- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- My writing process: the picture tour
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Who am I?
Posts Tagged thrillers
My guest this week says she always begins a project by assembling a sequence of music tracks. To start with, she notices every word and note, but after a while they settle into a familiar environment – a mental writing room that claims her attention and tells her it’s time to immerse. The novel she’ll be sharing with us is set in 1938, so her soundtrack is a mix of her own favourite contemporary songs to help capture the mood, and then a lot of material from the period of her story to conjure the historical period. She is NYT bestselling thriller author Rebecca Cantrell, and she’s on the Red Blog with her Undercover Soundtrack.
A Trace of Smoke, authors, Berlin, Bertolt Brecht, Dagmar Krause, Dakota Staton, Desert Island Discs, drama, Emily Barker, Emily Barker & the Red Clay Halo, entertainment, Hannah, Hannah Vogel, how to write a thriller novel, Joe Tesla thrillers, Kurt Weill, Lotte Lenya, Louis Armstrong, Macy Gray, music, music for writers, music for writing, My Memories of a Future Life, mystery, mystery series, Nail Your Novel, New York Times, Order of Sanguines, Paul Whiteman, playlist, playlist for writers, Rebecca Cantrell, Roz Morris, The Blood Gospel, The Undercover Soundtrack, The World Beneath, thriller, thrillers, undercover soundtrack, Women Writers, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing room, writing to music
I’m finding it so curious to see how many novelists in this series are inspired by Bruce Springsteen. He’s probably not the kind of artiste people would imagine if you mentioned using music as a muse to write, but he’s behind so many characters and character dilemmas. My guest this week has compiled writing soundtracks ever since he was at school, and still keeps mixtapes from that time. He revisits them occasionally out of amused curiosity, and says that Springsteen gave his characters a gritty humanity he couldn’t otherwise have found. Decades on, he’s using soundtracks just as much as ever – sometimes not to write, but to fill himself with the book’s mood before he sits down at the keyboard. He is Will Overby and he’s on the Red Blog with his Undercover Soundtrack.
authors, Benny Goodman, Brett Rosenberg, Bruce Springsteen, characters, Desert Island Discs, drama, entertainment, Fix and Finish With Confidence, friends, Gyorgy Ligeti, horror, horror novels, how to write a horror novel, how to write a thriller novel, how to write a zombie novel, I’m On Fire, inspiration, Julie London, Kryzysztof Penderecki, male writers, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, playlist for writers, Roz Morris, soundtracks, Springsteen, The Dream, The Undercover Soundtrack, thriller novels, thrillers, U2, undercover soundtrack, vodou, voodoo, Will Overby, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music, zombie novels, zombies
My guest this week says his friends assume his crime novels are inspired by other noir thrillers, but they’d be wrong. His novels have all come from songs. An opening scene sprang from Springsteen; the relentless grind of a fight from House of Pain; a tender moment from the soundtrack to Gladiator. He is Terrence McCauley and he’s on the Red Blog with his Undercover Soundtrack.
1930s, America, American fiction, authors, crime, crime novels, deepen your story, entertainment, fiction, Fix and Finish With Confidence, how to write a book, how to write a novel, how writers work, music for writing, My Memories of a Future Life, noir fiction, novels, NYC, Prohibition, publishing, Roz Morris, tender moment, Terrence McCauley, The Undercover Soundtrack, thrillers, undercover soundtrack, USA, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing to music
Sometimes I find there’s an inexplicable moment when the tune in my ears tells the story back to me and from then on is part of its world. My guest this week became wedded to a Ravel piano concerto when it started at exactly the moment he began a long, brooding sequence with a killer. He likes to write in public places and his playlist is forever topped up by suggestions from his wide fanbase. Indeed his musical roots run deep; in the 1970s he was in a band that recorded an album for Universal and which ultimately, minus him, became the gazillion-selling group Bread. How cool is that? As cool as this – songs he’s written have been recorded by a number of top artistes in several genres. Now he’s an Edgar- and Macavity-nominated author of thrillers and mysteries. Could it get any cooler? His name is Timothy Hallinan and I’m thrilled to have him on the Red Blog with his Undercover Soundtrack.
1970s pop, authors, Bread, deepen your story, Edgar Award, entertainment, fiction, Fix and Finish With Confidence, group bread, how to write a mystery novel, how to write a novel, how to write a thriller novel, ideas, inspiration, Macavity Award, music, music for writing, musical roots, My Memories of a Future Life, mysteries, mystery, mystery novels, mystery writers, novels, publishing, Roz Morris, The Undercover Soundtrack, thriller novelist, thriller novels, thrillers, Timothy Hallinan, undercover soundtrack, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing in coffee shops, writing life, writing routine, writing to music
Ideally we’d all write from personal experience, but most of us have much bigger imaginations than our pockets, lives, bravery levels or the laws of the land can accommodate. So we have to wing it from research.
