My guest this week says that when he gives talks, he often says that writing a novel is the literary equivalent to composing a symphony. He describes how his lead characters are like the principal instruments, plotting the crescendos on paper beforehand (not unlike to an idea I sketched out in my first Nail Your Novel book – drawing the characters’ parts on manuscript paper, like a score). One of his novels is set in 1940 and music pervades the whole narrative, especially as the principal characters are musicians. There is music for each character’s mental signature, music for particular moments, music that helped him retune if he felt his grasp on the story slipping. And watch out for a track with a simply sublime title: And In The Endless Pause There Came The Sound of Bees. He is playwright, actor and award-winning author Jason Hewitt and he’s on the Red Blog with his Undercover Soundtrack.
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‘Everything about the characters was held within these notes’ – The Undercover Soundtrack, Jason Hewitt
- Handling real-life disasters sensitively in fiction – an interview April 15, 2018
- The secret life of the book ghostwriter – podcast at The Bestseller Experiment March 30, 2018
- 3 creative writing exercises to help you read like an author – at Reedsy March 25, 2018
- Writing a book for easy money – a myth examined March 11, 2018
- 6 unusual tips for writing characters who’ll keep readers riveted – guest post at Ingram Spark March 8, 2018
- Do this before that: 5 production steps for brilliant books – guest post at Alliance of Independent Authors February 18, 2018
- 3 wondrous paradoxes of a slow writing process February 4, 2018