Posts Tagged synopsis

Planning your story – a checklist for success: and win Nail Your Novel in print!

chapbkI could have called this post ‘pantsing – a capsule wardrobe’, but along with novel-nailing that might have been a metaphor too far.

Some writers plan to the ennnnnth degree. Before they write, they prepare a trunkload of ideas, route maps and background. Then we have the scribblers who travel light. Just the barest plot twist, perhaps a skinnily-honed last line or a little black denouement. (Actually, I’m warming to this wardrobe theme.)

So if you’re in the former category, what mustn’t you forget? And if the latter, what’s the bare minimum you can get away with?

Today I’m at a festival called Chapter Book Challenge, a month-long event that aims to galvanise writers to write a chapter book in just a month. I’m zoning in on the essentials for the drafting process – and as an added bonus, commenters on the post (THAT post, not this one!) will get entered into a draw to win a paperback copy of Nail Your Novel, original flavour, which is packed with essentials for getting you from first idea to final draft. Come on over to find out what every well-dressed novel is wearing...

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How to nail Nanowrimo – post at Writers & Artists

nano1nailnanowaNearly November! I’m at Writers & Artists today with a preparation regime for November’s big writing event, National Novel-Writing Month (NaNoWriMo).

It’s ultra-streamlined to suit all writing approaches. If you like to create a detailed synopsis, my tips will get you going. If you want only the barest essentials, they’ll guide you while giving you room to explore and express. And if you’re still undecided or wonder if NaNoWriMo is even possible, hopefully they’ll persuade you to take the plunge.

Step this way…

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A site to help you fill the gaps in your story outline

I’m shuffling ideas for The Venice Novel and I’ve come across a fantastic site that’s helping me clarify where I want to take the story.

It’s called Television Tropes and Idioms. But don’t be fooled by its name. Tropes doesn’t mean cliches; it means story conventions and readers’ expectations. In fact, you can use the site as a cliche and stereotype warning – it tells you what’s already been done to death so you can keep your story and characters fresh and original. And the site includes movies and novels as well – of all types, all genres (and even stories that don’t fit easily anywhere).

I’m using it to fill gaps. At the moment I have a rudimentary cast of characters and a fundamental conflict, so I need to see what else could gather around it. Poking around in the subject sections (‘topical tropes’, in the left sidebar) suggested a lot more places I could take the characters and ways to develop the plot. It also gave me ideas for more defined roles my characters could play.

If you want to hit a particular genre, zip down the left-hand sidebar and look up ‘literature’ and you’ll find a list of categories to clarify where you fit. You can also check you’ve covered enough bases to satisfy readers and identify possibilities you might not have thought of.

But even if you don’t fit traditional pigeonholes (like certain folks I could mention), you can look up story ingredients, such as ‘war’, ‘betrayal’ or ‘family’ – just for instance, under the latter you get a delicious sub-list with suggestions like ‘amicably divorced’, ‘hippie parents’, ‘dysfunctional’.

Some writers get their first inspirational spark from a setting – if that’s you, you can research how other authors have done your setting justice, from pre-history to ‘4000 years from now (and no jetpack)’.

One of the other things I like about it – very much – is its tone. No judgements are made about whether genres are fashionable, overworked, lowbrow or highbrow. It’s all about celebrating how stories work – or sometimes don’t. As we know, that comes down to the writer’s skill anyway, not whether a ‘subject’  is en vogue. And after a few hours in the company of their rather breezy descriptions, not only will you be better informed, you will be spurred to avoid the lazy story decision.

If you’re sprucing up your outline – especially as NaNoWriMo looms – spend an afternoon exploring Television Tropes and give your story a thorough workout.

Do have any go-to sites when you’re planning a novel – and how do you use them? Share in the comments!

You can find tips for researching, outlining and what makes a robust story in my book, Nail Your Novel – Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence. Available on Kindle and in print. You also might like my multimedia course with Joanna Penn – more than 4 hours of audio and slides with an 86-page transcription – find it here.

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Back to work – reboot your writing brain after a break

If you took a break from your novel for the holiday season, how will you ever get back into it?

Sometimes it’s good to take a break from our novels – especially at the end of a draft. But those are the breaks we’ve embraced. The purpose is to forget everything we knew about the book. An enforced break? That does the same – right when you don’t want it to.

It’s not that I’m shouting ‘humbug’, but before Christmas I was working through some notes from a publisher and Dave was deep in a first draft. Now, festivities over, we both have to get back into our writing, which isn’t easy. We don’t book many holidays compared with the normally employed, but somehow as departure looms, we grouse more and more about having to stop writing.

To make a good job of a book I need to know its every nuance. I need to understand how every scene and simile will reverberate through the whole thing – the way a note played on a piano is not just one sound, it quivers the strings of the whole instrument from highest tink to lowest rumble. When I come back to my novel after a break, I have to find its harmonics again.

So here’s how I do it.

Summaries

First of all, I make sure I’ve got a summarised version of the book. This could be

  • the scenes on index cards if it’s at the planning stage
  • a working synopsis
  • a beat sheet, if revising.

(For a full explanation of these, see Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence.) I use these documents as cribsheets to reboot my understanding of the novel from beginning to end. The structure, the character arcs, the tick-tock of the timeline, the threading of the subplots.

Beat sheet with extra writer fuel

You’ll probably have seen from my other blog that I make soundtracks of mood pieces that have inspired major scenes and characters. Whenever a song snakes out of the radio or my headphones and tells me something about the novel I’m working on, I put it on a playlist. When I’m trying to reintroduce myself to my book, I take the soundtrack for a spin.

Trust the process

In a recent comment here on this blog, Fredrica Parlett made a wonderful remark that I’d like to put on a T-shirt – ‘if I can trust the process and not panic…’ Experience of writing’s ups and downs gives you faith. Faith that you have lost the thread before but you can pick it up again. Courage to get through the first day, when you don’t feel like going back to work after the holidays. Yes, that day isn’t easy. But the next one will be a lot better than you think it is going to be. And before you know it, you’ll be back in the swing.

If you’re thinking 2012 is the year you write your novel, you might like this multimedia short course I co-host with Joanna Penn of The Creative Penn. More than 4 hours of audio with 86-page transcription and slides. And there’s also my book, Nail Your Novel

Thank you for the vintage ad pic JBCurio

Do you have any tips for getting to grips with your novel again after a break? Share in the comments

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