Ghostwriting is the ultimate rebuke to the idea that you write what you know. We pretend all the way, even down to our identity, outlook and heart. When I was ghosting I became a dab hand at travel by mouse – there was no way the publisher paid enough for me to jet to my book’s location. Or would spring me out of jail.
So here are my tips for bridging the experience gap.
Good first-hand accounts
Obviously the web is full of blogs about just about anything. They’ll give you up-close, spit-and-sweat details from those who are living the life. But look further afield. Good memoirs and novels will not only provide raw material, they’ll show how to bring a place alive on the page.
There are scores of books published for writers who want to bone up on unfamiliar areas – whether crime, ways to kill or die, historical periods and what might be possible in steampunk. Or how to write a vampire novel. Some of you may know I’m an obsessive equestrian, and Dave’s roleplaying fraternity used to ask me constant questions about what you could do with horses until I wrote this piece for them.
What everybody else may already know
If there are famous books or movies that tackle your subject or feature your key location, get acquainted with them. Some readers hunt down every story that features their favourite keywords. They will not be impressed if you miss an obvious location for a murderer to hide a body, or an annual festival that should muck up your hero’s plans.
Flickr is wonderful for finding travellers’ snaps. But don’t discount professional photography. The best captures the emotional essence of a place, not just the visual details. I wrote one novel set in India and found a book of photographs of the monsoon. Those exquisite images of deluge gave me powerful, dramatic scenes.
Before the days of broadband, my go-to was National Geographic on searchable CD-ROM. I bought it as a Christmas present for Dave many years ago and probably you can now get the same thing on line. Sublime photography and descriptive writing that will get your fingers tapping.
Befriend an expert
Misapprehensions are inevitable if you’re appropriating others’ experiences. If possible, tame an expert you can bounce ideas off – especially if you’ve hung a major plot point on your theoretical understanding. When ghosting, I could ring my ‘authors’ for advice, but they weren’t always available so I found other sources to get my facts straight.
You’ll be surprised where these experts could be hiding. I never noticed my neighbourhood had a diving shop until I needed to write scenes featuring scuba. They were flattered and excited when I asked if I could pick their brains for a novel. When I was working on My Memories of a Future Life, a friend mentioned her family knew one of the BBC Young Musicians of the Year. Voila – I had an introduction to a concert pianist. Right now, I’m recruiting high-altitude climbers and pop musicians. Say hi in the comments if you know any.
What do you use to write what you don’t know? Share your tips in the comments! And do you have any research needs at the moment? Appeal for help here and you may find your perfect partner!
authors, crime, deepen your story, entertainment, fiction, Fix and Finish With Confidence, Flickr, gaming, ghostwriting, having ideas, historical fiction, historical novels, how to find experts, how to write a book, how to write a novel, ideas, inspiration, literature, memoir, My Memories of a Future Life, National Geographic, photography, photos, publishing, research, Roz Morris, scuba, steampunk, The Mountain Novel, thrillers, travel, travel memoir, unblocking, where to get ideas, Write what you know, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life
Often, writers are gearing up to reveal a big threat in the meat of the story, but fail to give us enough in the early chapters. Instead they show the characters living their lives, surrounded by their important folk. They may show us back story, and what the characters don’t want to lose. This is all useful groundwork – but they are in a state of stability.
What’s missing is the sense that the character is venturing onto a tightrope. The unknown knocking at the door. The trampoline on the balcony.
Genre and generalisations
How obvious you make this instability depends on your readership. Children’s and YA novels have to be pretty literal, while literary novels for adults might create pressures of agonising subtlety. Passages that would be aimless cogitation in a thriller might be enthralling dissonance in another genre.
But whatever you are writing, you still need jeopardy. So if your characters are looking too comfortable, what can you do?
Cut the throat-clearing
The simplest answer is to ditch the throat-clearing and get to the main threat sooner, then generate some complications to spin out afterwards.
Foreshadow with mysterious symptoms
But you might be better to keep your main conflict where it is. In that case, you need a build-up – but one that isn’t aimless.
Start from your main conflict and spin it out backwards, creating less severe problems that will lead to the flashpoint. Like mysterious symptoms that warn of a medical catastrophe, these can give that tingling sense that the character’s world is becoming irretrievably unstable.
Is there any normal activity that they start to find more difficult? Is there a tricky choice they might have to make early on? And could the character handle these in a way that makes everything more precarious? Could they think they’ve sorted it out but find they’ve made it worse?
Sometimes writers try to add jeopardy with a deadline. The gangsters are coming. Or the bomb will detonate. That can be effective if introduced late, but plot timebombs have a short shelf life. If you start them ticking too early and never escalate the problems in another way, the reader can get numbed.
