You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- ‘Men, women, flirtation and heartbreak’ – The Undercover Soundtrack, Chris Hill March 4, 2015
- What keeps you resilient as a writer? March 1, 2015
- ‘I heard a song being played in an electrical store’ – The Undercover Soundtrack, Glynis Smy February 25, 2015
- Can writing be taught? And what do writing teachers teach? February 22, 2015
- How do we label ourselves as writers? Guest spot at Dan Holloway – and the box set is available NOW! February 21, 2015
- ‘Music for looking into the past’ – The Undercover Soundtrack, Audrina Lane February 18, 2015
- Are you underusing your best plot ideas? Guest post at KM Weiland February 15, 2015
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