You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Magic ingredients for a great plot – video and podcast at The Creative Penn April 24, 2015
- ‘A disturbing symphony’ – The Undercover Soundtrack, Paul Adkin April 22, 2015
- How to keep writing when time is scarce – 6 tips and video chat at #IndieReCon15 April 19, 2015
- ‘The distraction of silence’ – The Undercover Soundtrack, Louise Marley April 15, 2015
- Indie authors: are you making these mistakes with your print books? How to look professional on the page April 12, 2015
- Whistle-stop tour through a ghostwriting career and beyond – interview at Whitefox April 9, 2015
- ‘Unending feelings of loss and loneliness’ – The Undercover Soundtrack, Chrissie Parker April 8, 2015
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