My first guest this year says that when she was very young, she spent a lot of time in theatres, watching her dad rehearse with bands. She would fall asleep to the sound as he played bass for the likes of Don Cherry, Lou Reed and his own band, The Everyman Band. Later she became consumed by music herself, pouring her soul into the playing of the clarinet. Tendinitis cut her music career short and a teacher suggested she write, encouraging her to write in the voice of one of the authors they’d been reading that term. ‘Voice’ – it was that word that started it. She realised that writing was musical, a sequence of rhythm, tension and release – and so her first novel took shape (and went on to win the 2013 Engine Books Novel Prize). She is Sarah Yaw and she’s on the Red Blog with her Undercover Soundtrack.
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‘Music: a space to make sense of life’ – The Undercover Soundtrack, Sarah Yaw
- ‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita January 15, 2018
- Reaching readers if you write in multiple genres – could crowdfunding be the answer? An interview January 12, 2018
- The culture of a close marriage and weird little trips – guest spot at Victoria Dougherty’s COLD January 6, 2018
- Achieve your publishing goals for 2018 – win a year’s mentoring and development from Triskele Books December 29, 2017
- A childhood home: read an excerpt from Not Quite Lost – in The Woolf December 3, 2017
- Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog November 21, 2017
- ‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler November 13, 2017