My guest this week has written a novel with a dual timeline and an intriguing title that has more than a hint of fairytale – The Boy Who Drew The Future. She flitted past me on Twitter one day and I set off in pursuit, waving an example of The Undercover Soundtrack and hoping she’d find it appealing. Thankfully she did, and her piece describes the music that drew her into the hearts of her characters. One particularly memorable line is the phrase she used to describe Samuel Barber’s Adagio for Strings – a private and fragile piece, a place for learning secrets. The Boy Who Drew The Future is her fifth novel and she’s held a string of distinguished writing posts including a WoMentoring mentor, a Patron of Reading and National Trust Writer In Residence. She is Rhian Ivory and she’s on the Red Blog with her Undercover Soundtrack.
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‘Where words fail, music speaks’ – The Undercover Soundtrack, Rhian Ivory (with help from Hans Christian Andersen)
- 7 swift storytelling hacks for back story, description, dialogue, exposition, point of view and plot August 18, 2019
- The secret is out: 10 thoughts on nearly finishing a long-haul novel July 27, 2019
- 9 tips to nail dialogue – guest post at Ingram Spark July 8, 2019
- The ‘under-arrest’ test – how to see the holes in your story’s ending June 20, 2019
- Roger Ebert, Werner Herzog, Antarctica … and a manifesto for maverick creatives May 23, 2019
- Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast May 12, 2019
- ‘Something elusively wistful’ – The Undercover Soundtrack, Gwendolyn Womack April 28, 2019