You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017
- Writing the perfect love triangle – guest post at Writers Helping Writers April 11, 2017
- Before Arrival: appreciating Story Of Your Life by Ted Chiang April 9, 2017
- ‘The unrelenting passage of time’ – The Undercover Soundtrack, Theresa Milstein April 2, 2017
- Slow-burn books, publishing misfits and separation anxiety – interview at Henry Hyde’s blog March 21, 2017
- Dear me: how fiction authors adapt to writing memoir March 12, 2017
- The blank page – conquering your fears. And a couple of writing prompts February 26, 2017