Posts Tagged NaNoWriMo

‘Road trips require a soundtrack; so do some novels’ – The Undercover Soundtrack, Linda Collison

for logoMy guest this week says she studied music in high school. She describes music as a time machine, and even indulges a wish that in a parallel life, she became a musician. (In common, I’m sure, with many of my Soundtrack guests – not least, me.) In this life, though, her instrument is words, and she compares writing to a long process of dreaming a journey. Her novel is the story of teenagers coming of age on a road trip and was a finalist in Foreword Review’s Book of the Year Award. She is Linda Collison, her novel is Looking For Redfeather, and she’s on the Red Blog with her Undercover Soundtrack.

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How to nail Nanowrimo – post at Writers & Artists

nano1nailnanowaNearly November! I’m at Writers & Artists today with a preparation regime for November’s big writing event, National Novel-Writing Month (NaNoWriMo).

It’s ultra-streamlined to suit all writing approaches. If you like to create a detailed synopsis, my tips will get you going. If you want only the barest essentials, they’ll guide you while giving you room to explore and express. And if you’re still undecided or wonder if NaNoWriMo is even possible, hopefully they’ll persuade you to take the plunge.

Step this way…

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NaNoWriMo prep: generate your novel from characters – post at Multi-story

mulIt’ll soon be Christmas. No, come back. Even sooner, it will be NaNoWriMo (National Novel-Writing Month).

Okay, that’s not until November, but many serious NaNo-ers will be starting to prepare in the next few weeks. So I’m at Multi-Story, with a plan for creating your NaNo novel – by starting with its people.

Why start with the characters? Because if you know who they are, you’ll want to tell their stories. If you like to plan in detail, you’ll understand who must do what and when. If you like to wing it, the characters will take hold and drag you into an adventure. So if you fancy designing a novel this way, come over to Multi-Story.

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Quiet for a while… back soon – and tips to help you hit a writing deadline

If you’ve read this week’s Undercover Soundtrack you might have seen the note that said the next post would be up in two weeks’ time. I’m taking a short break so it’ll be quiet here too.

In the meantime, I’d planned to make a post appear magically from the archives to jolly along NaNoWriMos (and anyone who needs tips to meet a writing deadline). It began ‘Are you finding NaNo easier than you thought, or harder?’ and was supposed to wait until this weekend, but WP gremlins (or butterfingered me) shot it out prematurely. Immediately I got a bemused comment from a subscriber, convinced he’d got his time machine working. Anyway, here’s the post, if you haven’t already seen it – a NaNo routine to help you finish.

In the meantime I’ve scheduled a rerun of Undercover Soundtrack highlights which you can catch if  you follow @ByRozMorris on Twitter, and I’ve prepared a stack of useful writing links to share on @DirtyWhiteCandy. You can also see them streamed here in the ever-growing sidebar (which, yes, now has a Pinterest badge).

 

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A site to help you fill the gaps in your story outline

I’m shuffling ideas for The Venice Novel and I’ve come across a fantastic site that’s helping me clarify where I want to take the story.

It’s called Television Tropes and Idioms. But don’t be fooled by its name. Tropes doesn’t mean cliches; it means story conventions and readers’ expectations. In fact, you can use the site as a cliche and stereotype warning – it tells you what’s already been done to death so you can keep your story and characters fresh and original. And the site includes movies and novels as well – of all types, all genres (and even stories that don’t fit easily anywhere).

I’m using it to fill gaps. At the moment I have a rudimentary cast of characters and a fundamental conflict, so I need to see what else could gather around it. Poking around in the subject sections (‘topical tropes’, in the left sidebar) suggested a lot more places I could take the characters and ways to develop the plot. It also gave me ideas for more defined roles my characters could play.

If you want to hit a particular genre, zip down the left-hand sidebar and look up ‘literature’ and you’ll find a list of categories to clarify where you fit. You can also check you’ve covered enough bases to satisfy readers and identify possibilities you might not have thought of.

But even if you don’t fit traditional pigeonholes (like certain folks I could mention), you can look up story ingredients, such as ‘war’, ‘betrayal’ or ‘family’ – just for instance, under the latter you get a delicious sub-list with suggestions like ‘amicably divorced’, ‘hippie parents’, ‘dysfunctional’.

Some writers get their first inspirational spark from a setting – if that’s you, you can research how other authors have done your setting justice, from pre-history to ‘4000 years from now (and no jetpack)’.

