Search Results for: the creative penn

Write a brilliant novel by asking the right questions – guest post at The Creative Penn

Questions…. they’re the reason a reader gets intrigued by a story. And, at the author’s end, the writing process is an entire cycle of questions, big and small, some arising out of other questions. Some of the process is figuring out the right answers. Some of it is figuring out what to ask in the first place.

If that sounds like a conundrum, some of the most important questions are conundrums in themselves. Confused?

Today I’m at Joanna Penn’s Creative Penn blog, attempting to make sense of all this. Do come over.

PS If you’re curious about the latest doings of my own creative pen, here’s my latest newsletter

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Magic ingredients for a great plot – video and podcast at The Creative Penn

creative pennWhat is plot? What ingredients are essential, regardless of genre? How do we use themes effectively, and subplots? What makes a satisfying ending? Author-entrepreneur and heroic podcaster Joanna Penn invited me to her podcast to answer these questions and more – and as you see, at 33:47 you can be assured of authorly hilarity.

You can either listen to it as a podcast or read the transcript here, or you can watch us laugh, furrow our brows and occasionally drink tea by clicking on the screen below.

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Personal journeys: 2 posts about writing Not Quite Lost and memoir – Joanna Penn and Clare Flynn

Well that headline was a mouthful, but these two posts share a common theme.

I’m at The Creative Penn today talking about the process of turning a set of personal diaries into a book for outside readers. We cover the thorny topics of writing about real people, staying faithful to the truth, organising material – and also when a personal account might be better left quietly in a drawer.

As usual with the wonderful Joanna, you can read a transcript, download an audio or watch us wave our hands and crook our eyebrows on video. And there’s an appearance of the actual diary that started it all (now looking rather tattered). This is the direct video link, if that’s your thing.

I’m also at Clare Flynn’s blog, with a more leisurely conversation about personal journeys – from my own writing journey, to creating the book, to a provocative statement from Anthony Burgess. He said all literature was mostly about sex. If you want to chew that over, step this way. Oh, and there’s also an ‘ahhh’ moment with a big old friend.

 

 

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How to find your author voice – interview with Joanna Penn

author voiceHello! I’m slightly late posting this week because I knew I had this waiting. Joanna Penn invited me back to her podcast to thrash out a thorny topic – how to find your author voice.

We discuss what voice is, how to develop it, how character dialogue differs from narrative voice, how authors might adapt their style for different kinds of book, voice considerations for non-fiction, the value of experimenting and – that perennial favourite – why literary fiction might take so darn long to write. Plus side helpings of Nigella Lawson and Nigel Slater, so bring a picnic.

You can get it on video, audio download or written transcript – it’s all here.

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How to write a novel – last chance to get my course with Joanna Penn

A proper post is in the works, but in the meantime…

Are you interested in an in-depth course on how to write and revise a novel? I have a multimedia course with Joanna Penn, but because of a law change in the EU we’ll be forced to withdraw it from 1 Jan 2015.

This is not a fake sale, it’s actually the end! And Joanna also has courses on book marketing, author-entrepreneurship and writing fight scenes. The good news is you can get 25% off all of them by using the voucher code: PENN when you check out.

The 25% code is valid until 12 noon UK time 31 Dec. If you purchase, there’s a money back guarantee if you aren’t happy, plus the courses will be available to view online for another 6 months as well as being downloadable so you can keep a copy for yourself.

TheCreativePenn_Course Buttons5How to Write a Novel

From idea to first draft, lessons learned from writing a first novel and from first draft to finished novel. Produced in video, audio and text transcript.

Was US$99 => Now $74.25. Save $24.75 Click here for more details.

Once again, this is a final sale and we have to withdraw the course on Dec 31st because of the law change.

If you have any questions about the EU VAT issue, read this article. If you have any questions about the course, email me on rozmorriswriter at gmail dotcom or leave a comment below. But act now to get some great tuition for your writing and publishing endeavours in 2015.

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Why fiction characters matter and how we make them memorable – video and podcast with Joanna Penn

jocharsWhy is all good fiction driven by characters? How can we widen our repertoire so our fictional people aren’t carbon copies of ourselves? What kind of research can give us greater understanding of situations we have no experience of? Should we bother to create our villains with as much empathy and insight as we lavish on our protagonists? If our MC’s enemy is utterly evil, how can we possibly crawl inside their minds – and why would we?

In the yellow corner is Joanna Penn. In the pinkish corner is me, answering her questions. We’re at her blog The Creative Penn, and you can read a text summary,  download a 50-minute audio podcast or watch us grin and and wave our hands while we discuss how to write convincing and compelling fictional people. Do come over.

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Writing literary fiction – podcast and video interview with Joanna Penn

Today – roughly 24 hours ahead of schedule if you saw the note on the red blog – I’m at Joanna Penn’s online home, The Creative Penn. Joanna’s one of my favourite podcasters and her interviewees run the gamut of book marketing specialists to fiction authors to creativity consultants to anyone else you never knew you needed to know. A recent podcast of hers is on how to write fight scenes – which is cued up on my Creative Muvo to accompany my run today. (If you meet me, don’t get in my way.)

