My guest this week is another of those enviably talented writers who is as happy playing a set of strings as a qwerty keyboard. Not only that, he is a playwright and an experimental performing artiste. He says his various novels correspond to musical genres and he often composes a soundtrack before he starts writing. Beyond his own compositions, many of his favourite musicians help to set the tone and create the atmosphere, and some of them end up as cameos in the story. And what a story – the book he describes as his ‘blues novel’ features hellhounds in suits, a 1938s afterlife (possibly) and resurrected loves. He is Nathan Singer, and he’s on the Red Blog with the Undercover Soundtrack to Chasing The Wolf.
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‘This is my blues novel’ – The Undercover Soundtrack, Nathan Singer
- A childhood home: read an excerpt from Not Quite Lost – in The Woolf December 3, 2017
- Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog November 21, 2017
- ‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler November 13, 2017
- Worldbuilding for SF and other fiction, reimagined for roleplayers. And pony books. Podcast at Fictoplasm November 11, 2017
- Indie publishing the 2017 way – video chat with sci-fi author Nick Cook November 7, 2017
- The pleasure of slow journeys and why we love to read – guest post at Isabel Costello’s Literary Sofa November 2, 2017
- ‘Tibetan oms and child prodigies’ – The Undercover Soundtrack, Leslie Welch October 29, 2017