My first guest this year says that when she was very young, she spent a lot of time in theatres, watching her dad rehearse with bands. She would fall asleep to the sound as he played bass for the likes of Don Cherry, Lou Reed and his own band, The Everyman Band. Later she became consumed by music herself, pouring her soul into the playing of the clarinet. Tendinitis cut her music career short and a teacher suggested she write, encouraging her to write in the voice of one of the authors they’d been reading that term. ‘Voice’ – it was that word that started it. She realised that writing was musical, a sequence of rhythm, tension and release – and so her first novel took shape (and went on to win the 2013 Engine Books Novel Prize). She is Sarah Yaw and she’s on the Red Blog with her Undercover Soundtrack.
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‘Music: a space to make sense of life’ – The Undercover Soundtrack, Sarah Yaw
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- Slow-burn books, publishing misfits and separation anxiety – interview at Henry Hyde’s blog March 21, 2017
- Dear me: how fiction authors adapt to writing memoir March 12, 2017
- The blank page – conquering your fears. And a couple of writing prompts February 26, 2017
- ‘Cyclical melodies, beginnings and endings’ – The Undercover Soundtrack, Nicole Evelina February 19, 2017
- Writers, are you showing off or sharing? A way to kill your darlings February 12, 2017
- Literary writers, we are not alone – meet Main Street Writers February 10, 2017
- ‘You get an idea and… it just grows’ – interview with book and writing blogger Michelle Dunton February 6, 2017