My first guest this year says that when she was very young, she spent a lot of time in theatres, watching her dad rehearse with bands. She would fall asleep to the sound as he played bass for the likes of Don Cherry, Lou Reed and his own band, The Everyman Band. Later she became consumed by music herself, pouring her soul into the playing of the clarinet. Tendinitis cut her music career short and a teacher suggested she write, encouraging her to write in the voice of one of the authors they’d been reading that term. ‘Voice’ – it was that word that started it. She realised that writing was musical, a sequence of rhythm, tension and release – and so her first novel took shape (and went on to win the 2013 Engine Books Novel Prize). She is Sarah Yaw and she’s on the Red Blog with her Undercover Soundtrack.
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‘Music: a space to make sense of life’ – The Undercover Soundtrack, Sarah Yaw
- ‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler November 13, 2017
- Worldbuilding for SF and other fiction, reimagined for roleplayers. And pony books. Podcast at Fictoplasm November 11, 2017
- Indie publishing the 2017 way – video chat with sci-fi author Nick Cook November 7, 2017
- The pleasure of slow journeys and why we love to read – guest post at Isabel Costello’s Literary Sofa November 2, 2017
- ‘Tibetan oms and child prodigies’ – The Undercover Soundtrack, Leslie Welch October 29, 2017
- ‘Writers are introverts who want to tell you a story but not make eye contact’: discuss. Interview at Jane Davis October 26, 2017
- A change is as good as a rest – the distraction project. Guest post at The Quivering Pen October 24, 2017