My guest this week says music helped her slip away from 21st century family life into the volatile, simmering Key West of 1935. Her novel features a half-Cuban woman who goes to work for Ernest Hemingway (who himself once said he used words the way that Bach used notes). She is Erika Robuck and she’s on the Red Blog talking about the Undercover Soundtrack for Hemingway’s Girl.
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‘Dark bars, blazing sun and volatile people’ – The Undercover Soundtrack, Erika Robuck
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- Slow-burn books, publishing misfits and separation anxiety – interview at Henry Hyde’s blog March 21, 2017
- Dear me: how fiction authors adapt to writing memoir March 12, 2017
- The blank page – conquering your fears. And a couple of writing prompts February 26, 2017
- ‘Cyclical melodies, beginnings and endings’ – The Undercover Soundtrack, Nicole Evelina February 19, 2017
- Writers, are you showing off or sharing? A way to kill your darlings February 12, 2017
- Literary writers, we are not alone – meet Main Street Writers February 10, 2017
- ‘You get an idea and… it just grows’ – interview with book and writing blogger Michelle Dunton February 6, 2017