My guest this week says he’s often wished his readers could hear the soundtrack he has in mind while he’s writing. For his urban fantasy Locked Within, that was a stack of movie scores, but also some surprising cover versions and a piece by Sarah Brightman that would send any red-blooded writer charging into battle. He is Paul Anthony Shortt and he’s on the Red Blog with his Undercover Soundtrack.
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‘The visceral feeling when a piece of music strikes me right’ – The Undercover Soundtrack, Paul Anthony Shortt
Le tweet …. c’est chicMy Tweets
- ‘The journey is more important than the destination’ – The Undercover Soundtrack, Toni Davidson May 5, 2016
- AI, the Bradbury tradition and imagined futures – interview at One Giant Read May 3, 2016
- How do you become an editor? May 1, 2016
- ‘The lowest note in the universe’ – The Undercover Soundtrack, Tracy Farr April 29, 2016
- How to blend a parallel, allegorical fantasy plot into your novel April 24, 2016
- ‘To make art by the grace of other artists’ – The Undercover Soundtrack, Camille Griep April 22, 2016
- Masterclass snapshots: why it helps to construct your novel in scenes April 17, 2016