Posts Tagged CreateSpace
How to un-self-publish: can you remove a book from self-published channels if you want to do something else with it?
I’ve had this question:
Can I free my book from Amazon CreateSpace? I want to seek a traditional deal. I published my first book a few years ago through CreateSpace. It’s a prelude to the one I’m now writing, and I am trying to find a publisher. Is there any way to free it from Amazon to match it to whoever I finally publish with? Sue
If you’re an experienced self-publisher you’ll know this is easy-peasy – so I’ll just say cheerio and see you next time. If not, read on….
Many writers might have an early book on a self-publishing platform, and now want to remove it. Perhaps to try for a traditional deal. Or to rework the material now they’re in a new phase of their writing life.
Here’s how to un-self-publish.
Do you have to ‘free your book’?
There are several aspects to this.
First: the rights. Big question: Are you allowed to unpublish the book and republish it elsewhere?
Let’s subdivide this further. Did you
- use the publishing platform directly, setting up your own account?
- use a middle man?
You published directly
The main direct platforms for print books are CreateSpace (which is now KDP), Lulu and IngramSpark. For ebooks, the main platforms are KDP, IngramSpark, Lulu and Kobo. There are also aggregators who send your books to multiple retailers – examples are Smashwords, PublishDrive, Streetlib, and Bookbaby.
If you have accounts with any of these, then you have complete control. You can remove the book yourself. Each platform has its own instructions.
So…. You don’t have to ‘free your book’. You are not under contract to these platforms. You simply used them as a printer. It’s not like a publishing deal. So you can do whatever you like with the book.
If it’s an ebook it will disappear from the sales channels.
If it’s a print book, the sales page will remain on Amazon but customers won’t be able to order it. There’s no way around this because it was assigned an ISBN so it forever exists in the limitless memory of book databases.
This might be irksome if you wish to bury the whole thing, but actually, it’s as good as buried. Only the cover, reviews and blurb will be visible to shoppers. In theory there might be second-hand copies available, though that’s unlikely. Even then, the system will probably help you as bots will know the book is scarce and will price the book at hundreds of dollars. (Really.)
So… although the book will look like it’s available, you can be pretty sure no one will buy it. But you can look at the page from time to time and laugh.
You went through a middle man?
If you went through a middle man, such as a publishing services company, they will have handled the uploading process through their account so you’ll have to ask them to remove the book. They probably printed through the exact same channels – CreateSpace, IngramSpark, Lulu or KDP, so the process at their end will be simple.
They might tell you the book can’t be taken out of the catalogues or off Amazon, but they’re referring to the situation I’ve explained in the previous section. The book will be visible but to all intents and purposes, not available (except for a handsome, bot-inflated sum of $700).
But… there are cowboy operators in the self-publishing world. Here are two hitches to be aware of.
- Some try to tie up your rights so that you can’t publish the book elsewhere.
- Others will make you pay for formatting and then not release the files for you to use yourself unless you pay a further fee. This situation won’t trouble you if you’re going to reuse the work anyway, or bury it for ever. (Here’s a post where I wrote more about this.)
Check the fine print of your agreement with them. With luck, everything will be straightforward. But if there’s a clause you’re unsure of, ask an expert at a professional body such as the Society of Authors or the Authors Guild. You could also try the Alliance of Independent Authors or Victoria Strauss’s blog Writer Beware.
Once you’ve freed the book, and you want to seek a traditional deal, what then?
A publisher probably won’t be interested in a self-published book if it didn’t do very well. Unfortunately! But if you’re substantially changing it, or re-presenting it as part of a bigger project, then it’s not the same work. When you query it, be clear about its history, and stress how your new use of it will be viable and different.
Lock up after you!
And don’t forget to block off the pathways to the book you’ve unpublished. Check through your blog, social media descriptions – anywhere you might, once upon a time, have laid a pathway for readers to find the book. There will be more than you think! Facebook, Instagram, Pinterest… unpick whatever you can.
If you have a blog or website, you might want to write a brief post explaining that you’ve now retired the book. If you have exciting plans for it, write about them. This will help make your site look current – readers are put off if they come to a site that looks unloved and out of date.
Thanks for the keyboard pic Ervins Strauhmanis on Flickr
How to prepare your Kindle text for a print edition – Part 2: chapter head styles and cleaning up the text
Fancy stuff like chapter heads
You can leave the chapter title in the same font as your body copy, or you might want something eye catching to draw the reader to the first line – maybe a motif or a drop capital. (Designing this deserves whole posts by itself; there are trillions of ways to do it, but the short answer is to find a book you like the look of in a similar genre and copy that). You might want a different font (not too fancy, please). I used Copperplate Goth BT.
