- Email me
- Nail Your Novel: books
- FAQ: I’m a new writer: which book should I read first?
- My writing process: the picture tour
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Who am I?
Posts Tagged women’s fiction
My guest this week had a real struggle to get her novel into shape. She was used to seeking inspiration from music, but found that nothing she listened to was helping. In her head was a jumble of characters and voices, all clamouring but making no sense. Then she happened upon a video of her own daughter-in-law, singing an a capella composition of her own that layered and alternated lines from random blogs. This quirky piece gave her the courage to put her characters together – and see where the harmonies came. She is Rochelle Jewel Shapiro and she’s on the Red Blog with her Undercover Soundtrack.
a capella, authors, blogs, Brandon Memorial Literary Award, characters, Coe Review, Compass Rose, contemporary fiction, Desert Island Discs, drama, entertainment, Harold Ribelow Award, Inkwell Magazine, Karen Siegel, literary fiction, Memoir And, Moment, music, music composition, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Negative Capability, New York Times, Newsweek, Pennsylvania English, playlist for writers, Rochelle Jewel Shapiro, Rochelle Shapiro, Roz Morris, She Writes, Shebooks, The Carolina Review, the Griffin, the Iowa Review, the Los Angeles Review, the MacGuffin, The Undercover Soundtrack, UCLA, UCLA Extension, UCLA tutor, undercover soundtrack, vocalists, Women Writers, women's fiction, writers, writing, writing to music
My guest this week says her first novels were fuelled by nostalgia and the past. She wrote them while living in a small market town in England, and harking back to her former homes in California and Ireland. Her soundtrack connects her back to those places and their people. Traditional emigrant songs that remind her of stoic characters in her family, while the gay anthem of La Cage Aux Folles is symbolic of friends in the LBGTQ community and her themes of loyalty and personal autonomy. There’s also a special place for the BBC shipping forecast, which she used to listen to in bed as a child, finding poetry in its strange names. She is Orna Ross – and she’s on the Red Blog with her Undercover Soundtrack.
After The Rising, Alliance of Independent Authors, authors, BBC Shipping Forecast, Before The Fall, California, Carol Ann Duffy, Cheshire, contemporary fiction, Cyndi Lauper, Desert Island Discs, drama, early 20th century Ireland, Emmylou Harris, entertainment, family loyalty, family murder mystery, gender, George M. Cohan, Ireland, Irish Civil War, Jimmy MacCarthy, Karen Matheson, Knutsford, La Cage Aux Folles, Leonard Cohen, LGBTQ, literary fiction, literary novels, Mary Black, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, national identity, Orna Ross, personal autonomy, playlist for writers, Rod Paterson, Ronald Binge, Roz Morris, Rufus Wainwright, San Francisco, sexual identity, Shipping Forecast, Stephen Foster, Steven and Peter Jones, The Eagles, The Pogues, The Undercover Soundtrack, undercover soundtrack, War of The Brothers, Women Writers, women's fiction, writers, writing, writing to music
My guest this week describes her books as stories about and for the sometimes invisible women; the 1960s feminists; women in their late 40s, 50s, 60s and beyond; thinking, feeling, loving, intelligent characters who are steering their lives through choppy waters. She says she uses music as a short-cut to their inner wilderness, with signature songs that conjure their hearts and minds, even on the most uninspired days. She is Anne Stormont and she’s on the Red Blog with her Undercover Soundtrack.
1960s feminists, Anne Stormont, Arvon foundation, authors, Bat for Lashes, Blair Douglas, Cat Power, Change of Life, classical, contemporary fiction, deepen your story, Desert Island Discs, Don Maclean, drama, Elbow, entertainment, Glen Hansard, Glen Hansard and Marketa Irglova, Greg Laswell, hard rock, intelligent characters, invisible women, Lighthouse Family, Louis Armstrong, main characters, Marketa Irglova, Military Wives, mixtape, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Neil Diamond, ovarian cancer, playlist for writers, Roz Morris, Rufus Wainwright, Scottish traditional, The Soldier, The Undercover Soundtrack, Tom Baxter, undercover soundtrack, Ungar and Mason, Van Morrison, Women Writers, women's fiction, women's fiction writer, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
‘Music summoned from somewhere unknown; secrets and hope’ – The Undercover Soundtrack, Therese Walsh
My guest this week felt daunted when she embarked on her second novel, worried that she didn’t have the mileage to finish. A duo of songs kept her on course, gave her confidence and made her believe in the reality of her characters and their story. And two is a recurring theme as her novel centres around a pair of sisters with damage, strange hearts and unusual senses. As co-founder and editor-in-chief of Writer Unboxed, my guest is well known to thousands of writers interested in the craft and business of fiction; she is Therese Walsh and she’s on the Red Blog with her Undercover Soundtrack. Plus there’s a GIVEAWAY!
