- Books for writers
- FAQ: I’m a new writer: which book should I read first?
- FREE Nail Your Novel Instant Fix: 100 Tips For Fascinating Characters
- My writing process: the picture tour
- Nail Your Novel: A Companion Workbook
- Nail Your Novel: Why Writers Abandon Books and how you can Draft, Fix and Finish With Confidence
- Reviews of Nail Your Novel
- Who’s tweeting about Nail Your Novel …
- Writing Characters Who’ll Keep Readers Captivated: Nail Your Novel
- Writing Plots With Drama, Depth & Heart: Nail Your Novel
- Email me
Posts Tagged author careers
I’ve had a worrying experience with a local book club. I’m not sure it is as it appears, so I won’t name names. But either way, it raises worrying questions about the way authors’ work is valued.
Recently, a book club invited me to make a presentation about Lifeform Three. The club voted to read it. The organiser went out of the room. Ten minutes later she returned. The books were ordered, she said! So quick. Everyone went home happy.
Except. I should have seen seven UK sales within 24 hours but there was only one. An ebook. Being indie, I know the local bookshops don’t have that many copies. Also, cheap second-hand copies on Amazon are scarce. Did the club just pretend they were going to read it?
It was sweet of them to spare my blushes. And I couldn’t exactly ask.
I shrugged it off. But this week I was talking to an author friend. She said she’d had the same puzzling situation, several times. She said that local book clubs had contacted her because they were reading one of her titles. They asked her questions about the text. But she saw no corresponding rise in UK sales. Like me, she knows local shops don’t have that many copies. The libraries don’t stock her books. Secondhand copies are in short supply. Each time a book club takes up one of her titles, she sees just one UK sale – one ebook.
It seems to be a pattern.
Finally, she said, she found the answer. She said that one club admitted that it buys one ebook and shares it among all its members. Could they be passing one copy between them all? Unlikely as they all needed to read it at once. She strongly suspected they were making duplicates.
Was this also the explanation for my book club experience? I saw just one sale, remember.
I asked. I was told: ‘We mostly get our books through Amazon, and often from the second-hand sellers. I like to read a real book and don’t have a Kindle’. So be it.
But why was I ready to believe villainy?
Because it fits a bigger picture. Because I frequently meet people who think piracy, file copying and illegal downloading hurts nobody. They say it’s a ‘victimless’ crime. They defend their right to do it. These are people in well-paid jobs, BTW.
What harm can it do? Let’s illustrate that by giving book clubs a fair hearing. Let’s show the good that just one group can – and does – do for an author’s reputation and sustainability and why we appreciate them so much.
Imagine if one club orders seven copies in a store. That puts the author in the store owner’s good books. If they’re bought online it spreads beneficial juice through the chart algorithms. Just seven copies can make a real impression. Many clubs are a lot bigger.
You might think traditionally published authors don’t have to worry as much because they’re funded by the publisher, but if the book doesn’t gain traction, the publisher drops the author.
So a book club is not only putting money where it deserves to be. It is doing a lot of good for that author’s long-term career. Thank you, BTW.
Money, money, money
I’m sorry to mention money so much, but I think this is one of the stumbling blocks. How many times have you had to explain to non-authors that books have not made you steaming rich?
Indeed, I wonder if we’ve helped create that impression? All these carefree pictures of authors signing heaps of books in crowded bookstores; holding launches in front of appreciative audiences.
Films and TV are even worse. I’ve seen LitHub articles that laugh at the kind of blissful artistic life that moviemakers think is the norm for writers.
Of course we like to share our highlights, but the public is getting an erroneous message that we’re all living the dream in a utopia of wordy fulfilment. So what’s a lost sale? Or 10?
We’ve failed to emphasise how much of an impact lost sales and piracy have (thanks for the pic Leo Reynolds on Flickr).
Selling ourselves too cheaply?
And obviously the freebie culture hasn’t helped – that’s a rot we can’t reverse. Neither have subscription services, where content is an all-you-can-eat buffet. We often hear people say they can’t afford to buy books, but many of those people can fund foreign holidays, concert tickets and regular doses of frothy coffee. They can’t fund their reading?
Because they don’t think they should have to.
Stealing is the new black
Yesterday I saw a sign in a charity shop: ‘If you steal from this shop, you are stealing from animals.’
Think about that. Who would steal from a charity shop? But it happens so frequently that the shop had to display a sign. How did the thieves justify that to themselves? The stock was donated so the theft harms no one? Another kind of victimless crime?
Unfortunately, there have always been ways to share files and cheat their creators. Ask any musician. It’s too late to change some people’s minds. But we can speak up so that more people don’t drift into it unawares. Ebook copying is damaging authors’ careers.
I don’t know how we’ll change people’s minds about this. Suggestions?
Amazon Marketplace, author careers, author earnings, author life, author lifestyle, authors, ebook piracy, ebooks, file sharing, illegal downloads, piracy, pirate copies, victimless crime, war on piracy
When I was first hanging around Twitter, I came across Nick Cook, who was taking his first steps building a presence as a science-fiction author. I watched over the years as his hard work paid off – he found representation and then a book deal with Three Hares Press (which, by coincidence, was founded by an editor I used to work with).
After three books (one for each hare) Nick will publish his next series independently, and asked me onto his video blog to chat about this new and unknown territory.
After years of waving hello on line, spaceships passing in the night, our worlds collide properly for the first time.
We had so much to natter about that we split the video in two. Part 1 is how I came to self-publish, the rewards and freedoms.
Part 2 is the challenges, developing a fanbase for your work even if you make surprising detours (ahem), ghostwriting and the phenomenon of the celebrity author, how indie and traditional publishing co-exist and how they’ll move forwards, and my all-time favourite film. No, I couldn’t choose just one film, I chose three. (One for each hare.)
advice on self-publishing, audio, author careers, celebrity authors, celebrity authors and ghostwriters, Cloud Riders, ghostwriting, interview, interviews, Nick Cook, podcast, Podcasts, science fiction, the publishing industry, video
- Join 20,336 other followers
- Using real people in historical fiction – how much can you invent? August 14, 2022
- ‘If you are serious about writing, don’t hide it’ – John McCaffrey @jamccaffrey July 20, 2022
- Your first pages – 5 #speculativefiction manuscripts critiqued at @Litopia by literary agent @AgentPete @AJ_Dickenson and me! July 18, 2022
- Eight points for writing a memoir in personal essays July 10, 2022
- ‘A space in which language can play and find itself’ – talking about slow discovery writing with poet Rishi Dastidar @BetaRish June 20, 2022
- What do we most want as writers? June 12, 2022
- ‘I just keep making things’ – Melanie Faith @writer_faith on patience, fulfilment and the long game in art May 31, 2022
- Join 20,336 other followers