Nail Your Novel
Posts Tagged querying an agent
I self-published – should you too?
Posted by rozmorris @NailYourNovel @ByRozMorris in How to write a book, self-publishing, The writing business on November 19, 2011
‘Are you glad you self-published your novel?’ said Stacy Green to me, in the secret passages of Twitter.
‘Totally,’ I replied. Although I would say that, wouldn’t I?
Stacy replied: ‘I’m in the early query process and wondering if I’m making a mistake.’
‘Stacy, I think you should carry on querying.’
An answer that might sound like I’m being disloyal to the indie cause. But here’s my reasoning.
But why????
It’s early days yet for Stacy. Yes, querying is wearying, but it’s the way to tell if your novel is up to professional standard. Yes, it may take a ridiculous while before you get a reply – publishing turnaround is like sending messages to the distant reaches of the solar system.
I still believe everyone should try to get representation first, if they’ve never been published before or don’t have a ready-made audience.
Never forget, writing is a self-taught art. There is so much to get right in a novel and so many ways we can be blind to our book’s faults. This is entirely understandable. You remember when your novel was a scrap of paper with just one idea. You remember learning, from the bootsoles up, how to make it into a novel. You’ve quarried for depth, trampled the rough spots and polished over and over. You’ve developed brilliant and stylish marks of your individuality as well. Compared with when you started, you now feel like an expert – everyone does. Now, you need outside, experienced input.
You can of course hire an editor, and an editor who is a good fit for you can certainly give you a lot of help and guidance. You can trade with beta readers. But the final book is down to you. If you want to cut it in the marketplace, you have to try in the marketplace. And that generally means seeking representation – or publication via the smaller presses. (Although why would you aim small to start with?)
Rejections
Yes, you may be rejected because your book is unusual, or an unfashionable genre. But if you made the grade, the rejection will tell you this – even if it’s just a few short lines. They always do. If you’re getting form rejections or never hear back, you probably still need to do some work. And that tells you you shouldn’t self-publish. Of course it does.
Waiting for this feedback takes a long time. But while you’re waiting, get started on another book. You’ll need it sooner or later. And aren’t you itching to put all you learned into practice?
Me, me, me
I didn’t self-publish until my novel had wooed an agent. (I didn’t have an agent for my ghosting). She took my novel around the publishers, who said ‘it’s fascinating but we don’t know how to sell it’. At that stage, I could have left it locked behind the gatekeepers’ portcullis, or changed it into a conventional thriller (some of the feedback I got). I wasn’t having that.
Am I glad I self-published? More than I ever imagined. Every word of feedback from readers brings my novel to life and gives it a place in the world. For which, thank you.
But going it alone means doing all the selling. That’s no bed of roses. It is much harder for me to prove the book’s worth. If you have an audience amassed, no problem. Few of us do, so we rely on reviews to spread the word to new readers. Ideally we want to be reviewed alongside traditionally published novels that would be next to us in a shop. But it’s not a level bookshelf. Indies are still regarded sniffily in most quarters. (One review I did get, on For Books’ Sake, said My Memories of a Future Life was ‘so original and odd it’s in a class of its own’. I’m going to put that on a T-shirt, of course – but artistic pride aside, how does anyone sell a book like that? No wonder publishers wanted it tamed. Still, that’s my problem now.)
New authors, I urge you to test your book in the market first. If you get an offer and you don’t like it, you can always turn it down.
Indie publishing isn’t for people who couldn’t get published or represented. It’s for people who could.
(Thanks for the pic, Muckster)
How to write a novel – in-depth webinar series with Joanna Penn of The Creative Penn. Catch up on the first seminar and sign up for the rest. Find more details and sign up here.
Nail Your Novel – my short book about how to write a long one – is available from Amazon.
My Memories of a Future Life is now available in full. You can also listen to or download a free audio of the first 4 chapters over on the red blog.
agents, fiction, how to get published, how to sell books, how to write a novel, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence, novels, publishers, publishing, querying, querying an agent, Roz Morris, self-publishing, small press, unpublished, writing, writing a novel - Nail Your Novel, writing business, writing life

