Fasten your seatbelts for a trip to Haiti. My guest this week was inspired to write his first novel by a spell as a volunteer after the 2010 earthquake. When he returned to the US he began to write a story of friendship, the struggle for justice in the face of impunity, sacrifice for the community and the foolishness of scarcity in a world of plenty. To recreate that distinctive place and define his characters, he returned to the music he heard pouring out of the radios in Port-au-Prince – folk, rock, rap and hip-hop. He says his work is a protest novel and so he’s donating the proceeds to aid organisations he worked with to help further education, advocacy, justice reform and prosecute human rights abuses. The novel is Because We Are; he is Ted Oswald and he’s on the Red Blog with his Undercover Soundtrack.
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‘Intensity, humor, romance, piety, mystery – and protest’ – The Undercover Soundtrack, Ted Oswald
- Personal journeys: 2 posts about writing Not Quite Lost and memoir – Joanna Penn and Clare Flynn September 18, 2017
- ‘Intense mystical dreams, an obsession with TS Eliot, and music’ – The Undercover Soundtrack, Vivienne Tuffnell September 17, 2017
- Editing as creative development – guest post at Ingram Spark September 14, 2017
- Bill Bryson, Lewis Carroll logic and cryonics – interview about Not Quite Lost at Andrea Darby’s blog September 7, 2017
- Readers’ reasons; writers’ reasons – do they ever agree? September 3, 2017
- ‘Things fall apart … hearts rip open’ – The Undercover Soundtrack, Caroline Leavitt August 16, 2017
- The end of exploration – on writing a book where you can’t make things up August 13, 2017