Posts Tagged confidence
‘My friend Lucy has always loved writing but recently she’s lost confidence. I’ve just bought her your book Nail Your Novel for her birthday, but I wondered if you’d have time to write something in it to give her a little encouragement? Yours, Diane
I had this lovely email a few weeks ago. I started to scribble a few lines and it turned into a bit of a campaign. So I asked Lucy and Diane for permission to reproduce it here
Diane tells me you’ve found yourself writing a novel. Somehow writing sneaks up on a lot of us like that. A bit of typing here, an hour or two musing about characters and a story, and before we know it we have a regular appointment with the page.
She says you’re not always finding it easy. Well, I hope my book will hold your hand some of the way, but here are a few other things I’d say.
All writers doubt themselves
Will we have enough ideas? Will we be able to make the story work? Will our book live up to what we want it to be? And what is that anyway?
Writing a novel is a big job. You have a heck of a lot to get right. Plot, character, pace, theme, structure, description, logistics, language. If it’s your first novel, you’ve also got to learn the craft too. If you take it at all seriously (and thank goodness you clearly do), you’re bound to have wobbly times. Most professional novelists take at least 18 months to get a novel right – and they know what they’re doing.
Take your time and listen to your instincts. Ignore the relatives and friends who are making impatient noises about when it will be ready. They have no idea how much work is involved.
Your path won’t be the same as anyone else’s
… but reading about others’ helps. Writing is a self-directed quest, guided by the books you read and the book you want to do justice to. Plus, of course, whatever’s going on in your life – and that’s under nobody’s control at all. Enjoy your random, rambling learning process because it’s what will help you define your style, your way.
Sometimes it helps to look back at what you wrote a year ago – or two – and compare it with how you’d do it now. Even, ask yourself what you did to make the difference – then you’ll see how your haphazard experiments are taking you somewhere.
Your style and voice
Have you got a style yet? Is your voice strong enough? This develops with mileage. There are no shortcuts, but until you’ve got it, play. Find a writer whose voice you adore and try ‘being’ them for a while, at least on the page. Most probably you won’t keep it up, but you might keep a new trick or a way of having fun with words. One day, you’ll find you’re not writing like somebody else. You’ll have found the way to sound like you.
Top up the creative well
Read – and read actively. Not just craft books. Read fiction. Observe how other people make stories.
Read lots in your chosen genre, but go beyond that too – the techniques or traditions of another could give you fresh ideas.
Every time you read something that affects you, ask yourself why. Try to read the good stuff, of course, but occasionally find something with appalling reviews and read it to see what makes the difference.
Do you have an English literature degree? It doesn’t matter if you do or don’t – most of them don’t teach you to write, or to read like a writer.
Notice the structure as well as the words
Novels are like machines. Under all the words, there is another force at work; the order of the events and the way you show them. Notice that as much as the pretty language.
Rewriting is completely normal
It takes time to get a novel right. We all have to look at what we’ve written and ask ourselves if it works. We all have to go through a scene multiple times in order to make it zing. We all have files full of stuff we’ve reluctantly deleted from our books because a nagging voice told us they didn’t fit.
Many people don’t get an agent or publisher – or aren’t ready to go public – with their first novel. That doesn’t mean it was a waste of time. It also doesn’t mean it has to be wasted. Sometimes, after you have a few more novels under your belt, you can return with fresh eyes and finally do justice to your beloved characters and story.
Find others who are like you
All writers have blind spots, no matter how long we’ve been writing. Find yourself people whose opinions you can trust and who understand the kind of novel you want to write. This is unlikely to be friends and family. You need people who will give you critiques that will make your work stronger, but have the maturity not to shoehorn you into places you don’t fit. A critique group who writes genre such as paranormal or thrillers could set you on totally the wrong path if what you want to write is literary fiction (and vice versa).
Early on we need our trusted critics to help us grasp the basics. Much later, we still need them – perhaps because we’ve been pushing our limits and trying to do something ambitious.
Even the famous authors whose names are on the spines of your favourite books need guidance. The other day I heard an editor from Bloomsbury saying that several of her biggest-name authors had turned in manuscripts with significant problems. Sometimes it took several more drafts, with plenty of feedback, before the book came right.
I hope you don’t mind, but I’m going to publish this as a post on my writing blog. Because, as I hope you can see from this, all writers are bumping along in the same enormous, haphazard sea. And whether experienced or emerging, we all need reassurance sometimes.
Thanks for the cliff-jump pic Mr Chris Johnson
What would you tell Lucy? Share in the comments!
I first suggested it in my purple writing book Nail Your Novel, as part of the section on revision, and it must have struck a chord because time and again it gets picked up by other writers around the blogosphere. Here’s KM Weiland and here it is most recently being passed on by Larry Brooks, at all stations from Jenna Bayley-Burke to Porter Anderson.
Since it’s proving so useful, I thought I’d take a more in-depth look at why we might do this.
But first, here’s what you do (from Nail Your Novel)
Imagine you are writing a blurb or a review and that you have understood everything the writer was trying to do. Be specific about the story, the themes and the mood…
When might you do this?
You could do it when you embark on major revisions, to firm up your ideas before you hack and slay. Or any time you’ve got in a muddle and lost faith. What you do is step back and write how you would like the book to work if all problems were solved. If you step away from the details and look at the big picture, you often find you are not as lost as you think. Whether you knew it or not, you have strong, specific ideas about what the book would be.
What should you put in it? Everything distinctive and exciting about your novel. This might be any or all of:
- how the themes will work
- the influence of the setting and what it brings to the story
- the functions the characters might perform; perhaps whether they will be likable or not – and why that will be enjoyable
- what the set-pieces are
- why the big reveals will pack such a punch
- the literary traditions the novel might fit into, if that’s your bag
- the kind of readers who might enjoy it
- if you’re planning a non-linear structure or something tricksy like two narrators, why that was a clever move.
You can probably see you have to do a bit of head-scratching, so this exercise is good for making you justify – and understand – your creative decisions.
The title of this post suggests you do it when stuck, but it’s also a very useful exercise to do it at the start, as a mission statement for what you hope the book will be. Especially in that first flush of enthusiasm when the idea is seductive and brilliant. When you’re courageous and undaunted – you simply know it will be good. It’s good to harness that for later when the honeymoon’s over.
Novels take so darn long to write that there usually comes a time when we’ve lost perspective. We confuse ourselves with infinite possibilities. We may even suspect we’ve ruined everything. If you wrote your ideal version review to start with, you have something to pull you back together. Even if the novel changes substantially in the writing, it’s useful to have a record of this early, optimistic vision. (It might have got richer, more sophisticated. Or you may find that fundamentally you’re still on course.)
Most of all, this exercise gives us confidence. By confidence I don’t just mean feeling better; I mean clarity and boldness in the way we handle our material. We can pitch the mood, decide what themes to highlight, what word choices fit, what’s superflous. We can strengthen character motivations and plot. Novels that work well know where they’re going.
So if you’re feeling lost, write yourself a rave review. Spoil yourself and strengthen your novel.
Thanks for the pic Bidrohi >H!ROK<
Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence is available on Kindle and in print. Sign up for my newsletter! Add your name to the mailing list here.