My guest this week began her novel as a NaNoWriMo project, appropriately enough for this time of year. But its true seeds were at a gig in the late 1990s where an eight-year-old fiddle player stole the show. Years later, the author sat down to power through a manuscript idea for NaNoWriMo. She used songs of the 90s and early 2000s to take her mind back to the night with the fiddle player, but nothing would make the words flow until an album of Tibetan chants popped up on her music library. She found the zone. She is Leslie Welch and she’s on the Red Blog with her Undercover Soundtrack.
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« ‘Writers are introverts who want to tell you a story but not make eye contact’: discuss. Interview at Jane Davis
‘Tibetan oms and child prodigies’ – The Undercover Soundtrack, Leslie Welch
- Writing a book for easy money – a myth examined March 11, 2018
- 6 unusual tips for writing characters who’ll keep readers riveted – guest post at Ingram Spark March 8, 2018
- Do this before that: 5 production steps for brilliant books – guest post at Alliance of Independent Authors February 18, 2018
- 3 wondrous paradoxes of a slow writing process February 4, 2018
- The writer’s persona in the narrative, MFA courses and Englishness – interview at Rain Taxi January 27, 2018
- Biggest challenge as an indie author and how to stay creative – interview at ALLi January 22, 2018
- ‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita January 15, 2018