Posts Tagged Women Writers

‘Is there life after death?’ – The Undercover Soundtrack, Christina Banach

for logoMy guest this week is releasing her debut novel, a tale of love, loss and friendship centring on a pair of twins. She says that music was her anchor while she was brainstorming ideas and exploring the characters, helping to deepen her characters and refine her plot points. Her soundtrack ranges from the mournful to the joyous, with tracks by Iggy Pop, Evanescence, Robbie Williams and Samuel Barber. She is Christina Banach and she’s on the Red Blog with her Undercover Soundtrack.

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‘A hushed, whispered jingle mimicking a drizzle of rain’ – The Undercover Soundtrack, Anjali Mitter Duval

for logoMusic is at the heart of my guest’s story this week. The setting is 16th century Rajasthan in Northwest India, a landscape of temples and fortresses, jewel-toned textiles, blue skies and golden sand. It’s also the land of kathak, a stamping, rhythmic, hypnotic devotional form of dance practised in Hindu temples by girls who were wedded to the temple’s deity – and wealthy patrons who looked for companions. My guest wrote her story in New England, and listened to the rhythms of the traditional dance to conjure up her novel’s parched, colourful landscape and people, a place where rain was so rare that children would view it with terror. She is Anjali Mitter Duva and she’s on the Red Blog with her Undercover Soundtrack.

brit librarySTOP PRESS! I just got a Google alert that this blog (I’m talking about Nail Your Novel now, not the red one) has been archived for preservation by the British Library as part of its special collection for Arts, Humanities and Literature.

And by the look of it, they’ve been reading for a while because they have screenshots of designs I’d rather leave discreetly in the past… *Slight embarrassment*

Okay, back to the music. Undercover Soundtrack this way.

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‘Skinny-dipping in greenish-hued waters’ – The Undercover Soundtrack, Consuelo Roland

for logoWe often don’t realise what surprises our own work holds for us. My guest this week tells me that while writing her post, she realised she was seeing her novel in a fresh light. She’s been on this series before, so is no stranger to Undercover Soundtracks. This time she has a psycho-sexual tale of a husband who vanishes and a wife who follows him into a seductive, mysterious and dangerous night world in which they all become creatures of darkness, ‘skinny-dipping in deep greenish hued waters charged with sexual tension and lustful predilections’. The novel is Lady Limbo, the writer is Sunday Times Fiction Prize nominee Consuelo Roland, and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is a ritual of invocation’ – The Undercover Soundtrack, Alice Degan

for logoI find it so interesting how one novel’s soundtrack can absorb so many styles.  My guest this week has written a supernatural mystery wrapped up in a 1920s comedy of manners and her soundtrack is a glorious tour of classical, folk and madcap jazz. Even more interesting, she uses Thomas Tallis – as my guest did last week – but with such a different outcome. We all operate in our own key of creativity, which is one of the wonders of this series for me. Anyway, this week you can enter the classical, folky and knock-bones skelly-shaking jazzy world of Alice Degan – with her Undercover Soundtrack on the Red Blog.

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‘Music to grieve by’ – The Undercover Soundtrack, Natalie Buske Thomas

for logoMy guest this week is writing about a very personal project – a book of oil paintings that contain a story where a young boy is watched by his grandfather. She was inspired by her memories of her father who died tragically young, and she struggled to do him justice in a medium that allowed her so few words. Her guide was the music of Enya, and certain signature tracks carried the emotions she was looking for as she painted and wrote – love, loss, the swift march of time, letting go and still loving. She is Natalie Buske Thomas and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music, grief and sibling rivalry’ – The Undercover Soundtrack, Lindsay Stanberry-Flynn

for logoMy guest this week used the Moonlight Sonata to guide her through her latest novel. A central character was a pianist, and the story explores the emotions and reckonings that emerge in the wake of his death. She says the Moonlight pulled her in surprising directions, peeling off the layers of a family’s bonds and rifts, and illuminating a complex web of relationships and resentments. The piece became so significant that when she launched the novel, she persuaded her husband to give a performance of the first movement. She is award-winning author Lindsay Stanberry-Flynn and she’s on the Red Blog with her Undercover Soundtrack.

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‘Thoughts circulating in a lyric or a music line’ – The Undercover Soundtrack, Amanya Maloba

for logoMy guest this week admits she is antisocial. She likes to people-watch from behind wide sunglasses, and cocooned inside big headphones. She says her day is characterised by a constant flow of music, which has fed directly into the set of vignettes in the short fiction collection she has just published. I particularly have to thank her for introducing me to one of her special trigger tracks, by Florence + the Machine, as there’s something in it I might need for Ever Rest. And so the muse hops from mind to mind; I hope it will to yours too. She is Amanya Maloba and she’s on the Red Blog with her Undercover Soundtrack.

The Self-Editing Masterclass Snapshots will resume tomorrow.

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‘The music of exile’ – The Undercover Soundtrack, Kathleen Jones

for logoMy guest this week has written a novel of exiles – artists, sculptors and musicians displaced from their home countries by the border shifts after World War II. The central character is doubly exiled, born between genders at a time when such things were poorly understood. Music helped her create their personalities, guide her research and develop their histories. She drew on a rich heritage of opera, jazz and folk – and even composed her own folk song for the novel. She is Kathleen Jones and she’s on the Red Blog with her Undercover Soundtrack.

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‘A sadness I couldn’t explain’ – The Undercover Soundtrack, Laura K Cowan

for logoJohannes Brahms reportedly referred to his third intermezzo for Opus 117 as ‘the lullaby of all my grief’. This week’s guest was studying music in summer school when she first encountered it, and was overwhelmed by its sadness. Life events interrupted her dreams of becoming a musician, but years later, when she was writing a novel about a ballet dancer, her research led her to the Brahms. She remembered the imaginative journey she had taken when she used to play the piece, and now it guided her creation of the main character and her story. She is Laura K Cowan and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music is fuel to take me where the characters go’ – The Undercover Soundtrack, Yasmin Selena Butt

for logoMy guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’s on the Red Blog with her Undercover Soundtrack.

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