One of the other things I like about it – very much – is its tone. No judgements are made about whether genres are fashionable, overworked, lowbrow or highbrow. It’s all about celebrating how stories work – or sometimes don’t. As we know, that comes down to the writer’s skill anyway, not whether a ‘subject’  is en vogue. And after a few hours in the company of their rather breezy descriptions, not only will you be better informed, you will be spurred to avoid the lazy story decision.

If you’re sprucing up your outline – especially as NaNoWriMo looms – spend an afternoon exploring Television Tropes and give your story a thorough workout.

Do have any go-to sites when you’re planning a novel – and how do you use them? Share in the comments!

You can find tips for researching, outlining and what makes a robust story in my book, Nail Your Novel – Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence. Available on Kindle and in print. You also might like my multimedia course with Joanna Penn – more than 4 hours of audio and slides with an 86-page transcription – find it here.

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How to outline your story for National Novel-Writing Month – checklist

Are you making an outline for NaNoWriMo?

We all need different levels of planning. Some writers like a step-by-step map so they can settle back and enjoy telling the story to the page. Others want the joy of discovery while their fingers are flying.

However you do it – whether formally beforehand or as your wordcount builds, these are the questions you need to tackle. (And even if you’re not doing NaNoWriMo, you might find them useful.)

Why is this story going to grab a reader?

All stories need to dangle a lure – an element of intrigue, the remarkable, the sense of something unstable, a disturbance. That could be:

  • a literal outrage like a murder
  • a dilemma that puts a character in an impossible position
  • an event that appears to be ordinary to you or me, but is a profound challenge in the character’s life.

Unless you are deliberately exploring the ‘anti-remarkable’, ask yourself what will make the reader curious from the start? Something exciting? Something weird? Something horrifying, unjust or wrong? Something comical? Something the readers will recognise as part of their own lives? This will probably be your way into the story too.

What do the main characters want?

Why are your protagonists and antagonists compelled to take part in the story? Why couldn’t they just turn around and walk away?

What is the first change that starts the story rolling?

Why does the story begin where it does? Have you started too soon, in order to get set-up in? Might you be better cutting those scenes and filling in the back story at natural moments further in? Or have you started too late and missed some moments the reader will enjoy?

How does it escalate?

No matter how bad the situation looks from the start, it needs to get worse or the story will seem stuck. As the narrative goes on, the events and what people do must matter more. The price of failure must rise. If you’re writing in conventional three-act structure, which movies follow, there will be definite points where the story shifts into new gears – these will be the quarter, half-way and three-quarter marks. But even if you aren’t, you need a point where everything totally blows up, and a moment where the characters feel the worst has happened.

I never would have thought…

How does the story take directions the reader wouldn’t have guessed – and how will you convince them that they are fair?

Is it still the same quest as it was at the start?

Most stories start with the main characters wanting or needing something, but that goal can change. A simple search for a lost dog becomes a crusade against the fur trade. Perhaps at the end your characters want the opposite to the thing they fought so hard for in the early days. Stories where the characters’ priorities shift are very powerful. Stories where they don’t can seem predictable.

In the end…

What does your ending resolve? How has the characters’ world changed? Can the story really go no further? Is anything left unresolved – and if it is, does that suit your needs?

Characters  

Speed is of the essence in NaNoWriMo and it’s much easier to write characters when you’ve spent time getting into their skins.

Do you know a few trivialities about their daily lives? You might need a hobby for them to do to get themselves out of the way, or a commitment that might put them on a particular road when something happens. Have a list of a few likely trivialities about your characters, and then when you need one you don’t have to stop the flow.

But if you don’t have time for that, just insert a tag such as [findout] and come back to it in the revision.

Much more important is to know how they relate to each other in the story – because the best plot moments will grow from friction and alliances. Do you know who gets on with whom (or would if they got the chance to meet)? Which characters would never understand each other? If you gave them all the same challenge, how would they show their different mettles? Which story events will really push someone’s buttons?

Thanks for the pics Wonderlane and Takomabibelot

That’s my template for starting a NaNo novel. What would you add? Share in the comments!

You can find tips for researching, outlining and what makes a robust story in my book, Nail Your Novel – Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence. Available on Kindle and in print. You also might like my multimedia course with Joanna Penn – more than 4 hours of audio and slides with an 86-page transcription – find it here.

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Nail NaNoWriMo – start now! 3 old hands share their tips

November is National Novel-Writing Month, when writers everywhere will handcuff themselves
to their keyboards and aim to get a 50,000-word draft finished in 30 days. Apart from clearing the diary and creating a big Do Not Disturb sign, what can you do to prepare?
And is it even possible?