Other characters are a terrific source of instability. Is there something your main character has to do that puts them at odds with other people who are important to them?
When I fixed Life Form 3, I looked closely at the other characters. I found:
- relationships where there was tension, and I made more of it
- ways for characters to spoil things for each other
- a way to give an early warning of the main threat, by making a diluted version afflict another character
I also looked for where this new, more desperate situation might lead to alliances. This gave one character a much stronger role, and became a catalyst for other tensions that richocheted through the story. He emerged with some strong beliefs that made him a far bigger player than he was originally designed to be.
Stories need a sense of instability to tweak the reader’s curiosity. If you need to add more, you can often find the roots in your main conflict and characters.
Have you had to add jeopardy to a story – and how did you do it? Let’s talk in the comments!
If you found this post useful, you might like the follow-up to my book Nail Your Novel. It’s currently in edits and I’m still debating the title, but it will be stuffed with craft advice. If you’d like updates about this and Life Form 3, sign up to my newsletter
authors, Conflict, deepen your story, entertainment, fiction, Fix and Finish With Confidence, having ideas, how to add tension to a story, how to make a story compelling, how to write a compelling story, how to write a novel, jeopardy, literary fiction, literature, My Memories of a Future Life, polishing, publishing, revising, Rewriting, Roz Morris, tension, thrillers, unblocking, writer's block, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, YA fiction, YA novels
Murder ballads and psychological thrillers? Surely it was only a matter of time before a writer put themselves under the influence of Nick Cave. My guest this week used music as his portable aural office, banishing the sounds of his fellow rail passengers on his daily commute to immerse in shady characters. Sometimes he scared the real-world folks in the carriage too. He is Ruby Barnes and he’s on the Red Blog talking about his novel The Baptist and its Undercover Soundtrack.
authors, deepen your story, entertainment, Fix and Finish With Confidence, how to write a novel, ideas, matter of time, Murder Ballads, music for writing, My Memories of a Future Life, Nick Cave, novels, psychological thrillers, rail passengers, Roz Morris, Ruby Barnes, serial killers, shady characters, The Baptist, The Undercover Soundtrack, thrillers, undercover soundtrack, world folks, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing to music
My guest this week set her psychological thriller in a music conservatoire. Two pieces of music brought the book to life for her – a Schubert song with a beguilingly vulnerable female vocal, and a Rachmaninov sonata that turned out to have an illuminating link with Goethe’s Faust. She is Niki Valentine and she’s on the Red Blog today talking about the Undercover Soundtrack to her novel Possessed.
authors, Black Swan, deepen your story, drama, fiction, Fix and Finish With Confidence, having ideas, how to write a novel, music, music for writing, My Memories of a Future Life, novels, psychological thrillers, publishing, Roz Morris, The Undercover Soundtrack, thrillers, undercover soundtrack, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, writing to music
‘Music enables me to reach a deeper understanding of myself’ – Dina Santorelli, The Undercover Soundtrack
What does a thriller writer put in her headphones when she wants to drum up the characters of her childhood Brooklyn? Sinatra, Dean Martin, Coldplay, Bonnie Tyler… My guest this week needs silence for the actual writing, but reaches for music when she’s choreographing a scene or rekindling her creative momentum. Most of all, her soundtrack earths her story in the people and environs of her childhood. She is Dina Santorelli and today she’s on the Red Blog talking about the soundtrack to her thriller Baby Grand
authors, Baby Grand, bonnie tyler, Brooklyn, Dean Martin, deepen your story, Dina Santorelli, entertainment, fiction, having ideas, how to write a novel, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence, novels, publishing, Roz Morris, self-publishing, Sinatra, The Undercover Soundtrack, thriller writer, thrillers, undercover soundtrack, writing, writing a novel - Nail Your Novel, writing business, writing life, writing to music
Living with a teenage daughter is a bonus when you’re putting together a writing soundtrack for a teen spy trilogy, but my guest this week compiled her playlist as much for tone and sound as for lyrics. She is Laura Pauling, and she’s over at the red blog talking about the Undercover Soundtrack to A Spy Like Me.
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- ‘The moment of making the first sound or writing the first word is special’ – The Undercover Soundtrack, Pete Lockett April 23, 2014
- How to write a novel: following the strange – guest post on Writer.ly April 16, 2014
- ‘Road trips require a soundtrack; so do some novels’ – The Undercover Soundtrack, Linda Collison April 16, 2014
- How to make an audiobook using ACX April 13, 2014
- ‘A trickle of notes can flood your thoughts with broken things’ – The Undercover Soundtrack, Warren FitzGerald April 9, 2014
- An easy way to make your plot plausible – control your novel’s timeline April 5, 2014
- ‘Tragedy and loss are cornerstones of my story’ – The Undercover Soundtrack, Anne Allen April 2, 2014
Sign up for my newsletter
See what I did there…