You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- Screenwriter to novelist: tips for adapting to a new storytelling medium August 30, 2015
- ‘Watching the wintry sea and reflecting on a marriage’ – The Undercover Soundtrack, Clare Flynn August 26, 2015
- I invented you, honest. An author’s apology to a blameless town August 23, 2015
- ‘Battle songs’ – The Undercover Soundtrack, Naomi Elana Zener August 19, 2015
- NaNo oh no? Let’s discuss the good and bad of NaNoWriMo August 16, 2015
- Nanowrimo prep: plan your characters, improvise your plot – guest post at Romance University August 12, 2015
- Self-editing masterclass snapshots: key character disappears, how should I handle it? August 9, 2015
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