You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Self-editing masterclass snapshots – do you have a plot or a premise? October 4, 2015
- 2 interviews about teaching and writing – Venice, BBC Radio London September 30, 2015
- How to write well in a language that isn’t your mother tongue September 26, 2015
- ‘Even the bed is forgetting you’ – The Undercover Soundtrack, AJ Waines September 23, 2015
- Venice masterclass snapshots: 4 hidden enablers for your story September 20, 2015
- How should you credit your editor? Advice from a former publisher September 13, 2015
- ‘Freedom and life force’ – The Undercover Soundtrack, Christine Tsen September 9, 2015
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