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Posts Tagged character dialects
This week I’m running a series of the sharpest questions from my Guardian self-editing masterclass. In previous posts I’ve discussed three/four-act structure, endings and characters who are either bland or too disturbing to write. When I posted on Tuesday I forgot there would also be an Undercover Soundtrack to disturb the sequence, so here, slightly later than trailered, is Masterclass Snapshots part 4.
Regional accents to make a character sound distinct
One writer had his characters encounter people with strong local dialects. He asked how he should render their speech.
We discussed why he wanted to do this. He explained that it was to include a flavour of the setting and emphasise that the main characters were in unfamiliar territory. The odd speech was one good way to show this – with caution. Strange spellings or contractions will trip up the reader if overused. We discussed other ways of achieving this effect – perhaps by showing local customs and attitudes, lifestyles and so on. All of this will create a sense of a different culture.
This led to another good discussion – how do you make characters look distinct through their dialogue? Favourite phrases are useful, and that might be a way to show foreignness too. Habitual gestures are also good.
Humour styles are a very interesting way to differentiate people. (Curse words too, but some writers might not explore this very thoroughly.) I often see manuscripts where writers have given all their characters the same sense of humour, which makes them look like clones. In reality, you could take any group of people and they’ll all have their individual ways of expressing humour. Some enjoy wordplay. Some will try to grab attention and be the joker of the group. Some will be understated and enjoy the odd ironic quip. These are all ways to use dialogue to create a three-dimensional, distinct character.
(There’s more about this in Writing Characters Who’ll Keep Readers Captivated, including a discussion of phonetic Glaswegian.)
Thanks for the pic Lee Carson
Tomorrow: editing is more than tweaking the language
Have you had difficulty making your characters sound distinct? How have you tackled this?
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- Do this before that: 5 production steps for brilliant books – guest post at Alliance of Independent Authors February 18, 2018
- 3 wondrous paradoxes of a slow writing process February 4, 2018
- The writer’s persona in the narrative, MFA courses and Englishness – interview at Rain Taxi January 27, 2018
- Biggest challenge as an indie author and how to stay creative – interview at ALLi January 22, 2018
- ‘What is hope and how do we make more of it?’ The Undercover Soundtrack, Dwight Okita January 15, 2018
- Reaching readers if you write in multiple genres – could crowdfunding be the answer? An interview January 12, 2018
- The culture of a close marriage and weird little trips – guest spot at Victoria Dougherty’s COLD January 6, 2018