You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Ghostwriting 101, why I write and a brief blog hiatus November 12, 2015
- ‘An earworm of the heart’ – The Undercover Soundtrack, Katharine Grant November 11, 2015
- American English, British English, Canadian English… which to use for your book? November 8, 2015
- ‘Tearing open the doors of the heart’ – The Undercover Soundtrack, Michael Golding November 4, 2015
- The gallop draft: 5 smart tips for writing a useful draft at speed November 1, 2015
- ‘A cracked but steely song of survival and beauty’ – The Undercover Soundtrack, Philip Miller October 28, 2015
- Lesson learned from a critique group: ‘why’ is the magic question for storytellers October 25, 2015
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