My guest this week has a taste for the adventurous. Her novel is set in the pirate-infested waters of the West Indies in 1717, and her characters are unwittingly pulled into a hazardous sea journey. The music that sustained this imaginative voyage is epic and foreboding, but not without its lighter elements. My guest discovered in her research that sailors used dance to ward off boredom on the interminable days at sea, so she wrote a scene to the soundtrack of a reel. But it became more than dance; when the characters shrugged off their tensions they began to behave in unexpected and delightful ways. In case you’re imagining it’s all lace, beards and cutlasses, though, there’s a distinctly modern note at the end: Moby makes an appearance (no, not the whale). The author is Dianne Greenlay (one of my co-conspirators at the League of Extraordinary Authors) and she’s on the Red Blog with her Undercover Soundtrack.
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‘Spurred by the song’s rhythm, my typing fingers flew’ – The Undercover Soundtrack, Dianne Greenlay
- ‘Music is as crucial as the ramblings in my notebook app’ – The Undercover Soundtrack, Andrew Lowe July 18, 2017
- Suspense: storytelling’s big tease – guest post at Writers Helping Writers July 15, 2017
- ‘Dance gave me the rhythm of my novel’ – The Undercover Soundtrack, Claire Scobie July 9, 2017
- Fictional characters – a lesson from Seinfeld July 7, 2017
- ‘Some of the best lyrical storytelling I’ve ever heard’ – The Undercover Soundtrack, Victoria Dougherty June 30, 2017
- Two reasons to use your official author name on Twitter June 29, 2017
- Searching for places, emotions and characters – The Undercover Soundtrack, Gwendolyn Womack June 14, 2017