My guest this week began her novel as a NaNoWriMo project, appropriately enough for this time of year. But its true seeds were at a gig in the late 1990s where an eight-year-old fiddle player stole the show. Years later, the author sat down to power through a manuscript idea for NaNoWriMo. She used songs of the 90s and early 2000s to take her mind back to the night with the fiddle player, but nothing would make the words flow until an album of Tibetan chants popped up on her music library. She found the zone. She is Leslie Welch and she’s on the Red Blog with her Undercover Soundtrack.
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« ‘Writers are introverts who want to tell you a story but not make eye contact’: discuss. Interview at Jane Davis
‘Tibetan oms and child prodigies’ – The Undercover Soundtrack, Leslie Welch
- Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast May 12, 2019
- ‘Something elusively wistful’ – The Undercover Soundtrack, Gwendolyn Womack April 28, 2019
- On interrupting the story for your brilliant philosophical ideas April 22, 2019
- Write a brilliant novel by asking the right questions – guest post at The Creative Penn April 5, 2019
- I adore the internet but I’m not a phone person – essay in Live Encounters Poetry & Writing April 2, 2019
- Not going to AWP19 – try 7 authors free on audio for your commute March 30, 2019
- Are creative writing degrees relevant in 2019’s publishing climate? The honest truth March 26, 2019