My guest this week is a percussionist who has worked with an astonishing list of world-class musicians, a list to make any music fan giddy – Bjork, Peter Gabriel, Robert Plant, Dido, Bill Bruford, Jeff Beck, Ustad Zakir Hussain, The Verve, Texas, Trans-Global Underground, Nelly Furtado, Lee Scratch Perry, Primal Scream, Damien Rice, Dave Weckl, Thomas Lang, Jarvis Cocker, Craig Armstrong – and more. Trust me, at some point you’ve had him in your headphones. He found that his music fuelled a desire to write a novel, and after a good gig he would rush back to his hotel room, eager to pour out the next chapter. He says he wanted to take a simple starting point and construct an epic journey that ventured outside the normal – bringing together birth, death, the afterlife, reincarnation and immortality into new coherence, and echoing the journey he takes when working with musicians. The result is A Survivor’s Guide to Eternity; he is Pete Lockett and he’s on the Red Blog with his Undercover Soundtrack. Pinch me, someone.
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‘The moment of making the first sound or writing the first word is special’ – The Undercover Soundtrack, Pete Lockett
- ‘Music is as crucial as the ramblings in my notebook app’ – The Undercover Soundtrack, Andrew Lowe July 18, 2017
- Suspense: storytelling’s big tease – guest post at Writers Helping Writers July 15, 2017
- ‘Dance gave me the rhythm of my novel’ – The Undercover Soundtrack, Claire Scobie July 9, 2017
- Fictional characters – a lesson from Seinfeld July 7, 2017
- ‘Some of the best lyrical storytelling I’ve ever heard’ – The Undercover Soundtrack, Victoria Dougherty June 30, 2017
- Two reasons to use your official author name on Twitter June 29, 2017
- Searching for places, emotions and characters – The Undercover Soundtrack, Gwendolyn Womack June 14, 2017