This is a repost of a piece I ran a couple of years ago, but with NaNo rising as a buzzword again in the writerly ether, I thought it might be helpful. Tomorrow I’ll post some tips for getting your story into good shape before you start.

First of all, do established writers do this or is it just a game?

Certainly NaNoWriMo is not just an exercise. Many established writers use it to get their first drafts done.  Novelist Sara Gruen wrote her New York Times #1 bestseller Water For Elephants one NaNoWriMo. What you start in NaNo can go on to great things – here’s a list of all the NaNo novels that have made it into print.

How do you do it?

I’ve never done NaNoWriMo because other projects have got in the way, but I have written a lot of novels to tight deadlines – 50,000 words in two months. And not just first draft, but revised and ready for a publisher to see. It was effectively two NaNoWriMos back to back, which I did several times.

I have several friends who are NaNoWriMo winners. Here are their tips. And the key to success is not just what you do in November, but what you do NOW.

Prepare your story

Zelah Meyer is a NaNoWriMo powerhouse, having consistently delivered 50,000 words for the last five years. Some years, she even lost a week because real life inconveniently got in the way, but even so, she sailed past the finish line. This year she’s hoping to finish the first draft of her trilogy.

Zelah (left) says: ‘Do a rough brainstorm beforehand of where you want to take at least the first 5,000 words or so. I call it plot scaffolding and I’ll often talk to myself on paper about what could happen and where the story could go. I find it helps to know that so that I can avoid writing myself into a corner – but everybody works differently!

‘I ask myself a lot of questions such as “Why does nobody know that he isn’t really the lost prince/company CEO/etc?” I use the ideas I have to flesh out character back story and sometimes that will give me ideas for the plot.

‘If I decide that I need to go back and add in a scene, I’ll do that – but I never rewrite one. Instead I have a second document that I keep open called Corrections. There I make notes of changes I want to make in the re-writes and then continue as if I’d already done them.

‘I also find it helps to have a third document for any names I need to keep track of. This saves me from wasting ages scanning back through thousands of words trying to find out which town the characters were heading for or what you called the hero’s aunt.’

In real life, Zelah is an improvisational performer, and her experiences on stage have strengthened her approach to storytelling. ‘I ask myself: “If I were in the audience, where would I want the action to go now?” and “Which character do I want to hear from now?” Also, everything that is said changes you – both the person saying and the person listening. Everything evokes some kind of emotional response and that colours how things happen from then on.’
Prepare your targets

Gareth Ryder-Hanrahan (left), another NaNoWriMo veteran, says: ‘My one tip is stick to your daily wordcount no matter what – 1,600 words a day even if you’ve been run over by a steamroller. Nothing’s more disheartening than an impossible deadline,’
Zelah’s keen on statistics too. ‘I create a spreadsheet for the 30 days of November with how many words I aim to write on each day. I give myself a contingency of around 5,000 words.’

Prepare your research

If you go and look something up on Google, do you stop there? No; an hour later you can still be happily cyber-faffing. So do all your Googling, Wiki-ing and forum fact-finding before November. Don’t burn through your writing time by looking stuff up. If necessary, put a keyword in the text like [factcheck] and start a file for queries you will Google in December.

Find support

You don’t slog through NaNoWriMo on your own. That’s one of the beauties of it. The NaNoWriMo website is, of course, essential, and you’ll find hashtag communities on Twitter, and bloggers who will be wearing NaNo badges and blogging if they have any fingers to spare.

Ann Marie Gamble, another old hand, says: ‘The single best non-official resource I used was Doyce Testerman’s day-by-day blog posts. He described exactly what he was going through so I could think, ah, everyone feels like they are choking on Day 11 – it’s not just me being pathetic. Plus he has a wife and kid, so his coping strategies are more accessible to me than those of the college students in the local NaNoWriMo groups.’

Remember it’s a first draft

NaNoWriMo is about turning off your inner editor. If your draft sucks that doesn’t matter. All first drafts suck.

It is also about a definite goal. Ann Marie says: ‘Keep your eyes on your prize. NaNoWriMo is a chance to build writing habits and experience in finishing a piece. Don’t get sidetracked by questions of quality, plausibility, readability etc. Let your pen fly during this intense month and analyse later.’

Zelah says: ‘When I’m actually working, I remind myself that I’m not striving for perfection at this stage. I have a strip of paper saying “Quantity not Quality” taped to my monitor.

