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Posts Tagged undercover soundtrack
My guest this week has written a novel of exiles – artists, sculptors and musicians displaced from their home countries by the border shifts after World War II. The central character is doubly exiled, born between genders at a time when such things were poorly understood. Music helped her create their personalities, guide her research and develop their histories. She drew on a rich heritage of opera, jazz and folk – and even composed her own folk song for the novel. She is Kathleen Jones and she’s on the Red Blog with her Undercover Soundtrack.
deepen your story, historical fiction, literary fiction, writing life, Roz Morris, writing, writers, My Memories of a Future Life, music, drama, authors, Women Writers, literary novels, writing to music, The Undercover Soundtrack, Desert Island Discs, music for writing, undercover soundtrack, music for writers, entertainment, Italy, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, artists, Nail Your Novel, playlist for writers, folk, folk music, jazz, Ben Webster, Catherine Cookson, Cosmopolitan fiction prize, Croatia, Europe, exile, Fay Weldon Award, folk songs, Gilad Atzmon, Gilad Atzmon and the Orient House band, hermaphrodite, Homeland War, Homeland War Lenka, intersex, Istria, Istrian folk songs, Kathleen Jones, Kaštela, Middlesex, opera, sculptors, Slovenia, The Centauress, The central character, Tuscan folk songs, WH Smith bestseller, Yugoslavia, Zenobia
‘Abhorrent combinations… fear not as the music writes the story for you’ – The Undercover Soundtrack, Josh Malerman
My guest this week says his novel was written in a trance. He rented an attic from a musician, who he could hear practising in the rooms downstairs, brought along a cageful of finches and set them free to fly around him as he typed. You’ll see from the title why they seemed like a good idea. These avian muses were also treated to the soundtracks of several movies – Rosemary’s Baby, The Fog and Creepshow – which doubtless helped them get further into character. When he needed to crank up the intensity, there would be two songs howling at once – the radio at one end of the room, classical music at the other. My guest reports that sometimes his birds got tired and stared at him. This endearing aural vandal is Josh Malerman, his novel is the post-apocalyptic thriller Bird Box, and he’s on the Red Blog with his Undercover Soundtrack.
apocalyptic, authors, Beetlejuice, Bird Box, birds, birdsong, classical music, Creepshow, Danny Elfman, Desert Island Discs, Detroit, drama, entertainment, future, futuristic, High Strung, John Carpenter, Josh Malerman, literary novels, male writers, medium, music, music for writers, My Memories of a Future Life, Nail Your Novel, playlist for writers, Rosemary's Baby, Roz Morris, Shameless, Slumber Party Massacre, speculative fiction, The Fog, The High Strung, The Undercover Soundtrack, thriller, thrillers, undercover soundtrack, wild birds, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
My guest this week describes his writing as a constant state of striving – to achieve the same visceral punch of great music. His books come to him that way too – protagonist, thread and plot in one hit. In fact I’ve actually seen this thunderbolt descend; I was with him on a course one day when he told me he’d just overheard a conversation that gave him an entire plot and its characters in an instant. After that comes the hard work, of course, and music helps him return to that state of fever. The novel he is talking about this week is the first in a crime series, set in the final years of Moorish rule in Spain, and its soundtrack is full of sweat, guitars, lutes and bass. He is David Penny and he’s on the Red Blog with his Undercover Soundtrack.
authors, bass, Counting Crows, crime, David Penny, Desert Island Discs, drama, entertainment, Grace Potter, guitars, historical crime, historical fiction, historical thriller, Joe Satriano, John Hiatt, literary fiction, literary novels, lute, male writers, Moors, murder, murder mystery, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, neil young, playlist for writers, protagonist, Roz Morris, Spain, surgery, The Red Hill, The Undercover Soundtrack, thrillers, Tinariwen, undercover soundtrack, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
My guest this week writes urban fiction imbued with magical realism and horror. His characters are drawn directly from soundtracks, from music that expressed their desperation, loneliness, fragility and streetwise sass – Sinead O’Connor to Madonna; Dead Can Dance to Suede and Soft Cell. He is Rohan Quine and he’s on the Red Blog with his Undercover Soundtrack.
