You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
Le tweet …. c’est chicMy Tweets
- ‘Shadows of the past’ – The Undercover Soundtrack, Meg Carter February 11, 2016
- Keep the faith: a mindset to put criticism in perspective… and a tip to stay inspired through multiple revisions February 7, 2016
- Fates and Furies by Lauren Groff … under discussion at Literary Roadhouse book club! February 5, 2016
- ‘When I’m most lost, a song will show the way’ – The Undercover Soundtrack, Ryan W Bradley February 4, 2016
- Found in translation: three literary translators share tips and secrets January 31, 2016
- Evidence and verdicts: a simple way to understand show not tell January 24, 2016
- ‘The emptiness of being outside a perfect romantic scene’ – The Undercover Soundtrack, Dan Gennoe January 24, 2016