This dress is special. It belonged to my great-aunt. It’s silk velvet, probably 1930s. Soft as a foal’s pelt, red as claret. It clings like cobweb but is now too fragile to wear. I was so happy to give it a new outing – with a few alterations – in a scene for My Memories of a Future Life.
Then later, with my ruthless editing head on, I cut the whole scene.
I’m at Creative Flux today, a blog curated by Terre Britton -painter, designer, illustrator, owner of Terrabyte Graphics, VP of marketing at Sirius Press, Inc and co-author of Energetics: The First Order, the first of a four-book sci-fi-thriller series. She asked me to talk about my creative process – and why I cut that precious scene.