Archive for category Writer basics 101
Today we’re talking about character arcs. What is a character arc? What do we mean by that? Why do stories have arcs anyway? How do characters help you to develop a satisfying plot and vice versa? Can you write about people who aren’t like you? How might you apply this to non-fiction as well as fiction?
Asking the questions is independent bookseller Peter Snell. Answering them is me!
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PS If you’d like more concentrated writing advice, try my Nail Your Novel books, especially my in-depth book on characters. If you’re curious about my own creative writing, find novels here and my travel memoir here. And if you’re curious about what’s going on at my own writing desk, find my latest newsletter here and subscribe to future updates here.
Do you outline a novel before you write it or do you dive straight in? That’s the source of one of the great divides between writers, the ‘planners’ v the ‘pantsers’. To complicate matters, some pantsers are actually not as fancy-free as they appear.
And you might ask what counts as an outline. Is there a bare minimum an outline needs to do? Will an outline squash the creativity? Could you outline in a fresh way to give yourself more scope to be inventive? Does your outline even have to be in words? (Interpretive dancers, this is your chance to shine…’ I’m only half joking….)
Today I’m at the IngramSpark blog, because they asked me to talk about all the various and creative ways we can create outlines for our stories. There’s something for everyone. Do come over. There’s also a lot in my workbook, BTW.
And if you’re curious about what’s been going on in my own writerly lab, here’s the latest.
Some books never get out of the writer’s mind and onto the page … and when IngramSpark heard about my new workbook, they thought I might have some advice. Voila, 7 essential points for writing with confidence, which you can see over at their blog. Actually, I didn’t expect to be in your inbox again so quickly after the previous post, but launch times always get a bit frenetic.
This extra post also lets me share a sudden, mad offer. This weekend, in honour of the Bookbrunch Selfie Awards, I’m having a flash sale for my novel Lifeform Three – which a few years ago had a nibble at a very prestigious award (I’ve never been able to tell the story before, but you can find it here). For this weekend, the Kindle edition of Lifeform Three is just 99c. Grab it now!
How do we tease a bunch of ideas into a plot? How much notice should we take of common plot shapes such as the Hero’s Journey? Are they worn to death now? If we get creative and throw the rules out of the window, how do we ensure we don’t end up with an unreadable mess? IngramSpark noticed I have a book about plot, so they asked me over to their blog to write a quick guide to plotting with pizzazz, panache and unpredictability. (I realise that’s 3 Ps, but my post is actually about Cs. Oh well. All will be explained.) Do come over.
Want to learn some ninja plotting skills? Try these exercises at Reedsy.
Reedsy is principally known as a marketplace for authors and publishers, but it also offers a range of useful lists, from review sites to writing tips. It’s just compiled a set of 100 creative writing exercises from its favourite bloggers (thanks, guys!).
I was invited to contribute three short exercises and I’ve chosen subjects that help you read with a writer’s mindset. They are:
1 Foreshadowing plot twists so they are surprising and fair (the clue hunt)
2 How to keep the reader gripped (the page-turner)
3 Using your material with economy and elegance (the observant writer)
And psst … there are plenty more insider plotting tips in Writing Plots With Drama, Depth & Heart: Nail Your Novel 3
How do we create fictional people who feel just as real as our closest friends? How do we build layers of complexity that will bewitch a reader and keep them hooked for several hundred pages? Ingram Spark noticed I had a book about characters (here) invited me to their blog to write my six strongest tips on the subject. The first tip will cheer anybody who’s had feedback that said ‘I don’t believe your protagonist would do that …’ Do come over.
This year I’ve been one of the guest tutors at Angela Ackerman and Becca Puglisi’s site Writers Helping Writers. It’s my turn to take the lectern there again, and the subject they asked for is endings.
Are there any must-haves for an ending? Well, the answer isn’t simple, but there are some abiding principles that hold good no matter what you’re writing. You can read about them at Angela and Becca’s site … and if you want even more, there’s a chapter about them in my Nail Your Novel plot book. Have fun!
Oh my heavens, it’s publication day. Not Quite Lost: Travels Without A Sense of Direction is no longer a tease in a tweet or a blogpost. It’s a real thing. A paperback book. A hunk of Kindle estate, or Kobo, or whatever other ebook format floats your boat. (Though there are no boats in the travels … plenty of buses, however.)
And my writer/designer friend Henry Hyde has invited me to his blog to chat about it. We cover technical stuff like developing a writing style, influences like Bill Bryson and Gavin Maxwell, and some of the main thematic stops such as the romance of old houses, impostor syndrome and 1970s Doctor Who. Do hop aboard. Oh, and you can find the book here.