Earlier this year, when she was writing her best-selling religious thriller Pentecost, she interviewed me about my book Nail Your Novel. Now she’s invited me back to quiz me about writing My Memories of a Future Life – and we discuss the differences between literary and genre fiction, developing characters, using research and honing prose style. We also laughed rather a lot.

You can read a text summary, listen to a podcast, or even watch us on video. Whatever your pleasure, come and join us for a jolly discussion.

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Talking to Joanna Penn about nailing your novel

Today I’m Joanna Penn’s guest at The Creative Penn podcast. Joanna’s interviews are essential listening for me – she’s an author, blogger and business consultant who has rejected the traditional publishing route because she found it too slow and difficult. Instead, she set herself the task of learning how to do it all herself.

Every week she interviews editors, marketing experts and writers about their adventures in publishing and book marketing and has built up a formidable following among all those of us who want to take charge of our publishing careers and make the very best of what the internet can offer us. She’s written a brace of books on writing, self-publishing and internet marketing. She’s also been realising a long-held dream to write thrillers and her first – Pentecost – is just about to launch.

I’m thrilled she wanted me to be her guest this week. Come and join us as we discuss ghostwriting, tips for writing a bestseller – and how to write your second novel. And whether I mind doing really nasty things to characters…

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Blogging for authors – should you be self-hosted? Part 2: two bloggers who favour self-hosting

Yesterday I discussed why an author might not want to self-host their blog and how to make the best of platform-hosted blogging. But many authors strongly advocate self-hosting – so today I’m going to ask two of them why.

First up is author-entrepreneur Joanna Penn of The Creative Penn. Joanna has built a formidable following among writers who want to take charge of their publishing careers and make the best of what the internet can offer. She also develops multimedia courses and she’s hit the bestseller lists with her two thrillers.

Joanna, why did you chose self-hosting?
I have control over everything – including affiliate sales and plugins that you can’t use on free blogs. Google takes you more seriously so you get better SEO results and rank better on Google.

You use a paid-for theme, don’t you? Why?
I use Thesis, which has SEO design in the back end and is very easy to customise so it looks professional. I model success and all the top blogs are self-hosted and use premium or custom design themes. Why look like a second-rate blog?

Is self-hosting and/or using a paid-for theme more hassle? Do you need to be more tech literate?
I have Joel the Blog Tech guy as help but once the site is set up, the back end is the same as WordPress. So no, you don’t have to be tech literate.

How much does this all cost you?
My hosting is less than USD $10 per month, my premium theme was USD $70.

How much do novel-writers need to worry about search engine optimisation (SEO) and what key things should they do?
You need basic SEO – good site design, so that spiders can crawl you. Free themes have a particular SEO rating and my first blog was really crappy for this until I learned about it. Then you should use an SEO plugin. I use All-in-One SEO. Also you should use consistent keywords for your niche and have a lot of relevant content.

My second self-hosted blogger is Jane Friedman, web editor for the Virginia Quarterly Review. Jane is a former publisher at Writer’s Digest and a prolific and respected speaker on writing, publishing, and the future of media. Her expertise has been featured by sources such as NPR’s Morning Edition, Publishers Weekly, GalleyCat, PBS, The Huffington Post, and Mr. Media. She has consulted with a range of nonprofits, businesses, and creative professionals, including the National Endowment for the Arts, the Creative Work Fund, and the Contemporary Arts Center in Cincinnati.

Jane, prevailing wisdom seems to be that self-hosted is always better. Why is this?
Because not self-hosting means:

  • You’ll have a weaker functioning site overall (customisation is usually quite limited)
  • You rarely have access to advanced analytics unless you’re allowed to install Google Analytics (which can be important, see below)
  • You’re not fully in control of what happens to your site. Over time, services ARE discontinued, bought, changed, etc.

Are these considerations relevant to novelists?
If you’re planning to be a novelist for life, yes. You should be concerned about the long-term potential, growth, and stability of your site.

Whether self-hosted or not, why might authors use a paid-for or upgraded theme – apart from being able to look distinctive? How much does it generally cost?
The cost is very little (generally less than USD $100), given that a premium theme offers robust or improved functionality, as well as better looks (and often better readability). Also, premium themes generally have better SEO tools.

How much do novelists need to worry about SEO? Do readers really find them through Google searches?
If readers buy your book, or hear about your book through any medium, they might be likely to google your name – in which case, your site should be easily found. Often, you don’t have to ‘worry’ about SEO for this to happen as long as your site meets basic standards (usually the case with any premium-theme sites) and you don’t have an exceptionally common name.

I like to say that if no one can find you through Google, it’s like you don’t exist.

