I’m delighted that this week’s guest has included Olafur Arnalds’s album Living Room Songs in his Soundtrack. I discovered it from another guest here, and it got me like a snakecharmer’s pipe. While I’ve been mainlining it to brainstorm The Mountains Novel, my latest guest has been using it to create an environment of conspiracy, calm and sexual tension for his novel Red Lory. He says he puts music on to act as a metronome, guiding his voice while he concentrates on the sentence formation and world-building. He’s also inspired by the way songwriters pack so much into a tight space, which drives him to make his prose more vibrant and potent. He is literary novelist Dave Newell and he’s on the Red Blog with his Undercover Soundtrack.
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‘Horrific stories beautifully told’ – The Undercover Soundtrack, Dave Newell
- Searching for places, emotions and characters – The Undercover Soundtrack, Gwendolyn Womack June 14, 2017
- Everyday chaos. Just another day in the genesis of a book June 11, 2017
- ‘A language to explain feeling and atmosphere’ – The Undercover Soundtrack, Libby O’Loghlin June 4, 2017
- Kind ways to deal with damaged POD books – guest post at Alliance of Independent Authors May 22, 2017
- Making a living as a writer: how social media can be a long-term investment for your career May 14, 2017
- ‘A dead soul, a journalist in a dystopian Scotland, and painful family memories’ – The Undercover Soundtrack, Philip Miller May 13, 2017
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017