- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- My writing process: the picture tour
- Nail Your Novel: Bring Characters To Life
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Who am I?
Posts Tagged short stories
‘It’s never a bad thing to make the reader feel a bit uneasy’ – The Undercover Soundtrack, Jonathan Pinnock
A change of gear this week. This is the first time I’ve hosted a writer who is talking about short stories. A lot of music lurks behind his award-winning first collection, inspiring the plots, mood and characters. Various signature songs have passed through his imagination to become a tightrope-walking couple, a doomed relationship, a person given the eyes of a serial killer and a haunting piece of music derived from nature. His name is Jonathan Pinnock and he’s on the Red Blog today with his Undercover Soundtrack.
authors, deepen your story, entertainment, fiction, Fix and Finish With Confidence, haunting piece, having ideas, how to write a book, how to write a novel, imagination, Jonathan Pinnock, literary fiction, literature, music for writing, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, piece of music, publishing, Roz Morris, Scott Award, serial killer, short stories, short story, signature songs, The Undercover Soundtrack, tightrope, undercover soundtrack, writing, writing a novel - Nail Your Novel, writing life, writing to music
I heard a quote this week that I love: ‘All art aspires to the condition of music’. Meaning, it works beyond its medium; a direct connection with nerves and heart. This quote seems particularly to fit my guest this week. He says he writes from a need to understand, to uncensor, find meaning and connect with self and life. He prefers his music on vinyl (good man!) to better enjoy its sleeve art, and his book, Living Room Stories, is housed in a 7in record sleeve. How could you resist? He is Andy Harrod and he’s on the Red Blog with his Undercover Soundtrack.
GIVEAWAY Andy is giving away 1 handmade copy of Living Room Stories and a print of two from tearing at thoughts. To enter leave a comment or tweet the song that represents love for you. Andy will pick his favourite. If you take the tweet option, include the link to the post and the hashtag #undersound. Good luck!
79 Rat Press, 7in record sleeve, Andy Harrod, arts, authors, beauty, book giveaway, competition, deepen your story, entertainment, fiction, Fix and Finish With Confidence, giveaway, how to write a book, how to write a novel, ideas, inspiration, literary fiction, literature, Living Room Stories, love stories, music, music for writing, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, novels, publishing, record sleeve, Roz Morris, self-publishing, short stories, single, stories, style, The Undercover Soundtrack, undercover soundtrack, writing, writing a novel - Nail Your Novel, writing life, writing to music
My guest this week had never realised his fiction was so closely tied to music, nor how much that meant it reflected the landmarks of his own life. Through significant songs he has peeled back the years to channel aspects of his family and upbringing, to flesh out the characters in his short stories and novels. He is McStorytellers founder Brendan Gisby and he’s on the Red Blog sharing his Undercover Soundtrack
authors, Brendan Gisby, deepen your story, drama, entertainment, fiction, Fix and Finish With Confidence, flesh, having ideas, how to write a novel, ideas, inspiration, landmarks, literary fiction, McStorytellers, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, novels, publishing, Roz Morris, Scottish fiction, short fiction, short stories, The Bookie's Runner, The Undercover Soundtrack, undercover soundtrack, upbringing, writing, writing a novel - Nail Your Novel, writing life, writing to music
(This is the first time I’ve come across a quote that put the words ‘nail’ and ‘novel’ together, so I thought it was worth a mention.)
Lawrence was talking about the influence of a story’s narrative voice, and how it has to be deployed with feints and subtlety. By coincidence, I’d just read his short story The Lovely Lady and badly wanted an excuse to talk through why I like it so much. So as the gods seem to be hinting, here we go.
(If you haven’t read it already, it’s here. It’s not that long and I’ll wait for you.)
How’s this for an opening?
The Lovely Lady is Pauline. ‘At seventy-two… sometimes mistaken, in the half-light, for thirty…. Only her big grey eyes were a tiny bit prominent… the bluish lids were heavy, as if they ached sometimes with the strain of keeping the eyes beneath them arch and bright.’
Pauline lives with her son, Robert, and her unmarried and distinctly less favoured niece Cecilia: ‘perhaps the only person in the world who …. consciously watched the eyes go haggard and old and tired….. until Robert came home. Then ping! … She really had the secret of everlasting youth… could don her youth again like an eagle.’ How interesting that she only turns this magnetism on for Robert. Never Cecilia. And how creepy.