Alison Krauss, authors, bluegrass, contemporary fiction, deepen your story, Desert Island Discs, drama, entertainment, fiction, free book, giveaway, literary fiction, literary novels, Moon Sisters, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Olivia Moon, playlist for writers, Robert Plant, Roz Morris, second novel, The Moon Sisters, The Undercover Soundtrack, Therese Walsh, undercover soundtrack, Women Writers, women's fiction, Writer Unboxed, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing life, Writing Plots With Drama, Depth & Heart, writing to music
One of the special pleasures of hosting The Undercover Soundtrack is the honesty of the writing. My guests are ready to delve into their innermost creative spaces and share the bare, exacting process of turning memories, experiences and feelings into stories. My guest this week is one of those writers who drew on raw times to create the novel she shares with us. Music helped her examine two tragic losses, with their conflicting emotions and struggling hours. The soundtrack is haunting and melancholic, but is also rakish and fun – Rod Stewart makes a welcome appearance as life recovers and warms up again. The author is romantic mystery novelist Anne Allen and she’s on the Red Blog with her Undercover Soundtrack.
Adele, Anne Allen, authors, Chris Rea, contemporary fiction, Dangerous Waters, deepen your story, Denis Quinn, Desert Island Discs, drama, entertainment, family drama, fiction, Finding Mother, grief, Guernsey, Guernsey Retreat, how to write a book, how to write a novel, hypnosis, hypnotherapy, Johann Pachelbel, loss, Medwyn Goodall, Michael Jackson, music for writers, music for writing, My Memories of a Future Life, mystery, Nail Your Novel, Nina Simone, Philip Chapman, playlist for writers, Rod Stewart, romance, romantic mystery, Roz Morris, Terry Oldfield, The Undercover Soundtrack, tragedy, undercover soundtrack, Wings of the Morning, Wishing Shelf Book Awards 2012, Women Writers, women's fiction, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing from grief, writing from loss, Writing Plots With Drama, Depth & Heart, writing to music
Take a long look at this cover for Nail Your Novel, original flavour. In the next few days, it’s going to have a snazzy new outfit.
Proverbs notwithstanding, covers are perhaps our most potent marketing tool, so I thought I’d talk to various authors who’ve changed theirs with good results. My panel are literary authors Jessica Bell, Melissa Foster and Linda Gillard, chick-lit author Talli Roland, and travel writer and novelist Catherine Ryan Howard
Why did you change the cover of String Bridge?
I changed it twice. The first time was because my publisher closed and I had to put the book back on the market myself. The second, because it didn’t seem to attract attention, so I decided to go for a more commercial look.
How long had you had the old cover? Both for six months each.
Did it boost sales or interest?
The latest new cover did. The difference was phenomenal. The first free KDP promo I did with the second cover resulted in 2000 downloads. The second, with the latest cover, resulted in over 20,000 downloads. The latest cover is obviously more attractive to the mass consumer.
Were there any other results? Yes. More reviews!
Any tips for the changeover? Look at the covers of what’s hot on Amazon in the same genre as your book, and try to replicate the feel.
Why did you change? To rebrand my books. Chasing Amanda sold very well with the previous darker, more mysterious cover, but it occurred to me that while Chasing Amanda is also a novel that tugs at the heart of most parents—-and perhaps it was time to try a cleaner, fresher look, giving readers a visual understanding of that side of the story. It will be interesting to see if the audience changes with the imagery change.
How long had you had the previous cover? My first book (published in 2009) had the original cover for almost three years. My second had the original cover for about a year before it was changed.
Did the change boost sales or interest? It’s always hard to tell what has caused a bump in sales when you do more than one thing at once. When I recovered my books to self-publish, I also put more promotions into play to promote them. Given that, I’d say the combination helped.
Any other results? I believe branding is important and so are professional covers. Traditionally published authors rebrand every few years to breathe new life into old titles.
