You could divide my Undercover Soundtrack guests into those who aren’t put off by lyrics and those who are. My guest this week is one of the latter. He says that music with lyrics is too domineering when he’s trying to write – but that orchestral or ambient electronic music sets his imagination free to roam. His novel is a quirky noir of dirigibles, automata, back alleys and a hardboiled hack (the bipedal journalistic sort, not an equine), and his central character was honed by long hours simmering with Hans Zimmer’s soundtrack for The Dark Knight. He is Aaron Sikes and he’s on the Red Blog with his Undercover Soundtrack.
Nail Your Novel – Writing, publishing and self-publishing advice from a bestselling ghostwriter and book doctor
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‘Pictures in melody’ – The Undercover Soundtrack, Aaron Sikes
I post 4 to 5 useful writing links per day… and other stuffMy Tweets
- ‘The planes, the explosions, the dust, the calm’ – The Undercover Soundtrack, Kerry Drewery July 28, 2015
- Self-editing masterclass snapshots: Characters are grief stricken – how do I stop that becoming monotonous? July 26, 2015
- ‘Close your eyes and listen with your hands’ – The Undercover Soundtrack, Tawnysha Greene July 22, 2015
- Self-editing masterclass snapshots – ‘My drafts are too brief’ July 19, 2015
- ‘The atmosphere to express the inexpressible’ – The Undercover Soundtrack, Rebecca Mascull July 14, 2015
- Writing unforgettable characters – guest post at Vine Leaves Literary Journal July 13, 2015
- Self-editing masterclass snapshots – how much will you write to create your book? July 12, 2015
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