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Posts Tagged chemistry A level
All this week I’ve been running a series of the sharpest questions from my Guardian self-editing masterclass. In previous posts I’ve discussed three/four-act structure, endings, characters who are either bland or too disturbing to write , making a character distinct through dialogue , a fundamental misconception about self-editing and letting the manuscript rest. I want to end on this note –
The revision journey
A clear message emerged as we discussed my usual stops in the self-editing process – checking the pace, structure, character arcs, tone, using beat sheets and the number of passes you might do to get a scene right. Revision is more than a process of tidying and troubleshooting. It is a voyage towards a state where we know our book extremely well.
It reminds me of when I was at school, revising for chemistry A-level. For a long time the equations and Periodic Table rules seemed an impossible amount of information. I kept rereading my notes, hoping more would sink in, when gradually I noticed it was making sense as a grand pattern. From that point, I felt I could use it.
When I first start to revise a novel, it is a mystery to me. I wouldn’t scrape even a GCSE pass. Revision brings familiarity, clarity, the insight to understand what human forces are at work in the book, how the themes will bind it together, where the most fundamental resonance lies. And that’s why I find revision is more than a process of correcting, polishing or changing. It is learning to use my material. And it is thoroughly creative.
The beat sheet is one of the tools in Nail Your Novel: Why Writers Abandon Books & How You Can Draft, Fix & Finish With Confidence. There’s also more about it here.
Having inflicted a new post on you for the last 7 days, I’ll be a bit less prolific next week. The next novel-nailing post will be on 17 August, although there will be an Undercover Soundtrack as usual. And of course I’ll be answering comments. On that note –
Any thoughts on the creativity of the revision process? Let’s comment! Except for Robert Scanlon, who raised this point already in his most recent note here. Robert, you can give yourself a gold star for being ahead of the class 🙂
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- 9 tips to nail dialogue – guest post at Ingram Spark July 8, 2019
- The ‘under-arrest’ test – how to see the holes in your story’s ending June 20, 2019
- Roger Ebert, Werner Herzog, Antarctica … and a manifesto for maverick creatives May 23, 2019
- Writing multiple projects and keeping in touch with a book when you take a break – interview at Joined Up Writing podcast May 12, 2019
- ‘Something elusively wistful’ – The Undercover Soundtrack, Gwendolyn Womack April 28, 2019
- On interrupting the story for your brilliant philosophical ideas April 22, 2019
- Write a brilliant novel by asking the right questions – guest post at The Creative Penn April 5, 2019