Unless you have a fantastically good artistic reason, don’t use more than one heading font besides your body copy. Books look better if typefaces are inconspicuous and style is uniform. A little contrast is allowable in chapter headings, but if you have more than two typefaces it looks like it was made by someone under a responsible age.
Chapter titles don’t usually begin at the very top of the page. You’ll want to add line spaces, both above the chapter heading and afterwards, before the actual text starts. Experiment until you find an arrangement you like. Then write down exactly what it is – eg 3 carriage returns above and 2 below. You need to do it exactly the same in all the chapters. Properly typeset books are consistent about everything.
Similarly between sections that aren’t chapter breaks you’ll need a gap. How many lines do you want them to be? Do you want a little motif in the middle to delineate them? What about the paragraphs? Do you want them full out after a section break? Full out (ie not indented) is the usual option but I have seen indents work nicely as well. Make your decision, write it down – and do the same thing every time.
Then go through the manuscript and put them in.
If you formatted for Kindle you probably put page breaks in for chapter endings. If you formatted for other strains of epub you probably didn’t use page breaks. Go and put page breaks in for chapter endings now. If you try to split the book with carriage returns instead of page breaks, the next stage will do your head in. And make you resort to far more flabbergasted language.
Blank pages and front matter
Use page breaks to make blank pages too. And strip off the folio on blank pages if your program allows, or change the text colour to white so it doesn’t print.
Where do you want blank pages? Certain parts of your book must begin on right-hand pages, so you might have to put blanks in to achieve this – especially at the front.
Before you get to the text proper you need a few bits of set-up copy, known as front matter. Look in any published book and you’ll see. Usually these are:
- half title (right-hand page) – where you can put biographical info too
- copyright notice and ISBN etc (left-hand page)
- full title (right-hand)
- either blank or acknowledgements (left-hand page)
- start of book (right-hand page) or part 1/section 1 title page (right-hand page, then blank, then text proper on right-hand page)
Widows, orphans – the mysterious faffing I was leaving until last
Now you have the biggest, dreariest task of all. You have to look for bad breaks at the tops of pages – widows, orphans and stumps.
Widows and orphans are short lines in places you don’t want them – at the very bottom of a page or the very top. Stumps are words broken by a hyphen so that the first half of the word is on one page and the second half is on the next. All these can look ugly, although sometimes you can get away with one if there’s enough text on the rest of the page – it’s very much a matter of personal taste what’s acceptable and what isn’t.
You also have to look for section breaks in awkward places. If you have a section break, you want more than one line below it or it looks weird. And you don’t want a page with just 1 or 2 lines hanging in mid air and then the chapter end.
NB – most word processing programs have auto settings to get rid of these pesky widows and orphans. Turn it off. It results in short pages, which in a text-heavy book like a novel looks dreadful. Yes, you have to do this bit by hand.
NOT by squeezing the fonts together – that looks awful. NOT by sneakily changing the point size or the leading – it shows. You have to alter the text itself.
Remember when I said this isn’t about the text any more, it’s about how it looks? That’s what I mean.
Close up paragraphs, make new ones, cut out extraneous words to pull a line back, add a few to push one over. If you have sub-headings (weird in novels but de rigeur in non-fiction) put one in or take one out. If there’s no scope to edit on the page you’re on, go back a page and see if you can do it there. Sometimes you may have to go back a few. And keep checking the results.
This is the drudge. You have to do this for every single page. It’s fiddly. And this is why you want to have established all your other design decisions before you get here. Because you don’t want to have to do it all over again. And this is why you need to separate your chapters with page breaks, so that any change you make is confined to just a few pages. If you use carriage returns instead of page breaks, every change you make will affect the rest of the entire book.
You might wonder how you spot all these things. I do it automatically because I’ve done it for years. I can read the text and see all these things at the same time. (Hell, I scan for them when I’m reading other people’s books.) I can adjust the text so that it’s true to what I want to say and also looks typographically acceptable. In fact, because I knew I’d have to do this, I made my last major edits of My Memories of a Future Life in PagePlus so that the text would be identical to the Kindle version.
If you’re not practised at this it’s best to do several passes through the book, looking for one problem each time, until you get your eye in. And this exhaustive level of nit-picking might be one of the reasons you decide to hand this part of the project over to someone who can do it much faster than you can, and more thoroughly.
Once each of your pages looks typographically beautiful, proof-read it one last time, remembering to check that your chapter breaks are consistent – and your text is ready to go.
If you have a Kindle book you’ll have a front cover but you won’t yet have a back one. And you’ve probably got quite enough to do for now – so I’ll tell you how I designed mine in a future post.
Have you released one of your books in print form? Did you do the production yourself? If you have any tips to add or nightmares to share, I’d love to hear them!
HELP IS AT HAND… If reading all this has given you an intolerable migraine, I can format your book for you! Email me on RozMorrisWriter at gmail dotcom.