authors, Bauhaus, Bronski Beat, Bryan Ferry, Chocolate Raven, contemporary fiction, Dead Can Dance, Desert Island Discs, Donna Summer, drama, entertainment, Erasure, Genesis, horror, Kim Wilde, Kode9 and the Spaceape, Lana Del Rey, Madonna, magic realism, magical realism, male writers, Marc Almond, Marc and the Mambas, Ministry, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Platinum Raven, playlist for writers, Rohan Quine, Roxy Music, Roz Morris, Sinead O'Connor, Soft Cell, Suede, The Imagination Thief, The KLF, The Orb, The Undercover Soundtrack, This Mortal Coil, undercover soundtrack, urban fantasy, urban fiction, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
Johannes Brahms reportedly referred to his third intermezzo for Opus 117 as ‘the lullaby of all my grief’. This week’s guest was studying music in summer school when she first encountered it, and was overwhelmed by its sadness. Life events interrupted her dreams of becoming a musician, but years later, when she was writing a novel about a ballet dancer, her research led her to the Brahms. She remembered the imaginative journey she had taken when she used to play the piece, and now it guided her creation of the main character and her story. She is Laura K Cowan and she’s on the Red Blog with her Undercover Soundtrack.
authors, ballet dancer, Brahms, Childhood piano lessons, Christian suspense, classical pianists, contemporary fiction, Desert Island Discs, drama, Eduards Grieznis, entertainment, grief, Interlochen Center for the Arts, intermezzo, Johannes Brahms, Laura K Cowan, Lone Cypress, lullaby, Metaphysical Fantasy, metaphysical fiction, music, music for writers, music for writing, Music of Sacred Lakes, My Memories of a Future Life, Nail Your Novel, occult, pianists, piano, pianos, playlist for writers, Roz Morris, sadness, spiritual novels, spiritualism, supernatural, The Little Seer, The Thin Places: Supernatural Tales of the Unseen, The Undercover Soundtrack, undercover soundtrack, Women Writers, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
My guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’s on the Red Blog with her Undercover Soundtrack.
authors, Black Glitter, burlesque, Cocteau Twins, contemporary fiction, crime fiction, crime novelist, crime novels, Death in Vegas, Desert Island Discs, drama, editors, entertainment, facebook, Garbage, Gunshot Glitter, Interpol, Jeff Buckley, London, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, near-death experience, Nine Inch Nails, PiL, playlist for writers, Portishead, rock star, Roz Morris, Skunk Anansie, Smashing Pumpkins, The Cure, The Pixies, The Smashing Pumpkins, The Undercover Soundtrack, undercover soundtrack, Women Writers, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music, Yasmin Selena Butt
I’ve had a question from Tina L McWilliams: Besides Twitter, LinkedIn, Facebook etc, a website is obviously essential. But what type? Some writers have simple ones, with their books, an author biography and so forth. Others – you and Joanna Penn included – have ‘education’ sites. Which I love, and return to regularly. (Thanks! Ed) So, could you discuss the importance and the time involved with both?
Why have them at all?
If you’ve got Twitter, Facebook, G+, you’re certainly making good connections. But you’re fitting a limited format with little room to customise. You need a place to invite folks to when they want to know more.
Also, you control your website’s destiny. A social medium might disappear – or your crowd might (MySpace, anyone?). But your site is yours.
How extensive does the site have to be?
If the site’s raison d’etre is to tell people who you are, you don’t need more than a few static pages – about you, your books, contact details. Perhaps a page of upcoming events if you do a lot of these (I don’t so I use social media for this). And voila: a website.
If you add a blog, you get noticed more. Search engines favour sites that are frequently updated. Human visitors like to see they’re on the blog of a person who regularly shows up, and notices when new folks call. There are a lot of dead, forgotten sites out there, so you need to make your site look alive.
Honestly? The ether is choked with sites about writing and publishing.
Here’s a reason not to: being distinctive If you write straightforward posts about ‘show not tell’ you might find it hard to be noticed – and that’s one of our goals, right? So your posts need to be individual. A lot of writers blog about their lessons and mishaps on their writing journey, so you might find it hard to reach further than immediate friends.
Here’s a reason to: getting your material shared If the content is useful or strikes a chord, it’s more likely to be shared. Certainly a lot of people want to learn about writing and publishing. And you might win fans for your gloriously whacky voice (like Chuck Wendig).
But consider this:
Who do you want your content shared with?
Most authors who blog about writing will only reach other writers. That’s fine for me because writing tuition is part of what I do (but it’s not everything – see below). If you’re blogging to help people develop a taste for your fiction? You might be better choosing something else:
- your issues, if your fiction is issues based
- your historical period if appropriate
- other books in your niche
- host other authors (like Jane Davis), campaign for better recognition for indie authors (like Paul Sean Grieve), start a blog series like David Abrams on The Quivering Pen with My First Time or me with The Undercover Soundtrack.
Blogging to promote your fiction? The dilemma for literary authors
I still haven’t sussed this myself. Partly this is because my kind of fiction doesn’t suggest bloggable ‘topics’. One book might deal with, say, musicians, reincarnation and despair (My Memories of a Future Life). Another might feature repressive regimes and ruined country houses (Lifeform Three).
