I’m delighted that this week’s guest has included Olafur Arnalds’s album Living Room Songs in his Soundtrack. I discovered it from another guest here, and it got me like a snakecharmer’s pipe. While I’ve been mainlining it to brainstorm The Mountains Novel, my latest guest has been using it to create an environment of conspiracy, calm and sexual tension for his novel Red Lory. He says he puts music on to act as a metronome, guiding his voice while he concentrates on the sentence formation and world-building. He’s also inspired by the way songwriters pack so much into a tight space, which drives him to make his prose more vibrant and potent. He is literary novelist Dave Newell and he’s on the Red Blog with his Undercover Soundtrack.
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‘Horrific stories beautifully told’ – The Undercover Soundtrack, Dave Newell
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017
- Writing the perfect love triangle – guest post at Writers Helping Writers April 11, 2017
- Before Arrival: appreciating Story Of Your Life by Ted Chiang April 9, 2017
- ‘The unrelenting passage of time’ – The Undercover Soundtrack, Theresa Milstein April 2, 2017
- Slow-burn books, publishing misfits and separation anxiety – interview at Henry Hyde’s blog March 21, 2017
- Dear me: how fiction authors adapt to writing memoir March 12, 2017
- The blank page – conquering your fears. And a couple of writing prompts February 26, 2017