Any tips for the changeover? I’ve changed all my covers and there is little to no impact on sales during the change. The paperback will go off sale for those few days while it’s being approved. The Kindle book doesn’t miss a single day; it’s live while you change.
Any time a cover is upgraded, try a promotion that was done in the past, then compare the results.
Why did you change the cover of Untying The Knot?
I was about to bring out the paperback so decided to reassess. I wanted to make it reminiscent of House Of Silence, which is my big seller. I’ve always assumed it must be the cover that sells that book, so we went for a dramatic sky and interesting building.
Untying The Knot has had brilliant reviews, but doesn’t sell as well as some of my others. It had a Marmite cover – people loved it or hated it – but most of the feedback was negative, especially from people who’d read the book. They didn’t think it represented the tone or content. Untying The Knot looks at the destructive effects of post-traumatic stress disorder on a marriage, but there are elements of rom-com mixed in with the drama. It was difficult to come up with an image to suggest all that. My original cover was a surreal image of a bride fleeing with a suitcase across a rural landscape but readers thought it suggested chick lit. I realised you need to make sure the cover of a mixed-genre book doesn’t give out a mixed message. That confuses readers and doesn’t work in that crucial thumbnail in ebook stores.
How long had you had the previous cover? A long time. Since August 2011
Effect on sales etc It’s too early to tell, but the feedback on Facebook suggests people think the new cover is more suitable and more appealing.
Why did you change the cover of Backpacked?
Backpacked was my second travel memoir, and as the first (Mousetrapped) had been so successful, I wanted to keep the brand I’d inadvertently created: scrapbook image on the bottom, nice blue sky picture on the top, white band with title etc through the middle. I have a deep-rooted and somewhat worrying need for things to match, so doing it that way satisfied that requirement as well.
But Backpacked didn’t sell as well as I’d hoped, and when I started examining the cover – really examining it – it struck me that this design did nothing for this book (although it had worked for the first). It actually looked dowdy and dull. So I decided to entirely revamp the cover, focusing more on the content of this book instead of how much it did or didn’t match the previous one.
How long had you had the old cover? Almost a year. (I had to look that up and I was actually very surprised it took me that long to change it!)
Did changing the cover boost sales or interest? Absolutely. And it was immediate. Now, Backpacked is probably my best-reviewed book, and I think that’s because it’s reaching the right readers. By changing the cover I caught their attention, and identified the book as something they’d like to read. It’s been out now since 2011 but continues to sell a steady amount each month.
I would say, though, that a cover change does not automatically generate new interest or boost sales. I had a shortlived self-published novel whose cover I changed and although sales were boosted initially, it didn’t make any difference in the long run. A new cover will only work if it’s the cover the book should have had all along. Change alone doesn’t contribute much.
Any tips? Very important: unless it’s a new edition (i.e. you’ve changed the content considerably), do not create a new book. I know that technically, if you change the cover, you should create a new edition but the headache is not worth it. I went through a month-long migraine when I brought out a new edition of Mousetrapped in 2011, and boy did I learn my lesson!
It is so much easier to go to CreateSpace, Amazon KDP etc. and upload a new cover file than it is to make a whole new book with both editions available at the same time, which is very confusing. You might also affect your rankings and reviews. Simply swap the cover files and keep everything else the same.
Why did you change the cover of The Hating Game?
My publisher and I noticed my book was linked on Amazon with others of a different genre (mainly crime), so we suspected the cover wasn’t reaching the right audience. My novel was firmly chick lit, yet wasn’t being sold with other chick lit.
How long had you had the previous cover? We actually had two other covers before the current one. The first we’d had well before the launch of the book, and the second was live for a few weeks.
Result? When we finally hit on the right cover, the novel rocketed into the top 100 on Amazon within a week or so.
Any tips for the changeover? Explain the reasons, to avoid confusion. Although we only changed the ebook cover; by the time the book was in print, we’d found a cover that worked. Make sure the new cover addresses the genre you’re targeting, too.
Paranormal thriller author MARY MADDOX has an interesting tale of how she changed the cover of her novel Talion because she’d originally used a photo she loved – but readers told her (some rather rudely) that it was too abstract.
Do readers get confused?
