How to blog about your book … without giving too much away

Following my post about not talking about novels I’m writing, I’ve had this question:

I am a new author (just signed) and I am struggling with how to share parts of the story to entice readers while also protecting its integrity. Any suggestions?

Don’t be a tease
My first question is this. How far off publication are you?

If it’s more than a couple of months, you might be wasting time by giving specific details about the book. Internet shoppers are slaves to impulse. They want to buy instantly. There’s no shortage of shiny new stuff to keep their £££s busy. If you can’t offer an instant purchase or pre-order, they’ll go somewhere else and who knows if they’ll remember they even considered your book? And if you flirt with them too often without following through, you’ll wear out their interest. Don’t waste your shots.

Be discreet about the book until you have readership
If you’re starting to blog, don’t feel pressured to talk about the book. Everyone’s doing that anyway. Think of blogging as a conversation opener, like any other part of social media. Talk about other material you’re interested in, things you have in common with the people you hope will be your readers – themes, locations, historical periods if appropriate, other books that have been influential. Go out and find like-minded souls in Facebook groups, Twitter, Linked In groups, Google + communities. Comment on posts at other blogs.

You could put a progress thermometer on your blog sidebar with the status of your books. This would let people know you’re writing and help the title become familiar for them.

Ready for my close-up
If you’re close to publication, you can start your dance of the seven veils. Aim to generate intrigue. Here’s what I do, and what I’ve noticed seems effective for the writers in my blogosphere.

Cover and visuals
Readers love to see the evolution of a cover. (Writers do too, to learn!) This is one of your chief opportunities to attract attention and you can get several blogposts out of it, whether you’re indie or traditionally published. Talk about how you fixed on a design concept, any wrong turnings you took (I’ve got a humdinger here as I nearly loused up my second novel with an unsuitable jacket. But it gave me a great yarn for my blog.)

Some authors create mood boards on Pinterest for their work in progress. Or they lay a quote from their book over a picture, like an advert, and put it on Pinterest. This is enormously satisfying, and Pinterest is certainly a phenomenon. Does it lead to book sales? Who knows. I doubt that people go to Pinterest looking for a book to read. But they do look for stuff to share, and if your picture has wide appeal it might get spread around. Again, does that get it to people who might want to know about your book? Who knows. We’re venturing into the haphazard, unmeasurable realm of advertising here. do it if it satisfies you, but don’t let it become more important than spreading the word… in words.

Stories about your stories
What made you write your book? Most of us could pinpoint an experience or a twinkling idea that set us on the path. Work out your origin story – it’s an excellent way to reach out to new readers while remaining discreet. On the blog for My Memories of a Future Life I’ve got a section called Glimpses . And on Lifeform Three it’s Origins.

There are more ideas in this post – keep your stories about your stories.

Should you post excerpts?
I’m cautious about excerpts. Either they spoil a carefully laid surprise or they look bonkers because the reader doesn’t have the context. But there are certain excerpts that a browsing reader would expect to find, and I’m happy to post those. On my novel pages I’ve got the first page and the page 99 test.

Well-polished outtakes are another good way to demonstrate your style and substance without giving too much away. Here’s one of mine . And here’s one by historical thriller author David Penny.

Once the launch party’s over
There will come a time when you can’t squeeze much more out of the launch. Know when to draw back. Now your blog isn’t about an agenda, it’s back to conversation – your personality, little snatches of life. It’s giving people your company, not your campaign. Indeed, this is where you’ll be glad you established this from the start.

Here are two different approaches: Chris Hill  has a mix of author interviews, thoughts on reading and writing. Or this more visual group blog (right) from Joni Rodgers, Colleen Thompson and Dr Kathryn Peterson. And so we go back to the start, until another book is ready.

Thanks for the bird pic TheRealBrute

Have you had to grapple with this issue? How much do you share about a book in progress? How far in advance do you talk about the content? What’s worked for you and what hasn’t? Let’s discuss!

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How to keep writing when time is scarce – 6 tips and video chat at #IndieReCon15

We all have periods when our creative time is nuked. Day jobs, family responsibilities or out-of the-blue crises can make our writing goals streak away into the impossible distance. Even if writing is our chief occupation, there are platforms to build, decisions to mull. And if we self-publish we can add more exacting tasks to the list.

This year I’ve become more aware than ever how scarce my writing time has become. As well as editing work, I’ve got invitations to speak and run courses. I’m thrilled, and happily surprised as I never expected it. I consider myself fantastically lucky to be able to build a career on this art I’ve practised quietly for decades. But if my own novels take a back seat, my soul will shrivel. So this is how I stay on track.

Micro-sessions

You don’t always need big chunks of writing time. Instead, schedule micro-sessions. Can you set the alarm 20 minutes earlier? Earmark that to spend time with your book’s textfile, planning the next scene, honing the one you’re currently writing, creating your beat sheet if you’re in the revision stage (more about that here). Begin your day with a short stretch of clear, quality book time – and it will travel with you all the rest of the day. I’ve written more about that here.

