My guest this week says that when he gives talks, he often says that writing a novel is the literary equivalent to composing a symphony. He describes how his lead characters are like the principal instruments, plotting the crescendos on paper beforehand (not unlike to an idea I sketched out in my first Nail Your Novel book – drawing the characters’ parts on manuscript paper, like a score). One of his novels is set in 1940 and music pervades the whole narrative, especially as the principal characters are musicians. There is music for each character’s mental signature, music for particular moments, music that helped him retune if he felt his grasp on the story slipping. And watch out for a track with a simply sublime title: And In The Endless Pause There Came The Sound of Bees. He is playwright, actor and award-winning author Jason Hewitt and he’s on the Red Blog with his Undercover Soundtrack.
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‘Everything about the characters was held within these notes’ – The Undercover Soundtrack, Jason Hewitt
- ‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita January 15, 2018
- Reaching readers if you write in multiple genres – could crowdfunding be the answer? An interview January 12, 2018
- The culture of a close marriage and weird little trips – guest spot at Victoria Dougherty’s COLD January 6, 2018
- Achieve your publishing goals for 2018 – win a year’s mentoring and development from Triskele Books December 29, 2017
- A childhood home: read an excerpt from Not Quite Lost – in The Woolf December 3, 2017
- Southerners going north, the most romantic ruin and the town you can’t leave – interview at Chris Hill’s blog November 21, 2017
- ‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler November 13, 2017