One of the questions I was most interested in was whether readers become confused. The general consensus was no. The Kindle store warns you if you try to buy a book you’ve already downloaded. And although you can buy paperbacks more than once, no one reported a dreaded disgruntled review for that reason. Jessica Bell says publication dates are clearly labelled, so readers can tell it’s the same book. And Catherine Ryan Howard points out that readers are already used to covers changing in traditional publishing. ‘A book will have one design for the hardback and another for the paperback, and bestseller authors with extensive backlists get cover redesigns regularly. If the title, sub-title and blurb stay the same, how could anyone make such a mistake?’
Cover designer Jane Dixon-Smith has two useful tips to add. ‘If you’re designing a cover for a sequel, make sure it matches in terms of quality and style Second, it’s important to change a cover if it’s an improvement to your image and the assurance of your quality and brand.’
You’ll have to wait a day or two while the new cover of Nail Your Novel worms its way through the works at CreateSpace et al. But don’t go too far because I’ll be back with an unveiling post AND a very special competition…
In the meantime, let’s talk about changing covers. Have you changed any of yours? Are you thinking about it? Are you happy with your covers, and why? Do you have any other questions you’d like to discuss?
Backpacked, be a bestseller, bestsellers, book covers, book marketing, books, Catherine Ryan Howard, Chasing Amanda, chick-lit, contemporary fiction, cover design, designing a book cover, entertainment, fiction, how to sell a book, how to sell more books, indie publishing, Jane Dixon-Smith, Jessica Bell, Linda Gillard, literary authors, literary fiction, literature, making a book cover, Mary Maddox, Melissa Foster, Mousetrapped, My Memories of a Future Life, mystery, mystery fiction, mystery novels, novelist, paranormal thriller, Roz Morris, self-publishing, sell books on Amazon, String Bridge, Talion, Talli Roland, The Hating Game, travel writer, Untying the Knot, Women Writers, women's fiction, writing business, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, Depth & Heart
‘Each song helped me see the main character a little more clearly’ – The Undercover Soundtrack, Melissa Foster
My guest this week has always written in the grip of a wide-ranging playlist, but for one particular novel she found herself listening to three pieces intensively, maybe obsessively. In those songs she found her characters’ strengths and their more playful, softer sides, the great challenges they faced and the reserves they drew on to see them through. She is award-winning bestselling author, indie champion and women’s advocate Melissa Foster – and she’s on the Red Blog talking about Chasing Amanda and its Undercover Soundtrack.
authors, bestselling author, Chasing Amanda, contemporary fiction, creativity, deepen your story, having ideas, how to write a novel, inspiration, Life, Melissa Foster, music, music for writing, My Life, My Memories of a Future Life, novels, publishing, Roz Morris, self-publishing, suspense, The Undercover Soundtrack, undercover soundtrack, women's fiction, writing, Writing #2, writing a novel - Nail Your Novel, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, Writing Plots With Drama, Depth & Heart, writing routine, writing to music
My guest this week spends a lot of time discovering her characters through their favourite music. But it’s more than a shorthand for tastes and background; it’s a way to explore the subtle but crucial differences between her main characters’ interior lives. Her own career has spanned almost every aspect of writing – she’s been a publisher, has ghostwritten celebrity autobiographies and is currently the Books Editor of Woman & Home magazine. As well as that she has written two novels - What Women Want and now, Women of a Dangerous Age. She is Fanny Blake and she’s talking about her Undercover Soundtracks today on the red blog
Character, contemporary fiction, contemporary novels, deepen your story, Fanny Blake, having ideas, how to write a novel, inspiration, My Memories of a Future Life, Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence, novels, polishing, publishing, Roz Morris, The Undercover Soundtrack, unblocking, undercover soundtrack, What Women Want, Woman & Home, Women of a Dangerous Age, women's fiction, writing, writing a novel - Nail Your Novel, writing life, writing to music
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- And then there were three (NYNs)… Do you find plot more difficult than character? Plus the midpoint of Blade Runner December 20, 2014
- ‘Summoning Christmas in July’ – The Undercover Soundtrack, Jan Ruth December 17, 2014
- Living the stuff of novels: the ghostwriter’s lot December 14, 2014
- ‘Harmony from fragments’ – The Undercover Soundtrack, Rochelle Jewel Shapiro December 10, 2014
- Editing seminar snapshots: writing for a blog vs writing for a book December 7, 2014
- Editing seminar snapshots: negative criticism and author control December 5, 2014
- ‘We become readers in our listening’ – The Undercover Soundtrack, EJ Runyon December 3, 2014
Sign up for my newsletter
See what I did there…