Posts Tagged The Hunger Games

How to find the right title for your book – a brainstorming workshop

book titles

Jane Austen’s unfinished masterpiece

I’ve had this question from Kate Calcutt.

How important is the title of a book?

Good titles make you stop and wonder. Catch-22. Wow, what’s that? The Other Boleyn Girl. Wait, there were two? Nineteen Eighty-Four. Why then? What happens? (The book was published in the 1940s, so the forward-reaching, inverted date was startling.)

The more famous you are, the less hard your title has to work. Iain Banks graduated from The Wasp Factory to The Business. Would you have picked up The Business if it had been his first? Barbara Vine gets away with No Night Is Too Long because her name already tells readers what they’re getting. Which is just as well because No Night Is Too Long has zero stopping power and is darn hard to remember.

If you’ve got a long-running series, you can coast with the later titles. The first needs to audition with bells and whistles, but later titles can trade on insider knowledge. Mockingjay would be a challenge to remember unless you’d been primed by The Hunger Games. But it’s really a title that says ‘welcome back’.

But if you don’t have much already on the shelves, your title is your one chance to make a reader stop and consider spending time with you. It is your novel’s chat-up line in a place with hundreds of suitors. It needs to thrum with promise, intrigue.

Is this title okay?

Kate also said: I’m considering a title change from ‘In the Background’, to ‘Life, Captured’.

I’m afraid both of those fall at the first hurdle. They’re so vague that they can’t give a flavour of the book, and a reader is likely to pass them by in favour of a title that makes a strong case for what it’s about. Both these titles could describe just about any story.

Now, you might argue that we want our books to appeal to the widest number of readers. And I’m sure if there was a genre category called ‘for anyone who likes a good read’ we would all hope our book belonged in it. But marketing can’t be about ‘vagueness’ or ‘everyone’. It’s about specifics, individuals and distinctiveness.

Let’s get specific

So what are the specifics of Kate’s book? She described her novel to me as contemporary female fiction – the story of a woman’s life as observed by those in the background of her holiday photos.

Now this is an interesting concept and I can understand why she’s toying with those titles. But they didn’t make me want to pick the book up. In The Background might work with a stunning cover. But titles are seen just as often without their artwork, so we can’t rely on that.

So what shall we do to find a better title? We need to brainstorm.

I’m not saying I’ll get a better title in this post, but here’s a starter. Only Kate knows what really mirrors the soul of the book.

nynfiller21. Dig out the thesaurus

Find words that suggest photos, snapshots, images, likenesses, portraits. Exposure. Shot. Frame. Lens. Subject. Picture. I got down to ‘image’ and I found ‘angel’ – a nice emotive word. Photos aren’t the only interesting concept here. Let’s look up watchers, onlookers, witnesses. And moments. Even jigsaws, as this novel seems to present a life in pieces. Or chorus, as the piecemeal narrative is like the commentary of a Greek chorus. What about biography, as it’s the story of a life? Make a huge list of possible nouns.

Now start another list of verbs and adjectives that could go with those. You’re looking for something surprising or emotive. The blurred girl? Background is a good word if we use it strongly. Could that go with something?

Don’t stop with single words. List questions, enigmas, dilemmas that might arise from the book’s concept.

2. Go for the familiar – and twist

Find idioms that use all the words you’ve listed. And book titles – Amazon is useful for this, as is my beloved Library Thing. Song titles too. As good titles set up a frisson, you can get a powerful effect from altering a phrase that’s already familiar. Look at Anthony Burgess showing off (as ever) with a novel called Nineteen Eighty-Five.

In my scoot around LibraryThing I found a novel called Autobiography of a Family Photo by Jacqueline Woodson. That’s got an intriguing vibe so it’s definitely worth looking at other titles that are similar. There’s also The Photograph by Penelope Lively. The descriptions of these two novels necessarily explain the title, which could give you extra ideas to explore.

3. Look in the text

The perfect title might already be in your novel, hidden in a line of dialogue, or introspection, or a description.

4. Look at the genre

Your book needs to woo the right kind of readers, so you need to capture the right tone. Note, especially, the emotions that titles evoke – that’s the promise to the reader. And avoid misleading ones. Although ‘witness’ is good for the brainstorming list, if you put it in the title you might give the impression that it’s a crime novel.

A shortlist

Write a shortlist of titles. Force yourself to come up with many more than you need. Then put them away and come back when you’ve forgotten what they are. Try the best ones out on friends, then go back to Amazon to see how your shortlist compares with the books already out in the marketplace.

Repeat until satisfied.

You’ll find some more notes on titles in this post by Ray Harvey aka Journal Pulp.

Do you struggle to think up titles?  Do you have any tips? Share in the comments! And if you want to continue brainstorming Kate’s book – or if you think of a possible title share it here!

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Should you tie up all the ends when you type ‘The End’?

In the Norwegian version of the film Insomnia, one of the characters tells an anecdote that is never finished. It appears inconsequential, perhaps a throwaway line to illuminate character. But good scripts never contain spare remarks, and this interrupted fragment quivers through the rest of the story like a deep note from a cathedral organ.

It is like the job the characters are doing – investigating a murder and having to create the ending for themselves. It  returns later when parts of the story become dreamlike and the main character is tormented by guilt. It is like the everlasting arctic sunlight that won’t allow the day to end.

So leaving this anecdote hanging is a rather clever move by the writers.

 

Closure

Stories need closure – of course they do. We need to feel they ended in the right place. In most genres this does mean tying up all the ends and solving the mysteries. (We’ve all been infuriated by novels that are deliberately teasing us towards their sequels – The Hunger Games and Twilight. They don’t seem to be playing fair.)

In most genres, the fun for the punters is wondering how the murderer will get caught, how the romantic twosome will get together, how the battle was won, how the world was saved (or lost). That’s what they’re there for.

But if you are writing a story that aims to go deeper than the events, perhaps you don’t want to tie everything up or explain everything.

Resonance

Insomnia ties up most of its physical threads – it ends when the case ends. But morally it is anything but neat. The characters leave the story with unfinished business and nagging burdens – and this is its true power. It is the toll paid by those who have to deal with murder. The viewer carries it too, as sharer of this experience in all its ambiguity. (Did ever a post try so hard not to give spoilers?) It plays fair, but it deepens the mystery.

Stories don’t always have to give us answers. Sometimes the questions they give us are as important.

Have you got a favourite story that doesn’t answer all its questions? Or do you hate it when writers do that? Share examples, good and bad, in the comments!

How to write a novel – in-depth webinar series with Joanna Penn of The Creative Penn, starting November.  Find more details and sign up here.

Nail Your Novel – my short book about how to write a long one – is available from Amazon. Not too late to nab a Kindle copy if you’re aiming to be a Wrimo!

My Memories of a Future Life is now available in full. You can also listen to or download a free audio of the first 4 chapters over on the red blog.

 

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