You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- 2 days to get 7-novel box set – the band is about to split May 21, 2015
- ‘An expectant silence, a connection to something greater’ – The Undercover Soundtrack, Kathryn Craft May 20, 2015
- How to think like a novelist – with help from Station Eleven and Emily St John Mandel May 17, 2015
- I write because… I’m totally unsuited to anything else – interview at Chris Hill’s blog May 17, 2015
- ‘His voice brought me back to where I began’ – The Undercover Soundtrack, Joni Rodgers May 13, 2015
- Help – my characters are all too similar! 5 tips to make them distinct May 10, 2015
- ‘An anxious, urgent sound: the music of chance’ – The Undercover Soundtrack, Jim Ruland May 6, 2015
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