- Books for writers
- FAQ: I’m a new writer: which book should I read first?
- FREE Nail Your Novel Instant Fix: 100 Tips For Fascinating Characters
- My writing process: the picture tour
- Nail Your Novel: A Companion Workbook
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Email me
Posts Tagged Arvon foundation
My guest this week describes her books as stories about and for the sometimes invisible women; the 1960s feminists; women in their late 40s, 50s, 60s and beyond; thinking, feeling, loving, intelligent characters who are steering their lives through choppy waters. She says she uses music as a short-cut to their inner wilderness, with signature songs that conjure their hearts and minds, even on the most uninspired days. She is Anne Stormont and she’s on the Red Blog with her Undercover Soundtrack.
1960s feminists, Anne Stormont, Arvon foundation, authors, Bat for Lashes, Blair Douglas, Cat Power, Change of Life, classical, contemporary fiction, deepen your story, Desert Island Discs, Don Maclean, Elbow, Glen Hansard, Glen Hansard and Marketa Irglova, Greg Laswell, hard rock, intelligent characters, invisible women, Lighthouse Family, Louis Armstrong, main characters, Marketa Irglova, Military Wives, mixtape, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Neil Diamond, ovarian cancer, playlist for writers, Roz Morris, Rufus Wainwright, Scottish traditional, The Soldier, The Undercover Soundtrack, Tom Baxter, undercover soundtrack, Ungar and Mason, Van Morrison, Women Writers, women's fiction, women's fiction writer, writers, writing, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing to music
I’ve just finished writing my first novel. I want to get published but I can’t pay for an editor. What can I do? Edith
Every week I get emails from writers who want help but can’t afford the cost of an editor. And I can see why. Good editors cost a big chunk of money and the job can’t be done cheaply. I don’t think seriously committed writers assume anything otherwise.
But sometimes, the writing world can seem like those schools where rich parents hothouse their kids by hiring personal tutors. If you don’t have the spare dollars, will you be left behind?
Not necessarily. Many of the writers I know never hired editors, yet we earned our spurs somehow. And you can still learn the way we did. It still works.
I probably sound like I’m doing myself out of a job here. Certainly a good editor will zoom in on your individual weaknesses (and strengths), and will improve all the novels you write, not just the one they assess. Also I’ll state that I’ve learned heaps from the agents and editors I’ve worked with. But the bulk of my learning came from elsewhere.
It wasn’t all free, but it was considerably cheaper than hiring an editor.
1 Find a good evening class
For two years I went to a novel-writing course at an adult education college. This was fantastic – an intensive two hours each week in which we’d critique a couple of works in progress, guided by a tutor who was also a literary agent. In case you’re in London, it was Morley College in Waterloo. Almost any well-populated area should have adult education facilities, and you can probably access them online too.
Intensive weekend courses are also useful (in the UK Arvon is well regarded), though the cost is getting on for the price of an editor, but there’s definitely something to be said for a regular dose of writing tuition every week to realign your awareness. Writing minds are trained gradually, so hothousing doesn’t necessarily give you an advantage.
Cost: Evening classes at Morley College about £130 per term
2 Find a critique group
Your evening class might fulfil this function, as mine did. But if it doesn’t, find a critique group or a clan of beta readers you can trust with your WIP. They may not be as expert as tutor-level critics, but can still be very valuable as they will react to your work as real readers.
Make sure you pick people who read your type of book (I hesitate to use the word ‘genre’ after last week’s discussion 🙂 ) and who come together with the intent to help each other improve. You don’t want a mutual stroking society, you want people who’ll stop you making mistakes.
How expert do they have to be? Almost anybody can tell you the places where the book bored them, interested them, confused them, stretched their credibility or kept them up well past their bedtime. If they give you solutions as well, ignore them (diplomatically) unless they have reason to know what they’re doing. You find your solutions from your other experts.
A word of caution: although the participants don’t have to be expert, you need to make sure the group is moderated by someone with nous who can recognise when personality clashes or personal issues are interfering with the group’s criticism.
If you can’t find a group in the corporeal world, there’s nothing to stop you assembling a brief email list of trusted early readers.
Cost: Wine, cake and other standard bribes
3 Read craft books
For years I mainlined writing craft books. I gobbled up so many I can’t remember all the titles, and I gave loads away to friends, but the ones I still have are by Robert McKee, Jordan Rosenfeld, Stephen King, Dianne Doubtfire , James Wood, David Lodge, Bob Shaw, Syd Field and Blake Snyder.
And of course, I’m now adding to the writers’ reading burden with tomes of my own, distilled into practical tutorials based on the advice I regularly give when I critique. Hence the characters book.
Cost: the price of a book (or several)
4 Read like a writer
This is what I have always done. Each time I read something that impresses me, I stop and examine how it was done. This means I dither through books, often trapped by a sentence, a description or a wrenching twist. This extreme predisposition to wonder is what made me write in the first place and it’s what inspires and teaches me still.
Cost: what price can you put on pleasure?
The long and the short
It can’t be denied that an editor is a fast track to proficiency. But some of the necessary lessons can’t be learned in a hurry. We need time for unfamiliar concepts to become habit, to make the knowledge our own and to put it to full imaginative use. That isn’t bought with money. It’s earned with time and dedication.
Thanks for the money-burning pic Jurvetson Just for the record, the lady in the pic is not a financially challenged – or blessed – writer, but an entrepreneur making a point about energy wastage. But we’re both talking about money that may not need to be spent 🙂
Where are you in your writing journey? How did you learn and how are you learning still? Is there anything you’d tell Edith?
adult education college, Arvon foundation, authors, beginners, Blake Snyder, Bob Shaw, can't afford an editor, courses for writers, critique groups. Morley College, David Lodge, deepen your story, Dianne Doubtfire, education facilities, help with writing, how to learn to write, how to write a book, how to write a novel, intensive weekend courses, James Wood, Jordan Rosenfeld, Juri Gabriel, learn to write a book, learn to write a novel, learn to write better, low-cost tuition for writers, low-cost writing tuition, morley college, My Memories of a Future Life, novels, personal tutors, publishing, rich parents, Robert McKee, Roz Morris, self-publishing, Stephen King, Syd Field, writing, writing a novel - Nail Your Novel, writing business, Writing Characters Who'll Keep Readers Captivated: Nail Your Novel, writing courses, writing life, Writing Plots With Drama, Depth & Heart
- The accidental way to build a writing career – interview at @AnnalisaCrawf November 16, 2021
- Can we reclaim the term ‘literary fiction’? A conversation with Imogen Clark @ImogenClark November 13, 2021
- What’s literary fiction and how do you sell it? Interview on the Self-Publishing Show @SelfPubForm October 24, 2021
- How I made my writing career – award-winning novelist and short story writer Ann S Epstein @asewovenwords October 20, 2021
- Do I want to make a career writing fiction? A conversation October 3, 2021
- Why should anybody read about your life? The 7 Ss for writing a memoir with universal appeal September 17, 2021
- Your first pages – 5 more book openings critiqued at @Litopia by literary agent @agentpete , reader @kaylie_finn and me! September 9, 2021