My guest this week describes his novel’s main character as a folk-punk protest singer in a collapsing American economy in the near future. We all know how books can transform us into the characters we are creating, and my guest temporarily became a songwriter as this book was forming, despite being (as he says) completely unmusical in real life. Alongside the prose, he built a portfolio of the main character’s songs that marked the story’s adventures and friendships. Some were inspired by musically accomplished friends; others by playing Tom Waits, Deer Tick and Bob Dylan to keep the vibe. When his publisher, Montag Press, came on board, the editor suggested more musicians for the creative mix – thus proving his views of the novel were in harmony with those of the writer. Trevor Richardson is on the Red Blog with his Undercover Soundtrack.
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‘Tom Waits makes my brain chemistry change’ – The Undercover Soundtrack, Trevor Richardson
- A childhood home: read an excerpt from Not Quite Lost – in The Woolf December 3, 2017
- Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog November 21, 2017
- ‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler November 13, 2017
- Worldbuilding for SF and other fiction, reimagined for roleplayers. And pony books. Podcast at Fictoplasm November 11, 2017
- Indie publishing the 2017 way – video chat with sci-fi author Nick Cook November 7, 2017
- The pleasure of slow journeys and why we love to read – guest post at Isabel Costello’s Literary Sofa November 2, 2017
- ‘Tibetan oms and child prodigies’ – The Undercover Soundtrack, Leslie Welch October 29, 2017