This striking phrase is a manifesto for a character who lives, breathes and seeks refuge in music. She is Daisy, an aspiring musician coping with a family member who is slipping into dementia. In the early stages of writing, her creator found that she would judge every piece of music she heard on whether Daisy would love it or not – and so the character was created by a series of instinctual responses. Memory is necessarily a theme here too, which became strangely real for the author as the music of her teens brought back the times she messed up at school, fell in love and wanted something so badly it didn’t seem possible. She is Wendy Storer and she’s on the Red Blog with her Undercover Soundtrack.
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- Kind ways to deal with damaged POD books – guest post at Alliance of Independent Authors May 22, 2017
- Making a living as a writer: how social media can be a long-term investment for your career May 14, 2017
- ‘A dead soul, a journalist in a dystopian Scotland, and painful family memories’ – The Undercover Soundtrack, Philip Miller May 13, 2017
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017
- Writing the perfect love triangle – guest post at Writers Helping Writers April 11, 2017
- Before Arrival: appreciating Story Of Your Life by Ted Chiang April 9, 2017
- ‘The unrelenting passage of time’ – The Undercover Soundtrack, Theresa Milstein April 2, 2017