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Posts Tagged suspense
My guest this week says she can ignore just about any distraction and write – except if she can hear music. But she also can’t write a character until she has found the perfect song as a vehicle for their personality, back story and secrets. Her debut novel fits rather well with this blog for another reason too – it’s the story of the world’s most reincarnated man, with all the troubles – past and present – that that implies. She is Candace Austin and she’s on the Red Blog with her Undercover Soundtrack.
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My guest this week began her debut novel with very little sense of where she was going. All she had was a powerful scene and a yen to explore it. While she was experimenting, she happened on an audio seminar on understanding classical music. Suddenly she realised her character should be a virtuoso violinist – and the novel came alive. (Readers of My Memories of a Future Life will recognise a kindred spirit here. When I heard about her novel I had to recruit her.) She carried on collecting music to explore her character’s world and the result is a suspense novel with a rather unusual protagonist. She is Kathryn Guare and she’s on the Red Blog with her Undercover Soundtrack.
authors, collecting music, debut novel, deepen your story, entertainment, fiction, Fix and Finish With Confidence, having ideas, how to write a book, how to write a novel, India, Kathryn Guare, kindred spirit, music for writing, My Memories of a Future Life, novels, publishing, Roz Morris, self-publishing, suspense, suspense novel, suspense novels, The Undercover Soundtrack, undercover soundtrack, violinist, virtuoso violinist, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing to classical music, writing to music
I’ve just finished my first novel. A most enjoyable experience only tainted by the reaction from the literary agents I have approached so far! Any and all advice and direction will be gratefully received and much appreciated.
Although we’re now used to writers who publish themselves, there is still a sizeable crowd who are set on finding an agent and a traditional publishing deal. Most of my critique clients, for instance. Why?
1 – Kudos and confidence
If you have an agent or a publisher, you have validation. You’re not just a spare-time scribbler, which you have probably been for countless years before. If you get an agent, your friends, family, total strangers – and you yourself – have proof that you made the grade.
This cannot be underestimated. Getting an agent took me years. By the time I did, I’d already got ghosted bestsellers and a track record coaching writers. But I felt I was sneaking under the wire, using the title ‘writer’ on false pretences until an agent signed me for My Memories of a Future Life.
2 – Developmental input
We all need developmental help. If you’re a good fit for an agent, they can give you perceptive, priceless notes on how your book works and guide your revisions.
3 – Long-term career-building
Obviously, an agent helps you find a publisher, usually with a better deal than you could get on your own.
But agents can’t always sell your first book, and often the only choice is to self-publish. Some agents are giving writers a leg-up with showcase imprints of their own – Jason Allen Ashlock at Movable Type Management set up The Rogue Reader to launch outsider suspense writers. As publishers increasingly opt for ‘safe’ books, we’ll see more agents devising ways to build audiences for their exciting new authors.
So I still think it’s worth looking for an agent. Markets change and new opportunities are opening for writers all the time. If you can, it makes sense to get the support of professionals with more legal and commercial clout than you can muster on your own.
But every silver lining has a cloud. Here are two.
If an agent gives you editorial input, they might be steering you to fit a commercially viable genre. That might completely suit you. But it may not if your aim is to pursue a more individual and creative path. You still don’t have to abandon dreams of traditional publication; many small presses will take submissions directly from authors.
Almost every writer will probably now self-publish at some stage, but not all agents have adjusted to this. I know successful indie authors who have been offered agency deals that claim a percentage of all book earnings – which of course includes royalties from books they published themselves. This was appropriate when all the author’s work came through the agent, but now is plainly unfair. Happily, many agency agreements demand commission only on deals that they have made. If you’re offered a deal that takes a percentage of everything, query it. They might adjust the wording. If not, think hard about whether you want to work with them.
3 The disreputable
Not all agents are reputable. Some ask for money up front to read your manuscript. Even with all the boundaries shifting, an agent should never charge to read your work. Agents earn commission on the back end.
So what do we make of our correspondent here, whose quest for an agent is proving a challenge? Why might you have trouble finding an agent?
1 – Your book may not yet be strong enough. It’s so easy to send off our lovely novel too early. If you nearly made the cut, most agents will try to let you know. But if they dismiss you with the equivalent of a compliments slip, you may need to hone your craft.
2 – You might have pitched the wrong agents – either their lists are full, or they don’t take your genre. Check websites before you hit ‘send’ (although agents are often quite bad at updating their requirements).
3 – You might have a great book but a dull pitch. Pitching is an art and you need to know how to make an agent curious.
4 – Your book may not be commercially viable. You might get feedback about genre mixing, undesirable subjects or unfashionable style choices. Your book might still be a good read in spite of this – and if so, agents are usually genuine enough to let you know.
5 – You might need to kiss more frogs. There are thousands of agents, all very oversubscribed, all with different wishlists. With such pressures, rejection is far more likely than acceptance, even for awesome books. Don’t do anything different until you see a reliable pattern emerge.
Anyway, I’m hoping this will kick off a discussion. What’s your feeling about agents? What would you advise our friend here?
agents, amwriting, authors, entertainment, fiction, Fix and Finish With Confidence, getting a literary agent, how to get an agent, how to write a novel, Jason Allen Ashlock, literary agent-publishers, literary agents, literature, My Memories of a Future Life, novels, publishing, Roz Morris, self-publishing, suspense, The Rogue Reader, writer collectives, writers, writing, writing a novel - Nail Your Novel, writing business, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life
My guest this week was an award-winning horror genre writer, but turned indie to try to write the sort of novel he loved to read. For several years he published nothing while he struggled with his new challenge – a high-octane blend of suspense, swagger, humour and romance. Looking for a way to humanise an unlikable hero he found a guiding light in Rod Stewart’s interpretations of American classics – a rocker thug who’d matured with surprising tenderness. He is Reb MacRath and he’s on the Red Blog today with the Undercover Soundtrack for Southern Scotch.
american classics, authors, comedy, deepen your story, entertainment, fiction, Fix and Finish With Confidence, genre writer, having ideas, horror genre, how to write a book, how to write a novel, ideas, independent publishing, indie, inspiration, Kindle, music, music for writing, My Memories of a Future Life, novels, publishing, Reb MacRath, Rod Stewart, romance, Roz Morris, self-publishing, Southern Scotch, suspense, The Undercover Soundtrack, undercover soundtrack, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing to music
‘Each song helped me see the main character a little more clearly’ – The Undercover Soundtrack, Melissa Foster
My guest this week has always written in the grip of a wide-ranging playlist, but for one particular novel she found herself listening to three pieces intensively, maybe obsessively. In those songs she found her characters’ strengths and their more playful, softer sides, the great challenges they faced and the reserves they drew on to see them through. She is award-winning bestselling author, indie champion and women’s advocate Melissa Foster – and she’s on the Red Blog talking about Chasing Amanda and its Undercover Soundtrack.
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I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- ‘The moment of making the first sound or writing the first word is special’ – The Undercover Soundtrack, Pete Lockett April 23, 2014
- How to write a novel: following the strange – guest post on Writer.ly April 16, 2014
- ‘Road trips require a soundtrack; so do some novels’ – The Undercover Soundtrack, Linda Collison April 16, 2014
- How to make an audiobook using ACX April 13, 2014
- ‘A trickle of notes can flood your thoughts with broken things’ – The Undercover Soundtrack, Warren FitzGerald April 9, 2014
- An easy way to make your plot plausible – control your novel’s timeline April 5, 2014
- ‘Tragedy and loss are cornerstones of my story’ – The Undercover Soundtrack, Anne Allen April 2, 2014
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