Triggers

Develop smart triggers for quick access to your book’s world. If you’ve hung around here for any period of time you’ll know how keen I am on music for this . At the moment, I’m gathering an Undercover Soundtrack for Ever Rest, and it keeps my enthusiasm stoked, reminds me of the book’s world, the characters and their mysteries.

Draw inspiration from everyday life

The more I am immersed in the book, the more I find useful material comes to me – the view out of a window will help me build a scene in a new location, the outfit of a guy on the Tube is how one of my characters will dress.

Baby steps keep your mission clear

It’s easy to become overwhelmed by the little glitches that spring up as we write and edit. We can be just as disrupted by new ideas that suggest fresh possibilities. Suddenly our clarity has gone, the book’s getting out of control. The mistake is to try to muddle on with all those new ideas boiling around you. Instead, isolate a question you want to consider, brainstorm it, consider the consequences for one path or another – and when you’re ready, return to the main book. When I bump up against a problem with plot or characters, I scribble it on a scrap of paper and carry it with me so I can work it out without getting confused or derailing the rest of the book.

Remember editing is part of the writing

Some authors regard redrafting as a chore of corrections, a dispiriting process of confronting what we did wrong. And indeed, some authors still don’t realise they can self-edit at all. (I get emails from writers who worry their first draft is turning bad, and want to send it to me for a developmental report.) But revision is 1 – necessary and 2 – an intensively creative opportunity. Most novels get better from multiple visits. The more you edit, the more you understand what your book needs and how to streamline it. More here on this – revision is re-vision.

Find a buddy

I have a writer friend who’s also fiercely defending his writing time, while over-run by a busy career. For a few years now, we’ve been direct messaging on Twitter first thing each morning, a little nudge to say ‘I’m on my book – are you on yours?’ Find a buddy who’s also in danger of drowning, and keep each other accountable.

There’s a lot more on getting your novel finished in Nail Your Novel: Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence. 

Anyway, here’s the video from IndieReCon 15, which this year was organised by the Alliance of Independent Authors. The other faces are authors Christine Nolfi and David Penny .

And tell me – how do you stay in touch with your writing when time is scarce?

I name this book… tips for choosing a good title

For every manuscript I see with a head-turning title, there’s another with a title that’s limp, unassertive and would never tempt a reader to look closer. Or a title that’s too tricky to remember.
I had a great discussion about this recently with Peter Snell (you know, from Barton’s Bookshop) in our show for Surrey Hills Radio (find it here, on show number 10) and I thought it might be fun to elaborate on it further.

Numbers are powerful
For non-fiction, you might add a sense of value by putting a number in your title. 50 Tips To Help You Build A House sounds like it offers far more than just Tips To Help You Build A House. Numbers also create a sense of insider knowledge, that an expert has chosen just the tips you need and discarded the others. When Peter and I recorded the show in the bookshop, we’d set up the microphone in the countryside section, where there were plenty of titles like 100 Finest Country Houses. One book might have country houses, but the 100 Finest sounds more persuasive. Suppose another book of country houses misses out the best ones?
Tip: a non-fiction title should sound authoritative, assertive.
For fiction, numbers can add a sense of frisson, a specific tipping point – Catch-22, Station Eleven, Fahrenheit 451. They seem to say ‘at this moment or place, or with this concept, something significant happens’. (And look at the startling oddness of Fahrenheit 451. The unconventional word order stirs up a sense of disturbance. Ray Bradbury’s titles all have this quality.) 1984 is a clever shuffling of the date of the novel’s publication. We can imagine how sinister it must have seemed in 1948. This will be us, it seems to say. Come and see. (Is anybody currently writing 2041?) Anthony Burgess wrote a tribute to Orwell’s novel and, naturally, called it 1985.
Tip: numbers are good for attracting attention.

‘One’ is special
In our discussion, Peter mentioned One Flew Over the Cuckoo’s Nest, and took us in a new direction. This title suggests a person on their own, the one who dared to go against the crowd. It conjures up a character. It also seems to speak for all of us while also being about one individual.
Continuing the power of One, David Nicholls’s One Day sounds momentous; simple yet significant. It’s also a common phrase, with overtones of hope and dreams.
And how about The Girl With The Dragon Tattoo? (Bafflingly, its original Swedish title translates as Men Who Hate Women. Perhaps a Swedish-speaker could explain if the original has a special quality that makes up for the apparent blandness.)
Tip: consider the bold and emblematic individual, time or event.

What’s in a name?
We like a sense of a character in a title. Names can conjure this up, but they might be hard to remember, especially if the name is used in isolation. If you read a post or a feature about a novel called Mary would it stick in your mind so you could find it later? Memorable titles will set up a little more. A Prayer for Owen Meany: why does Owen need to be prayed for? Or they might set a tone of irony – The Book of Dave. Or grab attention with a clever phrase – Memento Nora. The Rosie Project. Each Harry Potter book had a promise of adventure – The Philosopher’s Stone, The Deathly Hallows. (Also she was writing a series.  Harry 2, Pottered About Some More, might not have done the trick.)
Tip: if using a name, add something to create a sense of curiosity.