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Posts about My Memories of a Future Life
- 'Music: the language of souls' – The Undercover Soundtrack
- Carol's black dress – deleted scene
- I swear I made you up – apology to Vellanoweth
- It's not real but it's true – at The Other Side of the Story
- Leading characters to freedom – at For Books' Sake
- Novels tell the deepest truth
- Rejections, stories from real life and … stories – at Hampton Reviews
- Serialising my novel helped me raise my game – at Tuesday Serial
- Shaking off the ghost – writing as me: at Jessica Bell's
- Should you serialise your novel on Kindle? at Jane Friedman's blog
- The A303: a storyteller's road
- The making of a novel
- Underwater futures – at Underground Book Reviews
- Visions of the future – at Potomac Review
- Writer behind the mask – what's in a name?
- Writing a blurb for a rather 'difficult' book – at Jami Gold's
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Posts at Do Authors Dream of Electric Books?
- A modest writer's guide to Christmas newsletters
- Beware: writer at work
- Do self-publishers still need to explain why?
- Giving it some English: a Very British Blog Tour
- How do we discover what we want to read?
- How long should a book be?
- How to get on well with Twitter
- I swear I made you up – apology to Vellanoweth
- Living the stuff of novels – ghostwriting
- Music tells us stories
- Our Friends Electric – in praise of writing bloggers
- Proper publishers don't need propaganda
- RSI and when your books come back to haunt you
- Stand up for good self-publishers
- The Accidental Blogger – more than just a platform
- The day I broke an ESP experiment
- What is a book? In praise of print
- What makes you a writer?
- Where do you write?
- While publishers play safe, writers create the brands of the future
- Why writing a blurb is like being inside the TARDIS
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Podcasts
- Ghostwriting and why I love Ian Fleming – podcast at Guys Can Read
- Ghostwriting, filming with Matt Damon and My Memories of a Future Life – on Page Turners at BlogTalkRadio
- How to self-publish an ebook and maybe land a book deal – at The Write Lines
- Put through my paces by Guys Can Read – my novel, literary writing and how indie writers hold the future
- Should you change your novel if a publisher suggests it? Interview at The Writers' Lounge
- Structure, creativity, one-click publishing… and the fossil record for our books. Talking to John Rakestraw
- Talking to Joanna Penn about nailing your novel
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- The long and the short of writing novels – at Beyondaries (video and transcript)
- Writing literary fiction – discussion with Joanna Penn
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- It's, its, there, their – simple mistakes that ruin your reader's enjoyment. Guest post at Chazzwrites
- Ghostwriting, hiring an editor and the Kindle millionaires
- Ghostwriting: how to break in
- Covers – what every author needs to know, even if not self-published
- Why I'm self-publishing – guest post at Catherine, Caffeinated
- Should you serialise your novel on Kindle? at Jane Friedman's blog
- Serialising my novel helped me raise my game – at Tuesday Serial
- Writing a blurb for a rather 'difficult' book – at Jami Gold's
- Getting readers to fill in the blanks – at KM Weiland's Wordplay

Interviews
- Writing literary fiction – discussion with Joanna Penn
- How I got my agent – talking to Writer's Digest
- Writers in control of their destinies – back at Everything
- Rejections, stories from real life and … stories – at Hampton Reviews
- The day I broke an ESP experiment
- The making of a novel
- Underwater futures – at Underground Book Reviews
- Everything – interviewed by Chila Woychik of Port Yonder Press
- Visions of the future – at Potomac Review
- Wielding the writing sword at Dragonfly Scrolls
- Why writers should be readers – at Joe Bunting's blog
- Chatting to Dorothy Dreyer at We Do Write
- Twitterviewed! Big questions answered in 140 characters
- Taking the lid off critiquing: part 1

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