Is Google all there is to SEO? What key things should writers do to increase visibility?
Not exactly, but Google is 70% of the search market. The best thing to do is to use a premium theme that focuses on SEO, which will help ensure your site is looking its best when search engine crawlers visit.

This is my SEO strategy – how does it look to you? I write attention-grabbing headlines with key words, and use plenty of tags, including my name, my book titles and keywords for my subject area (in this case ‘writing a novel’).
This looks fine! There are other steps, such as making sure your site’s meta title, meta description, and meta tags are appropriate for the type of reader you’re trying to attract. These things are also adjustable on a post-by-post basis if you’re blogging. When you get a premium theme focused on SEO, generally these fields are available for you to adjust as needed. It helps you customise what exactly appears when your single posts (or when your site) comes up in Google search (site title, site description, brief description of post, etc).

How can writers check how well their measures are working?
You can tell whether your efforts are working if you improve your search ranking for your name or book titles (how high in the listings you appear), and/or if you see your organic search results increase—something you can watch, over time, in Google Analytics.

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Thanks Joanna and Jane – and thanks also to Catherine Ryan Howard for helping me argue for platform-hosted blogs yesterday.

Anything to add? Cautionary tales, theories…. has your mind been changed by anything you’ve read here? I’m sticking with WordPress hosting for now, but Jane’s suggestions have sent me back to my site descriptions to make them work harder at grabbing readers. If you’re going to do anything new, tell me in the comments!

If you’re new to blogging and want some basics, you might find this post of mine helpful – How I get time to blog as well as write  and Your new writing blog: avoid these faux-pas.

If you are thinking of upgrading to a bespoke theme, you might like this by Dan Blank – How I redesigned my website.

Joanna has scores of helpful posts about blogging – starting here. (And we’ve joined forces to create a multimedia course How To Write A Novel. More than 4 hours of video and audio with 86-page transcription and slides)


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Final edits – what do you look for?

When your novel is as familiar as the sight of your two hands typing, what do you miss?

I always find that when I’ve got the plot watertight, the physical consistencies sorted, there’s another pass I need to do to make sure I don’t lose the reader. I’m now making final tweaks to my second novel, Life Form 3, after an extensive rewrite and I thought I’d share the kinds of change I’m making before it goes back to my agent.

Making sure we stay with the main character #1

There are points where I haven’t allowed the reader a beat to catch up with the main character’s reaction to something important. While I don’t want to slow the pace down or overstate, there are moments when the reader expects a beat before the next line of dialogue or action. So every time there’s a significant revelation, I’m asking myself have we got a reaction?

Making sure we stay with the main character #2

The novel is third person, although the main character is in every scene. But sometimes when the action is centred on other characters we need to be reminded of his presence or he can seem like a passive observer. Or it might dislocate the reader by looking like I’ve drifted to a different point of view. So if, for instance, several characters are talking and my main character doesn’t have a line of dialogue or needs to listen to them, I add a beat of reaction from him.

Making dialogue bookish, not filmic

When I write dialogue, I envisage it as a scene in a movie. For some dramatic scenes, I had the pauses and reactions in my head. On the page, the reader doesn’t have my head movie, so this can look sparse and the eye slides off it too easily. Also, this can be quite a distanced way to see a scene. Where I had sparse dialogue, I included the reader more by fleshing out some details.

Culling the fancy stuff

Can you hear that screaming? That’s me, drowning my darlings. I’m wailing at least as loud as they are. I am removing metaphors and similes that, although lovely, interfere with the reader’s immersion in the scene.

For instance, the main character finds an abandoned underwater room. On the floor are dead, dried fish – ‘like’ (I wrote) ‘soles that have dropped off shoes’. Yes it’s lovely, but the scene has so much sensory detail already that this stops the flow, like a record jumping a groove (I hope you’ll allow me that one). Out it goes (with me weeping a tear). This is what ruthless revision means.

Adapting my style for the demands of the book

In case you’re wondering, I didn’t even realise I’d written two novels with the word Life in the title. And no, I’m not planning a whole series of them. In fact, Life Form 3 has given me quite a different set of challenges from those in My Memories of a Future Life – and one of the biggest was writing style.

The main reason is the setting. Life Form 3 is set in a strange, unusual place, so I have had to curb my natural love for the flamboyant and weird. It’s all very well to describe the familiar in an unfamiliar way – that’s fresh and poetic. In My Memories of a Future Life I revelled in it. But in Life Form 3, the story is already flamboyant and extravagant. To add more weirdness, in terms of descriptions and comparisons, gets confusing. The moral? If you’re already describing the unfamiliar, don’t gild the lily by adding more oddness. Keep something simple.

We all do our last passes differently – what do you look for? Share in the comments!

For more tips on novel-writing, from first twinkling idea to final fix, you might like my book Nail Your Novel: Why Writers Abandon Books And How You Can Draft, Fix and Finish With Confidence or my multimedia course with Joanna Penn aka The Creative Penn

Thanks for the pic BryanKennedy

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