Joanna Penn was writing this week about how she’s smartened her writing routine as a result of what she learned while writing her first novel, Pentecost. I thought I’d share the ways in which I’ve found my own writing sped up from those early, stumbling days.
It’s as if we write our first novel with a blindfold on. We have an idea for a story and off we go, grabbing things, finding they’re not what we thought, discarding them, discovering holes. At some point we pay more attention to learning to write. By the time we roll out a manuscript that will please our most critical readers we’ve come a long way.
Obviously by novel two that learning curve is behind us. We know what a story needs, structurally and emotionally. We appreciate the needs of our genre. We’ve worked with editors or feedback groups and we understand how outsiders see our work.
Establish a method
As I’m sure you’ll appreciate from reading this blog, writers who produce reliably establish a method for getting the work done. I put mine in Nail Your Novel and it seems to work rather well for a lot of people
All that is part of the craft. But there’s the other half of the writing process as well – the creative one. That’s harder to control because with ideas we tend to get what our inspiration gives us. To an extent, we still have the blindfolds on.
Make your muse work smarter
When you’re arming yourself to tackle another novel, it helps to look at the way you handle creative problems. You will probably find you hit a number of blocks the first time round, and you can take more control of them now. With a bit of analysis, you can reduce periods where you’re scratching your head because you don’t know what’s wrong or you have no ideas at all. In other words, you can fend off the dreaded block.
Ask yourself these questions
Where in the story did you waste time on things that didn’t work? Were they a particular kind of scene?
How long did it take you to find out what engaged you about your story? Are there questions you could ask yourself to drill down to that more quickly so that you know where your story is going?
How could you have prepared better for writing each scene in close up?
What darlings did you keep on life support that you ended up killing anyway?
Where did you go around loops of a maze instead of taking a straight line?
Where were you lazy – and unmasked by your editors or crit partners?
Where did you contrive situations to get something in that wasn’t going to fit?
Where did you get in a tangle with continuity and could you have made things easier for yourself?
What did your beta readers or editors identify as your weaknesses? What can you do to pre-empt those problems this time around?
What kind of research did you need to do and what was a waste of time?
Thank you, Mockstar on Flickr, for the picture. Have you ever diagnosed where your muse could have worked smarter? If you do it now, what would it tell you? Share in the comments!