My guest this week has a taste for the adventurous. Her novel is set in the pirate-infested waters of the West Indies in 1717, and her characters are unwittingly pulled into a hazardous sea journey. The music that sustained this imaginative voyage is epic and foreboding, but not without its lighter elements. My guest discovered in her research that sailors used dance to ward off boredom on the interminable days at sea, so she wrote a scene to the soundtrack of a reel. But it became more than dance; when the characters shrugged off their tensions they began to behave in unexpected and delightful ways. In case you’re imagining it’s all lace, beards and cutlasses, though, there’s a distinctly modern note at the end: Moby makes an appearance (no, not the whale). The author is Dianne Greenlay (one of my co-conspirators at the League of Extraordinary Authors) and she’s on the Red Blog with her Undercover Soundtrack.
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‘Spurred by the song’s rhythm, my typing fingers flew’ – The Undercover Soundtrack, Dianne Greenlay
- ‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita January 15, 2018
- Reaching readers if you write in multiple genres – could crowdfunding be the answer? An interview January 12, 2018
- The culture of a close marriage and weird little trips – guest spot at Victoria Dougherty’s COLD January 6, 2018
- Achieve your publishing goals for 2018 – win a year’s mentoring and development from Triskele Books December 29, 2017
- A childhood home: read an excerpt from Not Quite Lost – in The Woolf December 3, 2017
- Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog November 21, 2017
- ‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler November 13, 2017