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Posts Tagged chemistry A level
All this week I’ve been running a series of the sharpest questions from my Guardian self-editing masterclass. In previous posts I’ve discussed three/four-act structure, endings, characters who are either bland or too disturbing to write , making a character distinct through dialogue , a fundamental misconception about self-editing and letting the manuscript rest. I want to end on this note –
The revision journey
A clear message emerged as we discussed my usual stops in the self-editing process – checking the pace, structure, character arcs, tone, using beat sheets and the number of passes you might do to get a scene right. Revision is more than a process of tidying and troubleshooting. It is a voyage towards a state where we know our book extremely well.
It reminds me of when I was at school, revising for chemistry A-level. For a long time the equations and Periodic Table rules seemed an impossible amount of information. I kept rereading my notes, hoping more would sink in, when gradually I noticed it was making sense as a grand pattern. From that point, I felt I could use it.
When I first start to revise a novel, it is a mystery to me. I wouldn’t scrape even a GCSE pass. Revision brings familiarity, clarity, the insight to understand what human forces are at work in the book, how the themes will bind it together, where the most fundamental resonance lies. And that’s why I find revision is more than a process of correcting, polishing or changing. It is learning to use my material. And it is thoroughly creative.
The beat sheet is one of the tools in Nail Your Novel: Why Writers Abandon Books & How You Can Draft, Fix & Finish With Confidence. There’s also more about it here.
Having inflicted a new post on you for the last 7 days, I’ll be a bit less prolific next week. The next novel-nailing post will be on 17 August, although there will be an Undercover Soundtrack as usual. And of course I’ll be answering comments. On that note –
Any thoughts on the creativity of the revision process? Let’s comment! Except for Robert Scanlon, who raised this point already in his most recent note here. Robert, you can give yourself a gold star for being ahead of the class 🙂
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- ‘I have a flash fiction mind’ – interview with Jayne Martin @jayne_martin February 21, 2021
- Your first pages – 5 more book openings critiqued by a literary agent, YA author @AJ_Dickenson (and me!) at @Litopia February 15, 2021
- ‘Deep in the vulnerabilities and privileges of suburbia’ – The Undercover Soundtrack, Adam Byatt @RevHappiness February 10, 2021
- How to write a logline for your novel February 7, 2021
- Finding your personal magic – talking to @thecreativepenn about forgotten places, historic landscapes and Not Quite Lost January 28, 2021
- Getting to the truth about strong women and troubled teenhood – novelist, playwright, essayist, writing coach Martha Engber @MarthaEngber January 24, 2021
- How to write captivating characters – interview at @Sacha_Black Rebel Author podcast January 17, 2021