I’ve spent a considerable amount of time working across the globe as a freelance soldier. I am committing my adventures to text to shine a light on the realities of that world. Far from the blood and gore of Tony Geraghty’s Guns for Hire, I want to explore the personal torment so many go through and the struggles they face in balancing domestic life and freelancing. Would this be better written as a personal recollection or a novel like Lee Childs’s Jack Reacher series?- Michael
My first reaction is, can I be your agent? Wow, what a story. Not many people who offer themselves to the publishing world have such a unique premise. You should definitely write a memoir first. If it does very well, you’ll find yourself asked to write novels anyway. Many successful publishing careers have started with a best-selling memoir – although, of course, there are many memoirs published that don’t hit the big time.
If you have ideas for novels, work them up too to demonstrate that you can be a long-term investment. (If you haven’t, it’s not a deal-breaker. If they’re really keen they’ll send you to someone like me🙂 )
Are you legally allowed to write it?
Make sure you’re allowed to write this book. In your case it sounds as though you want to focus on the personal story rather than operational details. But many writers with dynamite memoirs can’t publish because of libel laws, the Official Secrets Act or possible death threats.
Libel is when you harm a person’s reputation. You can relate events if you can prove they’re true. If you’re delving into people’s motives you have to be careful, or get the subject’s permission. But don’t let this scare you – people do write quite searching, searing memoirs. Just make sure you’re fully informed.
Publishers will not protect you
Writers often think that if they have a publisher to hide behind, it will protect them. It won’t. Although publishers have lawyers they can show manuscripts to, they usually only do that with the famous or infamous – otherwise it’s not worth paying the fees. (Sorry.) Publishing contracts always have a clause that makes you responsible for any harm (ie legal harm) caused by your book. Even if it’s only a twinkly fairy tale.
Be honest – do you want to be honest?
Are you willing to write honestly and fully about the experience? This is going to be a story about the effect on your family and friends. They won’t all be angels – and if they are, the book won’t ring true. Will they mind if you peel them in public?
I’ve seen many manuscripts from writers who are examining traumatic periods from their lives. While they delve truthfully into their own hell and bad behaviour, they balk at doing the same to their loved ones.
We novel-writers are frequently asked by friends or family if we’ve put them into books. If we deny it, they often don’t believe us. In a memoir there is no cloak of fictionality. They know, without doubt, that you did.
Should you write a fictionalised memoir?
This is the hybrid option – not quite truth, not fully invented. You take a real experience apart and make a story that is true in essence, even if not keeping to the precise detail.
I get approached by a lot of people who want to write about a major change in their lives, such as unusual travel experiences or giving up a high-flying career to start anew in a foreign country. Speaking with my cruel marketing hat on, these are not as unusual as Michael’s story. It’s probably better to mine them for a novel instead, where you have licence to make something bigger and more distinctive than reality. In that case fictionalised memoir might be a good option.
From the moment you cross into fiction, fiction rules apply. Start with what really happened, but do not shrink from adding, cutting and inventing until you have the best story and the most usable characters. What’s the difference between that and ‘real’ fiction, if there is such a thing? Probably not much.
Fictionalised memoir is mainly a label to get more attention in an overcrowded market. It says ‘this is a story, but it is written from what I truly lived’. Some readers like that; some are profoundly irritated and want either truth or fiction. They certainly don’t want to question whether you made the best bits up.
The problem with being a debut writer is getting attention. Readers – and publishers – buy the author’s story as much as they buy the book. For that there’s a pecking order.
1 – Memoirist – translates as ‘read my book because this is my extraordinary life and it’s fascinating’
2 – Fictional memoirist – ‘read my book because it’s fiction based on my inimitable experiences’
3 – Novelist – ‘read my book, I made it up from extensive research, the depth of my human understanding and the pure dedicated application of my craft’
Believe me, it hurts to write that list. It’s not a comment on quality, simply on the volume of writing that is out there.
The bottom line
Memoir comes with the marketing built in. If you have enough usable material to write a straight memoir, go with the memoir. You’ll start at the top of the debut writers’ pecking order.
You guys may, of course disagree! What would you tell Michael? Share in the comments!
How to write a novel – in-depth webinar series with Joanna Penn of The Creative Penn. Find more details and sign up here.
I have tools for writing novels in Nail Your Novel – my short book about how to write a long one –available from Amazon.My own novel, My Memories of a Future Life is now available. You can also listen to or download a free audio of the first 4 chapters over on the red blog.