Some novels take their time, especially those of a literary hue. We might need to quarry vast amounts of possibilities and storyways, find the book’s particular character, discover what a stubborn idea wants to be. (Here’s a post about it – What takes literary writers so long.)
With all that exploring and uncertainty, it can feel like we’re getting nowhere. Then something will suddenly reveal that we actually have more substance than we suspected. It’s happened to me a few times recently with Ever Rest, so I thought I’d share them here.
1 Conduct a research interview
A few months ago I needed input on the story, so I chatted up an expert and told him the story, from start to finish, checking every development and assumption. As I’d hoped, this clarified vital questions and generated ideas, but I also realised it marked a milestone. This was the first time I’d presented the plot or characters to another living soul, and I found I had a more solid story than I suspected.
2 The like/don’t-like list
Often, when reading through a draft, I notice a lot of wrong notes. So I decided a trouble named was a trouble nailed, and I made two lists. In one, I put the negatives – mostly scenes that pulled the story in a direction that didn’t interest me. On the other list, I wrote all the things I was happy to find – an elegiac mood, a character’s disturbing personality, an atmosphere of guilt and blame.
(It’s similar to a plotting exercise I developed for Nail Your Novel – the wish-not list. If you’re stuck, write down all the developments you don’t want. They’re usually stopping you from finding the ones you do.)
As with the research interview, my lists were a revelation. I’d been too worried by the negatives, which made me feel the whole book was awry. But these lists demonstrated there was plenty on the positive side. Most of the book is heading in the right direction. And the other problems can be stared down.
3 Write a synopsis
This week, I have an opportunity to submit a few chapters of Ever Rest to a literary agent. I hate showing works in progress, but I have a few chapters that I don’t mind revealing in confidence. The bigger problem is this – the agent also wants a synopsis. Like most authors, I loathe writing synopses, but I gritted my teeth and typed. Again, it was a pleasant surprise. I found it a good exercise to present the novel’s main spine in condensed form and I even found I was filling some gaps. I’ve written before about how revision is often a process of understanding as much as of rewriting – aka revision is re-vision.
Psst… the wish-not list is one of the tools in Nail Your Novel
Thanks for the pic El Guanche – originally posted to Flickr as Arbol de Piedra, CC BY 2.0
Over to you. Have you any tips for measuring progress on a slow-burn book, especially if they’ve caught you by surprise? Oh – and wish me luck with the agent.