When you sit at the keyboard (or seize your writing irons), how certain are you about what you’re going to write?
I’m a big fan of plans, but sometimes they’re frustrating. We know the next point in the story but can’t get the characters there. We need to set up a development and it won’t work. Or we need something, anything to darn well happen.
This week I heard the broadcast journalist Libby Purves (@Lib_Thinks) ask two creatives about their processes, and the results were rather interesting (listen to it here) . They weren’t writers, but what they described was exceedingly familiar.
The moment when you get the pencil out
Fashion designer Katherine Hooker (left) @KatherineHooker and furniture maker Peter Korn (below) (who has written this book about creativity) were asked about the moment ‘when you first get the pencil out and think now I’m going to create something‘.
Peter Korn immediately modified the idea. ‘Getting the pencil out is a challenging moment. You don’t know what’s going to happen. You don’t know if you’re going to succeed or fail, or how long it will take to come up with something pleasing, until the pencil stumbles on the right thing.’
Katherine agreed. ‘Rather than making it happen, you see it happening. You see it presenting itself. And then you’re away, thinking this is good.’
Beginning without knowing what you’re aiming for.
Exploring until you stumble on the right thing.
Hold those thoughts.
So – what has this got to do with being stuck? And writing??
It’s this. Often I’ve found that when I’m stuck with a scene, or frustrated because I can’t find a the right story development, the thing to do is to step back. Remove the expectations.
Usually I’m blocked because there’s a possibility I haven’t seen. Or I’m forcing an unnatural direction, or a phase in the story is missing. Or I’m repeating a beat and haven’t yet recognised it, but the creative elf has put the brakes on. No, we can’t go there again.
Whatever the reason, I’ve found the way to solve it is to forget the plan and just write. I don’t know how long the solution will take, or how much I’m going to delete, but eventually, like Katherine, I’ll see it happening.
What’s more, I’ll find something more new and surprising. (Indeed, over the years I’ve come to see the creative process as a search for questions, instead of answers. More about that here. )
And this spirit of exploration was how these two people, one creating clothes and the other creating furniture, discovered what they wanted to make next.
Here’s another remark I liked from the interview. Peter Korn said: ‘If you draw a lot, you get to the stage where you can remove yourself and the pencil can do the thinking.’
That’s us with our craft, adding the building blocks of story and character, shaping the idea into crescendoes, crises, conflict, protagonists, antagonists, hooks, midpoints.
Blank page panic
We often fear the blank page, especially when it presents at an inconvenient time. But those who do discovery exercises, such as free writing, already know that if you start the fingers, the muse can spring wonderful surprises.
I’m sure someone is about to say ‘trust the process’. Sometimes that’s our craft knowledge. If your narrative’s flagging, check the structure, look for repetition, create more contrast in your subplots. Strengthen a character’s motive. Sometimes it’s our tools like beat sheets or Undercover Soundtracks.
And part of that process is also allowing time for invention and knowing when to welcome the blank page. Tailors do it. Table-makers do it. This is invention at its most pure. (pic from katherinehooker.com)
So in summary, here are my tips for moments when you’re stuck:
1 Back up – are you trying to race ahead to the next development? Do you need more steps?
2 Is the next development really the right one? Subtract your assumptions and see if that frees your ideas.
3 Don’t expect results. Write, and accept that you don’t know if you’re going to succeed or fail.
4 Keep going until the solution presents itself – listen to your intuition, you’ll know when the right idea comes along.
5 Add craft – and stir. Or, with reference to Ursula K Le Guin, should that be steer?
There’s lots more about unblocking techniques in Nail Your Novel: Why Writers Abandon Books & How You Can Draft, Fix and Finish With Confidence, and lots about plot and characters in the other two books in the series.
When you’re blocked, what do you do? Have you learned any interesting insights from creative people in other media? Let’s discuss.