My guest this week is tackling the Croatian conflict of the early 1990s, and she used music to suggest fragments, atmospheres and moments of memory. When she sent me her post, she remarked that she found the process of writing it had been even more challenging than the novel, as she had never before admitted anyone to her personal space of creativity. This is one of the reasons I’m continually refreshed by this series – no matter what genre the book is, or what type of music they choose, the heart of each post is this real contact with a writer delving for the truth. Anyway, here you’ll find some haunting and unusual pieces by PJ Harvey, Smoke Fairies, Steven R Smith and Laurie Anderson, all in the Undercover Soundtrack of Alison Layland – on the Red Blog.
Tag: crime fiction
‘Five characters, five musical identities’ – The Undercover Soundtrack, Jessica Bell
My guest this week is an old hand at The Undercover Soundtrack. She made her first appearance here in 2012 with a soundtrack she had composed, sung and recorded herself – which earned my undying envy (in a good way). She’s a singer-songwriter as well as a poet and novelist, so music is a natural way for her to understand her characters. In her latest novel, she writes from the perspective of five people, and used music to help her create their different voices and mentalities. Join me on the Red Blog to meet Jessica Bell (once again) and the Undercover Soundtrack to White Lady.
‘Hacking to music’ – the Undercover Soundtrack, Ian Sutherland
On The Undercover Soundtrack, we’re used to writers using music to summon the muse. My guest this week goes one better. One of his main characters is a computer hacker, who limbers up by listening to Vangelis’s music for the film 1492: Conquest of Paradise. In real life, the author has a lifetime’s experience in the IT industry and seems adept at opening files in people’s pasts – Dave and I used to play 1492 incessantly as background for our own writings. My guest did it again when his editor revealed she had trained as a musician, like another of his characters. He is Ian Sutherland and he’s on the Red Blog with his Undercover Soundtrack – when he’s finished hacking the pasts of his production crew and blog hosts.
‘Music is fuel to take me where the characters go’ – The Undercover Soundtrack, Yasmin Selena Butt
My guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’s on the Red Blog with her Undercover Soundtrack.
‘Broken atmospheres and clashes of sensation’ – The Undercover Soundtrack, JJ Marsh
I’m rather fond of Jan Garbarek and Aphex Twin, and I’m delighted to see them working their influences on my guest this week. A crime novelist, she gathers soundtracks to make sure her stories stay true to the mood she has envisaged for them. She looks for music with a sense of tension, loss, instability and says that Garbarek in particular tells her stories – and even gave her a title. She’s also spent years searching for a very influential novel she read as a teenager. If you can identify it, she might send you a special prize (although she might be joking). She is JJ Marsh and shes on the Red Blog with her Undercover Soundtrack. PLUS you could win one of her novels …
One foot in another world: discovering what it is to be a novelist
‘I’ve been working on a novel,’ he said, and worlds collided.
I have such conversations all the time, but never in that place. I was freelancing on the magazine where once upon a time I was a full-time sub-editor. It was a day of facts, punctuation, page proofs, libel-watching, house style, hard news and deadlines.
Then one of the desk editors told me he’d started a novel and we jumped universes.
First he told me he’d had a story idea. An idle ‘what if’ moment; an entertaining daydream. Then, purely to keep track, it became necessary to write it down.
One day he discovered a book that seemed made for this situation (not Nail Your Novel; we need to have words about that). Before then, he hadn’t known that author manuals existed. He hadn’t done writing exercises since his journalism training, but now he found himself drawing up character sheets and developing back stories.
Ideas continued to ambush him, raining out of the sky like the pieces from random jigsaws. He saw an outlandish person on the train. Big hat, fur coat and tarantula-tight jeans: exactly what his character would wear. Once transplanted into the manuscript, the character disobeyed the story plan and did something else. It’s now a crime novel, which my colleague didn’t intend, but the characters made him do it.
He’s a journalist. He finds the facts, gets the quotes and rattles out the words. This novel, though, is not playing ball. Although it follows him like a mental entourage, it only speaks and moves when he’s not at the keyboard or can’t grab a pen. Strap-hanging on the train, interviewing an expert. Even in the shower. He declared this with some outrage, as though the characters had snuck in and swiped the curtain. Which is pretty much how he regards the whole surprising business.
Writing has been my habit for so long that I’d forgotten what it was like when it was new. Of course we never stop honing our craft but these days my zone of discovery has shifted to marketing, finding where I fit and what new platform I need to learn. Although these tools and possibilities are fresh and exciting, it’s nice to be reminded how I got here and what it all comes back to.
Tell me: how did you get here?
Thanks for the drawing, Freya Hartas, used with permission
NEWS If you’re at the London Book Fair on Wednesday this week, drop by the Kobo stand where I’ll be Writer In Residence! This is a rather astonishing development and I’m still pinching myself, but I’ll write a roundup post afterwards where I can indulge the ‘wow’ moment and hopefully say something useful too. Navigate your way to stand Y505 in the digital zone between 2.30 and 3pm on Wednesday 17th April (or instruct your nose to find coffee because it’s near the cafe).
‘Music dark and soulful; rural and tough’ – Dave Malone, The Undercover Soundtrack
My guest this week is best known for his poetry collections, but has had a weakness for crime fiction ever since he was a 10-year-old, smuggling a radio to bed to catch Mystery Theater. Music – and a few fingers of bourbon – were his close companions when writing his first novelet Not Forgiven, Not Forgotten. The Hank Dogs made the main character a dark angel in a corrupt town. Billie Holiday stopped the romance getting too sweet. He is Dave Malone and he’s on the Red Blog with his Undercover Soundtrack.