The message is, prepare, prepare, prepare.

  • your story
  • your research
  • your targets
  • your support groups

And that, my friends, is why NaNoWriMo starts now.

With all that sorted, just one thing remains. Simon C Larter (left) of the blog Constant Revisions says: ‘How do I convince my wife it’s okay for me to spend so much time writing?’

Are you doing NaNoWriMo? How are you preparing? Is it your first time? If you’ve done it before, do you have any tips? And if NaNo requires you to ramp up your writing routine, how, like Simon, will you convince your nearest and dearest to indulge you?  Share in the comments

You can find tips for researching, outlining and what makes a robust story in my book, Nail Your Novel – Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence. Available on Kindle and in print. And tomorrow I’ll be going through a workup routine to get your story sorted before you lock the doors.

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Finishing your draft? Don’t open it again until Christmas

On November 30th Nanowrimoers will be typing ‘The End’. Whether you’re a Nano or not, the next thing you must do is put the manuscript away. Close the file, stow the notebooks, do a happy dance. Unless you have a deadline that demands you thrash it into shape straight away, don’t touch it for at least a month.

Become a stranger to your story

We all know how we can read a page over and over and somehow miss the appalling typo in the first sentence. When we’re too tangled in a novel we see what we think is there – not what is actually on the pages.

To do useful revision work, you need to allow enough time for your novel to become unfamiliar – so that you’re no longer thinking like its writer, but as a reader.

Let the flavours marinate

Your manuscript needs to marinate. Like a good wine, all that stuff you put in has to blend. A novel isn’t just characters + plot + description + setting + dialogue + cool bits + pizzazz + your undercover soundtrack, if you do that. It’s all those things working together.

Put more sensibly, your characters are not just characters. They are people in a world, with forces they are fighting, with people who embody their worst fears or their happiest hopes. The world and the plot are personal challenges to them, not just places to go and stuff for them to do.

If you look at your manuscript too soon, you’ll only see the separate ingredients. Not how they work together. You won’t see the parts where you were cleverer than you thought – or the overall patterns that you could amplify. You’ll miss the things you unconsciously wrote that echo higher themes, or create an overall symmetry to the story.

But I have things I want to fix right now

Make notes about them, but don’t do them yet. When you look at the manuscript afresh, you might have better ideas for how to tackle them.

But I was on a roll and I don’t want to stop

Nobody says that when your manuscript is resting you have to stop writing. Go and tinker with another story. If you’ve done Nanowrimo to kick-start a writing routine, use the time for reading and research. Stephen King in On Writing says to leave the manuscript for at least six entire weeks – and to work on something totally different to give yourself time to recharge.

Revise in haste, repent at leisure

If you revise too soon, you’ll only scratch the most obvious itches. You’ll miss so much more.

So close the file. Don’t touch it at least until Christmas.

(Thanks for the pic Svadilfari)

What’s the longest you’ve left a manuscript before revising it?

How to write a novel – in-depth webinar series with Joanna Penn of The Creative Penn.  Find more details and sign up here.

I have tools for assessing manuscripts in Nail Your Novel – my short book about how to write a long one –available from Amazon.

My Memories of a Future Life is now available in full. You can also listen to or download a free audio of the first 4 chapters over on the red blog.

 

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Nail Your Novel coming to Kindle on Valentine’s day

By popular demand, my book Nail Your Novel is launching on Kindle on Monday 14 Feb. I’m trying to muster as many people to buy it on that day so that it makes a decent thump in the Amazon charts. So, if you were hoping for a Kindle version would you buy it on the 14th?

Love to write? On Valentine’s day, Give your book a writing buddy to hold its hand. Ahhh.

Thank you, .bobby, for the picture.

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Wielding the writing sword at Dragonfly Scrolls

Kim Koning has a zeal to make the world a thoroughly creative place. She lives for writing and art and her blog, Dragonfly Scrolls, has just hit its hundredth post. To say she’s prolific is an understatement. She’s probably put more words into the ether in a few short months than I have in all the time I’ve been posting – and she somehow also completed NaNoWriMo. Now Kim has decided to celebrate her blogging centenary by giving herself yet another task – a series of interviews called Warrior Wednesdays.

I’m honoured to be the first writer chosen to draw the writing sword. Join me on her blog where we talk about how a journalism background both helps and hinders fiction writing, why story rules are like laws of physics, what advice I would give myself as a newbie writer – and what on earth nailing your novel means.

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