Made-up words, or words that are difficult to pronounce
Years ago, I made this mistake with my first novel. I set my heart on calling it Xeching, after the meditative treatment performed by characters in the future part of the book. It seemed to carry resonance, but only if you knew what it was, of course. Agents pointed out that it was too hard to remember, not to mention incomprehensible. It’s perhaps the absolute showcase of a disastrous title – it means very little and is hard to spell. (I was thinking with my designer head, imagining it in a big, intriguing font on the cover.)
Your unwise title may seem to have many points in its favour. But will this meaning be apparent to somebody happening on your book for the first time?
You might create a striking effect, though, by mis-spelling a word, if the mis-spelling is easy to remember. A novel about murders in the cyber-age might be called Killr.
Tip: tricky spellings and made-up words are hard to ask for in bookshops and difficult to find in online searches. And that’s assuming they’re remembered at all.

Personality of the book
Some titles snare us with a sense of personality. The Girl Who Circumnavigated Fairyland In a Ship of Her Own Making. Kill The Poor by Lemony Snicket (itself an eye-catching nom de plume). Everything is Illuminated by Jonathan Safran Foer.

Instability is good
Lauren Oliver’s Before I Fall carries a promise – something must be done before time runs out. Look at the tension in Philip Pullman’s The Good Man Jesus and the Scoundrel Christ. John Steinbeck’s East of Eden is potent with downfall. New twists on famous quotes or concepts are easy for readers to remember.

Words that suit the genre
In our radio discussion, Peter remarked that certain words seem to embody the appeal of a genre – and mentioned angels, demons. (Though I threw a spanner in the works by mentioning Marian Keyes’s Angels, which is chick-lit. Or did I throw A Spaniard In The Works like John Lennon?)
The treatment of the title also tells the reader a lot. My friend David Penny is preparing to publish his historical crime novel, Breaker of Bones. I saw a conversation about it on Facebook where another friend (who didn’t know Penny’s work) asked why it wasn’t Bone Breaker. That would be an entirely different kind of novel.
Tip: look up genres on Amazon and on Goodreads lists to see if there are words and title styles you should consider.

Sum up a feeling – how memorable is it?
The least successful titles I see are when the author is trying to sum up a feeling in the book. These often become generalised and vague. Finding The Answer. The Past Returns. All My Tomorrows. Husband Dave came up with clever suggestion here. If you think of a possible title, tell it to your friends. Then, a week later, ask them if they can remember it. (Try to pick the friends who don’t have superhuman powers of recall.)
The Mountains Novel (now Ever Rest) might have been christened Comeback. This certainly fitted in some ways with the story. It was pithy. However, when I googled, I found reams of novels called Comeback, many of them in the crime genre – a rather misleading flavour.
Not only that, I couldn’t remember Comeback. I simply couldn’t. In my mind, it became Countdown, though lord knows why. If it couldn’t stick for me, it certainly wouldn’t for a reader. Anyway, Ever Rest suits its mood far better.
On the show, Peter Snell added the bookseller’s perspective on commonly used titles. It’s a right royal pain to find the book the customer actually wants.
Tip: Once you’ve identified a feeling or theme you might highlight in a title, you can brainstorm strong, striking and emotive words for it.

Again, how memorable?
If your name is well known, you don’t have to try that hard with the title. Readers know to look for the next book by you. They’re more likely to find you by searching for your name, not your book title. On the show we discussed how the fantasy author Jack Vance (whose work I love) has many titles that are little more than labels (The Planet of Adventure, Trullion).
Daphne Du Maurier, Jane Austen and Charlotte Bronte all got away with name-titles (Rebecca, Emma, Jane Eyre). But they were writing in less competitive times. Would Lewis Carroll have got very far if he’d published Alice’s Adventures In Wonderland today?

Thanks for the pic Lisby

Oh, and speaking of titles with a number…

Have you any tips to share on coming up with titles? Do you find it difficult? If you have decided on a title, what others did you consider? How did you make the choice and why?

‘Music of raw power, pulling back from chaos and feedback’ – The Undercover Soundtrack, David Penny

My guest this week describes his writing as a constant state of striving – to achieve the same visceral punch of great music. His books come to him that way too – protagonist, thread and plot in one hit. In fact I’ve actually seen this thunderbolt descend; I was with him on a course one day when he told me he’d just overheard a conversation that gave him an entire plot and its characters in an instant. After that comes the hard work, of course, and music helps him return to that state of fever. The novel he is talking about this week is the first in a crime series, set in the final years of Moorish rule in Spain, and its soundtrack is full of sweat, guitars, lutes and bass. He is David Penny and he’s on the Red Blog with his Undercover Soundtrack.