My guest this week had talismanic pieces of music in his mind while he wrote his debut thriller. Indeed he says the music was such a guiding force that he cannot imagine how anyone reading the book could not hear it too. He chose anthems to embody his characters, their state of mind, their dilemmas and the way they change in the story’s events. They are protest songs, wry looks at characters who are abandoning their principles and songs of obsession and downfall. I’m also delighted to report that he includes Peter Gabriel – one of my long-time favourite musicians. He is Paul Sean Grieve and he’s on the Red Blog with his Undercover Soundtrack.
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‘Plundered people and rotten exploitation’ – The Undercover Soundtrack, Paul Sean Grieve
- Kind ways to deal with damaged POD books – guest post at Alliance of Independent Authors May 22, 2017
- Making a living as a writer: how social media can be a long-term investment for your career May 14, 2017
- ‘A dead soul, a journalist in a dystopian Scotland, and painful family memories’ – The Undercover Soundtrack, Philip Miller May 13, 2017
- A plea for reviewers – can we open up a dialogue about self-published books? April 23, 2017
- Writing the perfect love triangle – guest post at Writers Helping Writers April 11, 2017
- Before Arrival: appreciating Story Of Your Life by Ted Chiang April 9, 2017
- ‘The unrelenting passage of time’ – The Undercover Soundtrack, Theresa Milstein April 2, 2017