Posts Tagged Becoming a writer

How do I develop something special in my writing?

special in writingI’ve had this great question from Lindsey Maguire:

I’m a 15-year-old high school student whose biggest dream is to be a writer. I’m a good writer, but there’s nothing special about my writing. I was wondering how I could start to practise my skills and to become better over time? How did you start off? Also, I have absolutely no idea how to start a novel, even though I’ve tried for years 🙂

What a lovely question. Let’s tackle it in stages.

It can’t be rushed

First of all, don’t be in a hurry. Styles don’t develop overnight. They soak into you from your reading. Which leads me to…

What are you reading?

You also mentioned in your email that you read a lot, but how varied is your diet? Are you sticking to just a few genres, eras, styles of writing? These will colour the way you express yourself and may limit you if you don’t cast the net as wide as possible.

As well as fiction, read poetry, and notice how words are more than just their literal meaning. Become fussy about nuance, moods, resonances, flavours; the mischief in ‘twinkle’ versus the hard edge of its cousin ‘glitter’. Relish the variety our language gives you.

Learn what you are made of

So how will you be distinctive?

Like analysing a compound in a chemistry lab, we learn what we’re made of from the things we react to.

What are the styles you like and why do you like them? Ditto for themes, characters, settings. Do you like the unconventional? Is there a genre that pushes your buttons (I’ll include literary fiction here for the sake of argument)? These will become part of your writerly signature.

When you’re with friends, notice what’s distinctive about the way they talk and think. How is that different from you?

Here’s another point. What do you want to do to readers? Unsettle them, amuse them, tie their brains in knots, awaken their political awareness, warm their hearts, chill their marrow, stir them with ambiguities, distil the human experience, resolve their troubles? All of these? These intentions – whether in an article, short story or a book – will be a hallmark of your style.

Try lots of ideas

Every now and again you’ll discover someone who blows a hole through your idea of what good writing is. Let it tenderise you to new influences; soak it up and see what it shows you. Try to emulate it, if you’re so inclined. It doesn’t mean you were wrong until this moment. Mimic their rhythms, their sentence structure, the types of things they would notice. Enjoy the workout. After a while your new passion will wear off and you’ll regain a sense of proportion. That doesn’t mean you’re lost again. You’ll have added a few genes to your writerly DNA.

How long does it take?

Our style develops through our lives. Some writers become distinctive early. Others blossom later.

Most of us don’t stop wishing we were a bit more special, or perfect. Every year, we might think we’ve finally ‘found it’ and chafe at the work we can’t undo.  Evelyn Waugh often said he thought Brideshead Revisited was gluttonously overwrought.

le moulin 286Yours truly: how did I start off?

I started by apeing other writers I adored. As a teenager, any good book would send me scurrying to my room to try a new voice or story style. My typewriter got a lot of exercise. After college, I began to try novels and I went through a very visible (to me) Graham Greene phase, then Vita Sackville West, then Jack Vance, then Gavin Maxwell. When I read those writers I could think of no more perfect way to express a story.

One day I realised I didn’t feel I had to imitate any more. I could write as me and that was okay. That doesn’t mean I am no longer poleaxed by Graham, Gavin, Jack or Vita, or all the other thousands of writers in whose company I take pleasure. I still learn from them, all the time. But I no longer feel the need to eradicate and start again.

Honesty

This is personal, but for me, special writers have a quality of honesty on the page. It makes me comfortable in their company; willing to travel with them, to accept their voice as the companion to my own thoughts. Read good non-fiction and notice how authors do this, how they burrow for the truth even while they amplify, assert or exaggerate. Three of my favourites for this are Verlyn Klinkenborg, David Sedaris and Gavin Maxwell (I told you I liked him). Aim for that candid quality in your own work, even when you’re trying on other tics and techniques.

nyn soloAnd finally… how do you start a novel?

Some people just plunge in and write, muddle their way along. Clearly that hasn’t worked for you. In which case, are you looking to prepare material before you write? I have a book that will guide you through… (all together now…): Nail Your Novel – Why Writers Abandon Books & How You Can Draft, Fix & Finish With Confidence… (now recommended by university creative writing departments, which is nice)

 

What would you tell Lindsey? Let’s discuss!

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How do you start being a writer?

I had this email today, and have to share it. ‘I am in my early 30s and took a degree in IT. I have had 3 jobs in the past 10 years and feel this is still not where I am meant to be. But it was drummed into me that you can’t get a career or financial stability as a writer. It’s all I ever do in my spare time. I borrow about 7 books from the library each week, I love to share what I see in the world with others. How do I take that first step? Jes’

Jes, you are starting the way all writers do, by doing it because you can’t help it and because meanings nudge you wherever you look. That’s what I did (you can read more about it here).

I’m sorry to say the naysayers about writing income are right. Most published writers don’t earn enough from writing to do it full time. But you can still do the day job and count yourself a full-blooded writer – that’s what the vast majority of published writers are already doing. So IT isn’t where you want to be – but it doesn’t have to define and confine you. It’s what makes your really important work possible. Here’s an excellent post on the mixed blessings of a day job from Joanna Penn.

As for careers? There are no guarantees that you will get a lucky break. Or that before then you will happen upon the right teachers. Or that when you do you will be receptive to learn. The only way is to start and see where your quest takes you.

But how do you take the first step? Keep reading, keep writing. Keep trying to find out how to make stories out of those half-understood murmurings, so that others can hear their importance too. And do you know what? You have already started.

Guys, how did you start being a writer? And what would you tell Jes?

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