Search Results for: undercover soundtrack

Our formative years, our formative music – The Undercover Soundtrack, Ricky Monahan Brown @ricky_ballboy

Most of us, when we use the term ‘formative years’, are referring to our teens, the time we began to discover who we would be. The music from that time is always stitched into our identity. My latest guest on The Undercover Soundtrack has a second set of formative years, with its own soundtrack – which began on the day he suffered a catastrophic stroke. The memoir he published was one of The Scotsman‘s Scottish Books of 2019 (and he is now a big noise in the world of edgy live storytelling… just look up Interrobang?!) Ricky Monahan Brown is on the Red Blog with his Undercover Soundtrack – and watch out for the special discount for readers of the column…

 

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Music, summer, 1990s Camden – The Undercover Soundtrack, Guy Mankowski @GMankow

Guy Mankowski’s new novel Dead Rock Stars has been brewing a long time. He draws on his experiences growing up in the 1990s, teaching himself to play Nirvana songs on the guitar. (It worked. He went on to play in several bands, including Alba Nova.) Guy says the 1990s was a time when musicians seemed mysterious, and seeing a band poster was like a glimpse of another world. From those feelings and recollections he has created a punky period piece, centred around a teenage boy navigating love and life, helped by the diaries of his dead sister. It’s a coming of age story with first hangovers, first dances, first loves, a sense of hope and optimism. And also, the struggle to find your voice and get it heard. Find him on the Red Blog sharing his Undercover Soundtrack.

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‘Something elusively wistful’ – The Undercover Soundtrack, Gwendolyn Womack

If you’ve followed my series The Undercover Soundtrack for a while, you’ll recognise my latest guest. Gwendolyn Womack writes romantic thrillers imbued with a sense of metaphysics, time and memory. Her stories come to her through music and her Undercover Soundtracks have always been haunting and unusual, with a strong sense of place and emotion. I urge you to check out her first time on the series, when she introduced us to an album recorded inside the King’s Chamber of the Great Pyramid in Egypt. For her new novel, she conjures a psychometrist who can feel the history in any object he touches – so her mental and musical soundscape includes 1700s Vienna, 1400s Prague and the red plains of empty Australia. Come and see her on the Red Blog.

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‘Rubble-strewn streets and lost souls’ – The Undercover Soundtrack, SD Mayes

It’s been a while since I’ve had an Undercover Soundtrack guest, but that doesn’t mean it’s muted forever. I’ve been writing, and the soundtrack collection for my own book is almost as tall as its namesake (Everest). Meanwhile, I’ve bumped into a few people who would be perfect guests and this week you can meet the first of them – SD Mayes. Her novel is called Letters To The Pianist, which you’ll probably agree makes her the perfect first act for the second act of this series. Letters To The Pianist is set in the London of World War II and draws heavily on the author’s own family history. Music was a route map for the key emotions of the characters – from fantasy escape, feelings of teenage inadequacy and the feelings of wild abandon that come from communion with an instrument. Hop to the Red Blog to hear more.

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‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita

It’s such a pleasure when an early contributor to this series returns with a new title. Today we’re rewinding to a guest from the first year of The Undercover Soundtrack. Dwight Okita was a finalist in the coveted Amazon Breakthrough Novel Award with The Prospect of My Arrival, a story that flirted with ideas of the supernatural and reincarnation. Now with his second novel, The Hope Store, he’s created a low-key magic realism/science fiction fable that centres around an invention that can bring happiness. Music was important for keeping him on message, and Dwight’s muses included U2 and my own favourite, Kate Bush. Drop by the Red Blog to hear more.

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‘Music is the conduit through which we can discover ourselves’ – The Undercover Soundtrack, Marcia Butler

My guest this week has written a memoir of life as an international concert oboist, juxtaposed with a parallel narrative of a precarious and troubled personal life. I first came across her on The Literary Hub, where she wrote about how she left the very worst experience of all out of that book. It was so haunting that I contacted her and asked if there was any way she could write a piece for this series. She has, and the result is a trip through music that has helped her remember, or dredge up the times she preferred to forget, and moments when music helped her make life choices because of the clarity and discipline of playing. Stop by the Red Blog for the Undercover Soundtrack of Marcia Butler.

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‘Tibetan oms and child prodigies’ – The Undercover Soundtrack, Leslie Welch

My guest this week began her novel as a NaNoWriMo project, appropriately enough for this time of year. But its true seeds were at a gig in the late 1990s where an eight-year-old fiddle player stole the show. Years later, the author sat down to power through a manuscript idea for NaNoWriMo. She used songs of the 90s and early 2000s to take her mind back to the night with the fiddle player, but nothing would make the words flow until an album of Tibetan chants popped up on her music library. She found the zone. She is Leslie Welch and she’s on the Red Blog with her Undercover Soundtrack.

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‘Music: where people come together to make living pieces of art’ – The Undercover Soundtrack, Kris Faatz

My guest this week had quite an epic journey to write her novel. It began with her experience of music as a graduate student, which made her want to write about the romantic and artistic relationship between a pianist and a conductor. She began to listen to more music to imagine the characters, imagining that within a few months she’d have it done, but the more she wrote, the more craft she realised she had to learn. This will be a familiar situation to all of us who’ve fallen for a story idea and then struggled to do it justice. Certain songs became talismans – Bob Dylan, Air Supply and the Rolling Stones – keeping her in contact with her original purpose and the characters who were so strong in her mind. Ten years on and her persistence has paid off: the novel is published by Blue Moon and has earned a prestigious award. She is Kris Faatz and she’s on the Red Blog with her Undercover Soundtrack.

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‘The dull rage of Sundays, the relief of good friendships’ – The Undercover Soundtrack, Heidi James

My guest this week says she usually finds music a distraction. She lives with music makers, and finds ‘other people’s sounds’ are too intrusive. But that changed when she started writing a crime novel about a teenage friendship in the 1980s/1990s. Listening to the music of the time helped her re-understand what life was like at that age. Gradually, it helped her tune into the characters and became a place she chose to be rather than an irritant to tune out. From listening to music about her characters she finally discovered, as she puts it, ‘music for me’. She is the award-winning poet, novelist and novella-ist Heidi James and she’s on the Red Blog with her Undercover Soundtrack.

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‘Intense mystical dreams, an obsession with TS Eliot, and music’ – The Undercover Soundtrack, Vivienne Tuffnell

My guest this week has been here before, in the relatively young days of the blog. And it seems appropriate to introduce her with that slightly mystical flavour because her novel is about a woman who sees an alternate life. She wrote it in a creative blast, fuelled by dreams, TS Eliot’s Four Quartets and haunting Shamanic music. But this book’s world also includes a hefty dose of humour, with a zany set of invented complementary therapies such as Japanese Forest Bathing. She is Vivienne Tuffnell and she’s on the Red Blog with her Undercover Soundtrack.

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