed to crank up the intensity, there would be two songs howling at once – the radio at one end of the room, classical music at the other. My guest reports that sometimes his birds got tired and stared at him. This endearing aural vandal is Josh Malerman, his novel is the post-apocalyptic thriller Bird Box, and he’s on the Red Blog with his Undercover Soundtrack.

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‘Music of raw power, pulling back from chaos and feedback’ – The Undercover Soundtrack, David Penny

for logoMy guest this week describes his writing as a constant state of striving – to achieve the same visceral punch of great music. His books come to him that way too – protagonist, thread and plot in one hit. In fact I’ve actually seen this thunderbolt descend; I was with him on a course one day when he told me he’d just overheard a conversation that gave him an entire plot and its characters in an instant. After that comes the hard work, of course, and music helps him return to that state of fever. The novel he is talking about this week is the first in a crime series, set in the final years of Moorish rule in Spain, and its soundtrack is full of sweat, guitars, lutes and bass. He is David Penny and he’s on the Red Blog with his Undercover Soundtrack.

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‘Sadness and longing in the wildest pleasures’ – The Undercover Soundtrack, Rohan Quine

for logoMy guest this week writes urban fiction imbued with magical realism and horror. His characters are drawn directly from soundtracks, from music that expressed their desperation, loneliness, fragility and streetwise sass – Sinead O’Connor to Madonna; Dead Can Dance to Suede and Soft Cell. He is Rohan Quine and he’s on the Red Blog with his Undercover Soundtrack.

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‘A sadness I couldn’t explain’ – The Undercover Soundtrack, Laura K Cowan

for logoJohannes Brahms reportedly referred to his third intermezzo for Opus 117 as ‘the lullaby of all my grief’. This week’s guest was studying music in summer school when she first encountered it, and was overwhelmed by its sadness. Life events interrupted her dreams of becoming a musician, but years later, when she was writing a novel about a ballet dancer, her research led her to the Brahms. She remembered the imaginative journey she had taken when she used to play the piece, and now it guided her creation of the main character and her story. She is Laura K Cowan and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is fuel to take me where the characters go’ – The Undercover Soundtrack, Yasmin Selena Butt

for logoMy guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’s on the Red Blog with her Undercover Soundtrack.

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‘Oceans of silence beneath the words’ – The Undercover Soundtrack, Orna Ross

for logoMy guest this week says her first novels were fuelled by nostalgia and the past. She wrote them while living in a small market town in England, and harking back to her former homes in California and Ireland. Her soundtrack connects her back to those places and their people. Traditional emigrant songs that remind her of stoic characters in her family, while the gay anthem of La Cage Aux Folles is symbolic of friends in the LBGTQ community and her themes of loyalty and personal autonomy. There’s also a special place for the BBC shipping forecast, which she used to listen to in bed as a child, finding poetry in its strange names.  She is Orna Ross – and she’s on the Red Blog with her Undercover Soundtrack.

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‘Break your heart in just three minutes’ – The Undercover Soundtrack, David Gaughran

for logoMy guest this week says music has always been a companion to his writing. He drafted his first book in restaurants, bars and cafes while travelling the world, and now he turns to music to settle into the writing mood. In his fiction he likes to explore the bittersweet, the unresolved, the questions, the dark side of a strength, and draws inspiration from the songwriters and performers who can break your heart in three minutes flat – while fitting the shape of a tune. He is David Gaughran and he’s on the Red Blog with his Undercover Soundtrack.

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‘Music to first escape life then reconnect’ – The Undercover Soundtrack, Wayne Clark

for logoMy guest this week says he has to treat music with kid gloves. If he’s sitting at a dinner party and music is playing, he’s likely to get so distracted that he zones out of the real room. This is a familiar scenario to me too. And he’s definitely a writer who has found himself piecing together a novel from many of these moments of surprised distraction – where a track heard by chance perfectly fits the story problem his mind is mulling over. His novel is the story of a disillusioned man learning the way to feel alive once more, his name is Wayne Clark, and he’s on the Red Blog with his Undercover Soundtrack.

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‘Black metal for reimagining a well-known legend’ – The Undercover Soundtrack, Steven A McKay

for logoMy guest this week writes reimaginings of the Robin Hood legends. He uses music to conjure the atmosphere but says he has to avoid anything that’s too tuneful or he’ll pick up his guitar instead. He admits his choice of Scandinavian black metal is a challenging listen – but finds the fast drumming, screaming vocals and glowering noise is exactly right to shift him away from the 21st century and into a time of outlaws, campfires and battles. He is Steven A McKay and he’s on the Red Blog with his Undercover Soundtrack.

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‘Music for the inner wilderness’ – The Undercover Soundtrack, Anne Stormont

for logoMy guest this week describes her books as stories about and for the sometimes invisible women; the 1960s feminists; women in their late 40s, 50s, 60s and beyond; thinking, feeling, loving, intelligent characters who are steering their lives through choppy waters. She says she uses music as a short-cut to their inner wilderness, with signature songs that conjure their hearts and minds, even on the most uninspired days. She is Anne Stormont and she’s on the Red Blog with her Undercover Soundtrack.

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