My guest this week delved into personal experiences to write her latest novel. In the 1970s she was working on a psychiatric ward where electric shock treatment was taking place. Years later, troubled by what she had seen, she wrote a novel. She turned to music to reawaken her own memories of the time and to create a cast of characters who are lost in the midst of a broken system. She remarks that her Soundtrack is as much about her own inner world as her characters’ – a line that for me is the very essence of the Undercover Soundtrack series. She is Diana Stevan and she’s on the Red Blog with the music that helped her write The Rubber Fence.
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‘Freedom, broken ties and love outside of marriage’ – The Undercover Soundtrack, Diana Stevan
- Personal journeys: 2 posts about writing Not Quite Lost and memoir – Joanna Penn and Clare Flynn September 18, 2017
- ‘Intense mystical dreams, an obsession with TS Eliot, and music’ – The Undercover Soundtrack, Vivienne Tuffnell September 17, 2017
- Editing as creative development – guest post at Ingram Spark September 14, 2017
- Bill Bryson, Lewis Carroll logic and cryonics – interview about Not Quite Lost at Andrea Darby’s blog September 7, 2017
- Readers’ reasons; writers’ reasons – do they ever agree? September 3, 2017
- ‘Things fall apart … hearts rip open’ – The Undercover Soundtrack, Caroline Leavitt August 16, 2017
- The end of exploration – on writing a book where you can’t make things up August 13, 2017