Here we have characters we recognise by their familiar vanities – and an off-kilter situation. And it’s all accomplished through simple description. First, we’re shown Pauline (most frequently referred to as ‘the lovely lady’) in a way that lets us know how she sees herself. Then we see Cecilia’s view of her. There’s a lot of unrest here; an unstable situation that can’t last. Simple and masterful.
We don’t get Robert’s point of view. He is a mute adorer of his mother. And anyway this is going to be Cecilia’s story. Cecilia, by the way, is very quickly abbreviated to Ciss, or perhaps I should say reduced as the narrator informs us the diminutive is ‘like a cat spitting’. Tiny details that reinforce her true place. (But we want this to change.)
They all live in a house that is ‘ideal for Aunt Pauline’ – but living death for the other two. That is just as well because they don’t have the confidence to leave. Cecilia is ugly and tongue tied, and Robert, a barrister, is secretly mortified that he can’t earn more than £100 a year, in spite of his best efforts. (Notice the ‘showing’, not ‘telling’ – we don’t get a sentence saying Robert’s an underachiever. We’re shown what that means and how it makes Robert feel.) By day he is at work. When he comes home at night, the old lady keeps him in awe of her beauty and gay conversation.
It doesn’t help that Robert is ‘almost speechless’. Dwell on those words for a moment: ‘almost speechless’. They reach so much further than ‘quiet’.
The language drums out the unnatural state of this triangle. Ciss intuits that Robert is never comfortable ‘like a soul that has got into the wrong body’. The lovely lady is only seen by candlelight, when she is radiant in antique shawls. She made her fortune dealing in antiques from exotic countries. Are we treading into vampire territory here? Perhaps, but not literally; this is a psychological hold. The lovely lady steals Robert’s youth to keep up the illusion of her own. Meanwhile Ciss is always sent to bed early and can see the confusion seething in his soul.
‘Every character should want something,’ said Kurt Vonnegut. Ciss wants to marry Robert, but can’t see how to prise him away and fears her dazzling aunt will live for ever – or at least until Robert is a broken husk. Nudging the vampire idea again, but so obliquely. (And she’s Ciss now; never Cecilia. Her status is so insignificant that the narrator doesn’t use her proper name.)
This talk of the supernatural is also storytelling sleight of hand – seeding suggestions for what comes next. One day, Ciss learns something that may give her a means of escape.
From here, the old woman is no longer ‘the lovely lady’, a legendary and exquisite presence. She is Pauline. Not even Aunt Pauline. Ciss has glimpsed the reedy old woman under the brocades.
The relationships thicken
Ciss’s relationship with Robert deepens and she becomes Cecilia again – although he will not break away from his mother.
The final solution is bizarre, poignant and funny, but it works beautifully because of the structures and influences the author has been weaving while we looked the other way. The nailing that was done with the lightest touch.
Thanks for the pic Editor B
Your turn – let’s talk about The Lovely Lady – or is there another short story you’d like to give an honourable mention to?
The first edition of my newsletter is out now, including useful links and snippets about the next Nail Your Novel book! You can read it here. And you can find out more about Nail Your Novel, original flavour, here.
authors, book club, Character, characterisation, David Herbert Lawrence, deepen your story, DH Lawrence, entertainment, feints, how to write a book, how to write a novel, kurt vonnegut, literary fiction, literature, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence, narrative style, narrative voice, novels, off kilter, publishing, reading, Roz Morris, short fiction, short stories, storytelling English literature, The Lovely Lady, unstable situation, writing, writing a novel - Nail Your Novel
Sign up for my newsletter
Connect with me here too
As @NailYourNovel I post 4 to 5 useful writing links per dayMy Tweets
Off duty I tweet as @ByRozMorrisMy Tweets
- From ‘To do’ to ‘Done’ – confessions of an organised author December 8, 2013
- ‘Music to make a creative space’ – The Undercover Soundtrack, Kirsty Greenwood December 4, 2013
- How to write down story ideas so you can remember why they were brilliant December 1, 2013
- Could The Undercover Soundtrack help you reach readers? Post at the Alliance of Independent Authors November 30, 2013
- ‘Sex, drugs, metaphysics and rock’n’roll’ – The Undercover Soundtrack, David Biddle November 27, 2013
- How do I develop something special in my writing? November 24, 2013
- 2 Tone Records and two cities riven by conflict – The Undercover Soundtrack, Catriona Troth November 20, 2013
See what I did there…