Even so, those aren’t really my ‘subjects’. I can write the odd guest post about them, but not regular blogs. Ever Rest and my embryonic ideas are different again. My signature, if I have one, is thematic: ideas of the soul and memory, conditions of haunting. I have only realised this as I roam about in Novel 3. I could blog about those themes, but it might discharge my need to explore them in the books.
So subject and issues blogging isn’t going to work for me. But it might be good for you.
Make it regular
Your blog needs to look current. So make blogging a regular appointment. Include a calendar so visitors can see the pattern. A list of previous or popular posts will tempt them to stay longer. The longer people stay on your site, the better.
How frequently should you blog?
As often as you find manageable. Experts say that for SEO significance it should be several times a week, but that might exhaust most of us. And think of it from the reader’s perspective. How much time do you have to read blogs, even the ones you love? Once a week is probably plenty to keep you on the radar.
Which brings me to… what I do and how much time I spend.
Why do I have so many sites?
It was an accident, but it seems to work. Each site has a distinct purpose, and they’re all connected to one hub and to each other.
Nail Your Novel
This one you’re reading is my original site. More here about how it started, where you can also see charming screenshots of how my blogs looked in 2011 (eek!).
Post frequency: I put up a writing/publishing post once a week plus a trailer for The Undercover Soundtrack. Plus signposts if I’ve got a guest spot or devilishly exciting news like a launch. Overall, at least 2 posts a week.
Time taken: I can’t just slap a post out. I spend at least 5 hours of cogitating, checking examples to make sure I’m not making idiotic assumptions, finding pics. You don’t have to spend as long if that’s not your style. Later there are comments to answer, shares to acknowledge and other networking to do. Every few months I might tweak the sidebar icons, so that’s another occasional hour or two. I reckon my blog swallows a full day a week – at least. (Is that shocking?)
Post frequency: twice a week. One trailer to introduce my guest, written by me. One Soundtrack post. Although I don’t write these, they take time behind the scenes. I book guests well in advance (as you’ll know if you’ve featured!). When posts come in, I read them, write back with praise (of course!) and quite often ask for tweaks if I think this would make them fit the format better.
Time taken: about 2 hours per week, depending on resubmissions.
How it started: I’d built a blog for writers, but it wasn’t designed for introducing my fiction. When I launched my novel, I worked out a separate profile-building strategy and wrote this post full of bold plans. I reread it just now and added updates for what lasted and what proved daft or impossible to sustain. Mostly the latter. You might find it amusing.
Another reason to have a separate site was to claim the URL. There are several reasons:
- Easier for readers to find in a Google search
- A handy and sensible URL to put on business cards
- Allowed me to create a separate site with artwork in the novel’s livery (if I went self-hosted again I could have done this without making a separate site, but that would have been too disruptive)
- I can transfer it if I want
Roz Morris, author
I got this by accident. I broke the original Nail Your Novel site, so tried WordPress hosting. I found I’d been given a blog called RozMorris, which sat idle before I realised it even existed. Then I decided to use it as a hub for the others.
Time taken: a few hours to set up introductory pages. I’ve added other material gradually as I write it for other purposes – perhaps 20-30 minutes at a time.
Updating when a new book launches I set aside a few hours to add a new page, update pics and the main header, then all the versions of it on my newsletter head, FB page, blog head and sidebar, G+, Twitter biography… I’ve got a master list in my production schedule so I don’t miss anything.
So many sites!
I did warn you. If I was starting now, I’d have one blog and one author site for everything else. But The Undercover Soundtrack became its own entity, and I couldn’t graft Lifeform Three on without breaking it. I also couldn’t leave Lifeform Three as a poor cousin with no presence of its own.
So my web-web is like a house that’s been extended and extended as times change and the family grows. I don’t doubt it looks messy to purists, and especially when explained here. I’m anticipating comments of horror. However, I don’t think readers mind if the navigation is clear. I doubt they notice the different URLs. But they would certainly baulk if they had to learn a different visual grammar each time. Even though the artwork on each site is different, it follows the same core design so they find what they want quickly.
And yes, apologies. This post is a tad late. Because sometimes life gets in the way of blogging.
NEWS I’m thrilled to announce I’m teaching a Guardian Masterclass in advanced self-editing techniques for fiction writers. Of course, London might not be a manageable distance for you, but if it is, here’s where to find out more. And … psst … it’s one of the many good things that have happened because once upon a time, I started a blog.
Do you have a blog, a website or both? How much time do you spend on them? Do you want to suggest a way for me to streamline mine? Tell me in the comments!
authors, blogging, blogging for literary authors, Chuck Wendig, David Abrams, facebook, fiction, Fix and Finish With Confidence, Guardian masterclass, how to blog, how to build a writer platform, how to build a writer's website, how to write a book, how to write a novel, Jane Davis, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Paul Sean Grieve, publishing, Roz Morris, self-publishing, The Quivering Pen, The Undercover Soundtrack, twitter, undercover soundtrack, writers, writers' websites, writing, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life
My guest this week says her first novels were fuelled by nostalgia and the past. She wrote them while living in a small market town in England, and harking back to her former homes in California and Ireland. Her soundtrack connects her back to those places and their people. Traditional emigrant songs that remind her of stoic characters in her family, while the gay anthem of La Cage Aux Folles is symbolic of friends in the LBGTQ community and her themes of loyalty and personal autonomy. There’s also a special place for the BBC shipping forecast, which she used to listen to in bed as a child, finding poetry in its strange names. She is Orna Ross – and she’s on the Red Blog with her Undercover Soundtrack.
gender, literary fiction, Roz Morris, writing, writers, My Memories of a Future Life, music, drama, authors, Women Writers, contemporary fiction, literary novels, writing to music, The Undercover Soundtrack, Desert Island Discs, music for writing, undercover soundtrack, music for writers, women's fiction, entertainment, Alliance of Independent Authors, Nail Your Novel, playlist for writers, Rufus Wainwright, Leonard Cohen, Orna Ross, The Pogues, After The Rising, BBC Shipping Forecast, Before The Fall, California, Carol Ann Duffy, Cheshire, Cyndi Lauper, early 20th century Ireland, Emmylou Harris, family loyalty, family murder mystery, George M. Cohan, Ireland, Irish Civil War, Jimmy MacCarthy, Karen Matheson, Knutsford, La Cage Aux Folles, LGBTQ, Mary Black, national identity, personal autonomy, Rod Paterson, Ronald Binge, San Francisco, sexual identity, Shipping Forecast, Stephen Foster, Steven and Peter Jones, The Eagles, War of The Brothers
My guest this week says music has always been a companion to his writing. He drafted his first book in restaurants, bars and cafes while travelling the world, and now he turns to music to settle into the writing mood. In his fiction he likes to explore the bittersweet, the unresolved, the questions, the dark side of a strength, and draws inspiration from the songwriters and performers who can break your heart in three minutes flat – while fitting the shape of a tune. He is David Gaughran and he’s on the Red Blog with his Undercover Soundtrack.
American Idol, authors, Band of Gold, Bessie Smith, Bill Withers, Bob Dylan, Bobby Gentry, Dave Van Ronk, David Gaughran, Desert Island Discs, Diana Ross, drama, emotional resonance, entertainment, Ernie Ford, Freda Payne, Game of Thrones, historical fiction, Johnny Cash, Lee Christmas, literary fiction, literary novels, male writers, Mercenary, Motown, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Nelson Mandela, Nina Simone, non-fiction, Ode To Billy Joe, playlist for writers, Roz Morris, science fiction, Special AKA, The Band, The Pogues, The Supremes, The Undercover Soundtrack, undercover soundtrack, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
My guest this week says he has to treat music with kid gloves. If he’s sitting at a dinner party and music is playing, he’s likely to get so distracted that he zones out of the real room. This is a familiar scenario to me too. And he’s definitely a writer who has found himself piecing together a novel from many of these moments of surprised distraction – where a track heard by chance perfectly fits the story problem his mind is mulling over. His novel is the story of a disillusioned man learning the way to feel alive once more, his name is Wayne Clark, and he’s on the Red Blog with his Undercover Soundtrack.
Aretha Franklin, authors, background music, Charlie Parker, contemporary fiction, Curtis Mayfield, Desert Island Discs, dinner party, Dizzy Gillespie), drama, Duke Ellington, entertainment, frank sinatra, Freddie Hubbard, he & She, jazz, Johnny Hodges, Lambert Hendriks, Lambert Hendriks and Ross, literary fiction, literary novels, male writers, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, playlist for writers, Roz Morris, saxophone, Sly and The Family Stone, The Temptations, The Undercover Soundtrack, undercover soundtrack, Wayne Clark, Wilson Pickett, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Self-editing masterclass snapshots: endings and epilogues July 28, 2014
- Revision and self-editing: masterclass snapshots July 27, 2014
- ‘The music of exile’ – The Undercover Soundtrack, Kathleen Jones July 23, 2014
- Ghostwriting FAQs: should you get a ghostwriter, do you want to become one? July 20, 2014
- ‘Abhorrent combinations… fear not as the music writes the story for you’ – The Undercover Soundtrack, Josh Malerman July 16, 2014
- How to fix a plot hole July 13, 2014
- ‘Music of raw power, pulling back from chaos and feedback’ – The Undercover Soundtrack, David Penny July 9, 2014
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